Museum Studies Commons^™

Review: Natalie Selden Barnes's Honor The Precariat, Annah Krieg

Academic Labor: Research and Artistry (2017-2022 archives)

This review details the fall 2017 exhibition of Natalie Selden Barnes's installation, Honor the Precariat, which took place in the Directions Gallery in the Department of Art and Art History at Colorado State University. By combining data with plexiglass figures in an immersive artwork, Selden Barnes compels the viewer to engage with the complex reality of the majority of university educators, those who are adjunct instructors.

The Missing Museums: Accreditation, Surveys, And An Alternative Account Of The Uk Museum Sector, Fiona Candlin, Jamie Larkin, Andrea Ballatore, Alexandra Poulovassilis

Art Faculty Articles and Research

Surveys of the UK museum sector all have subtly different remits and so represent the sector in a variety of ways. Since the 1980s, surveys have almost invariably focused on accredited institutions, thereby omitting half of the museums in the UK. In this article we examine how data collection became tied to the accreditation scheme and its effects on how the museum sector is represented as a professionalised sphere. While is important to understand the role of surveys in constructing the museum sector, this article also demonstrates how the inclusion of unaccredited museums drastically changes the profile of the museum …

Seventeenth-Century Spanish Colonial Identity In New Mexico: A Study Of Identity Practices Through Material Culture, Caroline Marie Gabe

Anthropology ETDs

This dissertation explores how seventeenth-century Spanish colonial households expressed their group identity at a regional level in New Mexico. Through the material remains of daily practice and repetitive actions, identity markers tied to adornment, technological traditions, and culinary practices are compared between 14 assemblages to test four identity models. Seventeenth-century colonists were eating a combination of Old World domesticates and wild game on colonoware and majolica serving vessels, cooking using Indigenous pottery, grinding with Puebloan style tools, and conducting household scale production and prospecting. While assemblages are consistent in basic composition, variations are present tied to socioeconomic status. This blending …

From East Germany To West Chester: Ivonne Finnin's Reflections On Fate, Family, And The 30th Anniversary Of The Fall Of The Berlin Wall, Laura Di Giovine

WCU Museum in the News

No abstract provided.

The Canon As Provocation: Partnering With Museums For The Future Of Art History, Jennifer P. Kingsley

Art History Pedagogy & Practice

Understanding the art-historical canon as socially embedded and historically negotiated is a threshold concept for art history but there is a paucity of research on how to position students to examine the formation of the academic disciplines and negotiate the performance of their canons in academic and public space. Art history has an advantage over other disciplines in this regard due to the close relationship it enjoys with art museums, which make the discipline and its history present in space. This article presents two case studies in support of partnering with museums to move histories of the discipline to the …

Editors' Notes: Critique Of The Canon And Pedagogy In Art History, Virginia Spivey, Renee Mcgarry

Art History Pedagogy & Practice

No abstract provided.

Museum Review: Temecula Valley Museum, Sarah Bliss

History in the Making

No abstract provided.

"We Demand An End To Racism!": The Civil Rights Movement In Chattanooga, University Of Tennessee At Chattanooga, Chris Bishop, Addy Green, Owen Kelly, Brooke Sobo, Sam Tilleros, Kristin Cummings, Joseph Dycus, Alondra Gomex, Brittany Green, Delaney Lay, Kiana Reece, Wesley Bolton, Madison Dalton, Miguel Detillier, Shea Hanna, Noah Silver, Dominic Austin, Madison Beckner, Christian Cage-Henderson, Chance Cuban, Cheyenne Pearson, Sarah Yarbrough, Chandler Elkins, Katy Sommerfeld, Kaitlyn Warf, Kristin Woodall

Special Collections Exhibition Records and Catalogs

No abstract provided.

Friends Of Musselman Library Newsletter Fall 2019, Musselman Library

Friends of Musselman Library Newsletter

From the Dean (Robin Wagner)

Library News

• Cite and Bite Workshops
• Open Access Week (Janelle Wertzberger, Alecea Standlee, Hana Huskic)
• Notes at Noon
• Friends Sponsor Guild Participation (Mary Wootton)
• Stop the Bleed
• The Wall Must Go
• Story Time
• Table to Farm
• Pop-up Library
• Take the Reading Challenge
• 1,000,000
• Grant to Digitize Asian Art

Vietnam Oral Histories (Ron Bailey '67, Sue Hill '67, Michael Birkner, Devin McKinney)

Alexander von Humboldt's Secretary (William Bowman)

Focus on Philanthropy: Walter Miller Trust

A Gift in 3 Dimensions (Richard C. Ryder '70)

Remembering Richard Ryder '70 (Michael Birkner)

New Externship - Careers in Library and …

Complicating The Narrative: Using Jim's Story To Interpret Enslavement, Leasing, And Resistance At Duke Homestead, Jennifer Melton

Theses and Dissertations

In the antebellum South, an enslaved person was more likely to be leased out than to be sold during his or her lifetime. Despite its ubiquity, leasing of enslaved people is rarely interpreted at historic sites and is not widely understood by the general public. In this project, I examine leasing and resistance to slavery in North Carolina through the lens of Jim, an enslaved man leased by Washington Duke at the property that is now Duke Homestead State Historic Site. While Duke is famous in North Carolina as founder of the American Tobacco Company, he was a yeoman tobacco …

Kenneth Burke At The Moma: A Viewer’S Theory, Debra Hawhee, Megan Poole

Faculty and Staff Scholarship

When Kenneth Burke visited the Museum of Modern Art exhibition “Road to Victory: A Procession of Photographs of the Nation at War” in the summer of 1942, he most likely did not expect to leave with such intense and intensely contradictory impressions. His visit there offers rhetoric scholars an opportunity to examine the exhibition – important for museum rhetoric because of its propagandistic political message and its innovative visual and material design. Considering the exhibition on its own terms, and the way designers managed problems of circulation and implemented new methods of “extended vision” helps us to present Burke’s then-developing …

Getting Located: Queer Semiotics In Dress, Callen Zimmerman

Dissertations, Theses, and Capstone Projects

The body, a long contested site of identity construction, has been used by historically by queers to convey desire, build affinity and transgress norms. Looking at the fashioned queer body, this capstone takes the form of a proposal for an art exhibition at the Leslie Lohman Museum of Gay and Lesbian Art. Seeking to engage with objects, performance and film which approximate, provide proxy for or depart from the body as a site, it explores the social and political quagmire of getting dressed. Comprised of contemporary art that looks at the rupture of legible bodily semiotics, this show wonders what …

If These Walls Could Talk: Best Practices For Storytelling In Historic House Museums, Hannah M. Gaston

Seton Hall University Dissertations and Theses (ETDs)

Historic house museums are one of the most common types of museums in the United States. These museums vary from large institutions with budgets of several million dollars to entirely volunteer-run organizations, but all these museums tell stories about their former inhabitants, their buildings, and their objects. While some of these museums excel at storytelling through programming and interpretation, many historic house museums still struggle to discover and implement recognized best practices. With limited resources, decreased visitation, and questions of sustainability, historic house museums have to learn to tell relevant and compelling stories to stay viable. Literature from the field …

How An Urban Beach Impacts A Small Town: The Rivi-Erie, A Public Art And Placemaking Case Study, Ellen M. Martin

Museum Studies Theses

This thesis documents the creation of an urban beach on the banks of the Erie Canal in Lockport, New York and the effect it had as both public art and placemaking on a community's identity and development. The “Rivi-Erie” was a project that had the potential to impact the city by reimagining and reinventing a valuable, yet previously underutilized parcel of land.

The concept of changing a public space into a faux urban beach is not new. Beaches with no attendant swimmable water became popular about fifteen years ago in Paris when a newly elected Socialist Mayor sought to address …

Ethics Or Law: Which Should Prevail In Conflicts Regarding The Restitution Of Nazi-Looted Art?, Anthony Caruso

Seton Hall University Dissertations and Theses (ETDs)

Museums and sovereign states often face a dilemma when confronted with a claim seeking restitution of Nazi-looted artwork. The assertion of legal technicalities may allow an institution to maintain possession of its artwork whereas ethics would dictate its return. This paper discusses three cases where legal technicalities take precedence over ethics. This conflict demonstrates the need to have such disputes addressed in a forum other than a court system.

Harbored: Like Museums, Videogames Aren't Neutral, Stephanie Hawthorne

Institute for the Humanities Theses

The following is comprised of: (1) an analysis of scholarship and contemporary works regarding videogames and museums that demonstrate the theory and method behind this project, (2) research regarding an historic maritime event that will serve as the subject matter for the proposed videogame, and (3) a conclusion that summarizes the game design. The historical research at the heart of this project surrounds the SS Quanza, a steamship that in September of 1940 carried Jewish refugees from Portugal to the US and Mexico only to be faced with the possibility of a return trip to Nazi Europe. Elevating the voices …

Dissent And Disruption: How Artists Redefine Museum Spaces And Audience Engagement, Paige E. Sellars

MAD-RUSH Undergraduate Research Conference

This paper delves into the concept of artistic creation from engagement with museum collections and the intimate connection between museum curation the post-modern and contemporary artist. I discuss the work of Nedko Solakov at the Frans Hals Museum, Jenny Holzer and Donald Judd at the Museum of Applied Art in Vienna, and Fred Wilson at the Baltimore Historical Society. These artists intentionally reengaged with art and museum objects via deliberate installations and clever interventions to broaden the narrative and in some instances, contest the hierarchical dissemination of knowledge provided by the curator and the museum. Museums of the past espoused …

Slis Student Research Journal, Vol. 9, Iss. 1

School of Information Student Research Journal

No abstract provided.

Book Review: Palaces For The People: How Social Infrastructure Can Help Fight Inequality, Polarization, And The Decline Of Civic Life, Eric Klinenberg, Georgia Westbrook

School of Information Student Research Journal

No abstract provided.

Contemporary Art And Historical Archives: Collaborations And Convergences In A Digital Multicultural Age, Suzanne S. Lapierre

School of Information Student Research Journal

Literature illuminating the relationship between contemporary art and historical archives around the turn of the twenty-first century and how these interactions inform the evolution of archives in a digital multicultural age is the topic of this review. The literature reveals the extent to which art has been a means for members of marginalized groups to address their representation in historical archives, and also a means for archives to connect with a broader audience. Collaborations between artists and historical archives add new dimension to the debate about the nature of the archive as a creation in and of itself, and in …