Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s,
2020
Claremont Colleges
Woven By The Grandmothers: The Development Of The National Museum Of The American Indian Throughout The 1990s, Lucy Winokur
Scripps Senior Theses
In 1994, the National Museum of the American Indian (NMAI) opened the George Gustav Heye Center in New York City, the first of what would be three campuses. Ten years later, in 2004, the NMAI opened its main campus in Washington, D.C., already having cemented their place as leaders in a movement to center indigenous voices within museums housing indigenous material culture. By examining the history of the NMAI from the first acquisition of George Gustav Heye to its earliest approaches to exhibition design and collections management policy in the 1990s, it is possible to track the development of the …
Making Memory, Making Meaning: Memorial Museums And The Participatory Audience,
2020
Claremont Graduate University
Making Memory, Making Meaning: Memorial Museums And The Participatory Audience, Hillary Kirkham
CGU Theses & Dissertations
This dissertation explores the relationship between memorial museums and visitors, reexamining the process of remembering traumatic events in United States history. My work examines this meaning-making dynamic in case studies of four memorial museums: The 9/11 Memorial Museum, The Legacy Museum: From Slavery to Mass Incarceration, Manzanar National Historic Site, and Carthage Jail. By combining textual analysis of museums with data from visitor-produced materials such as guestbooks, letters, periodicals, and Instagram posts, I examine memorial museums' aims and rhetorical strategies while analyzing visitors' roles and contributions, illustrating how both guest and site collaborate to create memory and meaning. Drawing and …
Kim Gordon: The Bonfire,
2020
Miami University
Original Bauhaus: The Centenary Exhibition,
2020
Cooper Union
Original Bauhaus: The Centenary Exhibition, Morgan Ridler
Art Inquiries
No abstract provided.
S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking,
2020
Baylor University
S. R. Koehler And The Etching Revival In The United States: Toward An “American” Tradition Of Printmaking, Katie Larson
Art Inquiries
No abstract provided.
Age Old Cities: A Virtual Journey From Palmyra To Mosul,
2020
Boston University
Age Old Cities: A Virtual Journey From Palmyra To Mosul, Hyunjin Cho
Art Inquiries
No abstract provided.
The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule,
2020
La Salle University
The Drop Sinister: Harry Wilson Watrous’ Visualization Of The One-Drop Rule, Mey-Yen Moriuchi
Art Inquiries
No abstract provided.
Art Inquiries, Xviii:1, Full Issue,
2020
Virginia Commonwealth University
Bertoldo Di Giovanni: The Renaissance Of Sculpture In Medici Florence,
2020
Queens College
Bertoldo Di Giovanni: The Renaissance Of Sculpture In Medici Florence, Roberto G. Peredo
Art Inquiries
No abstract provided.
Obituary: Sydney Anderson (1927–2018),
2020
University of Nebraska-Lincoln
Obituary: Sydney Anderson (1927–2018), Scott Lyell Gardner, Robert M. Timm, Nancy Olds, Hugh H. Genoways
Scott L. Gardner Publications
On August 12, 2018, the American Society of Mammalogists (ASM) lost one of its giants of the latter half of the 20th century when Sydney Anderson quietly passed away at his home in Birmingham, Alabama, at the age of 91. “Syd,” to his many friends and colleagues, was born on January 11, 1927 in Topeka, Kansas, to Robert Grant and Evelyn Fern (Hunt) Anderson.
Anderson began his professional career at the University of Kansas, where for four years (1955–1959) he served as Assistant Curator in charge of mammals in the Museum of Natural History, and Instructor in the Department of …
Women At The Dawn Of History,
2020
Yale University
Women At The Dawn Of History, Agnete Wisti Lassen, Klaus Wagensonner
Occasional Publications
This lavishly illustrated volume gives a voice to women who lived millennia ago in Mesopotamia, present-day Iraq, Syria and Turkey, and explores their roles, representations and contributions to society.
Tens of thousands of cuneiform texts, monumental sculptures, and images on terracotta reliefs and cylinder seals cast light on the fates of women at the dawn of history, from queens to female slaves. In the patriarchal world of ancient Mesopotamia, women were often represented in their relation to men—as mothers, daughters, or wives—giving the impression that a woman’s place was in the home. But, as we explore in this volume, they …
Front Matter,
2020
Virginia Commonwealth University
Alphonse Mucha: Art Nouveau / Nouvelle Femme,
2020
William Paterson University
Alphonse Mucha: Art Nouveau / Nouvelle Femme, Matthew Finn
Art Inquiries
No abstract provided.
Against Our Will: Sexual Trauma In American Art Since 1970,
2020
Rowan University
Against Our Will: Sexual Trauma In American Art Since 1970, Andrew D. Hottle
Art Inquiries
Book review of Against Our Will: Sexual Trauma in American Art Since 1970, by Vivien Green Fryd.
When William T. Wiley And Bruce Nauman Wrote To H.C. Westermann,
2020
Rhodes College
When William T. Wiley And Bruce Nauman Wrote To H.C. Westermann, David Mccarthy
Art Inquiries
No abstract provided.
An Interview With Adrian Rhodes,
2020
MICA
Pissed On Or Pissed Off: Andy Warhol’S Oxidized Portrait Of Jean-Michel Basquiat,
2020
Austin Peay State University
Pissed On Or Pissed Off: Andy Warhol’S Oxidized Portrait Of Jean-Michel Basquiat, Anthony J. Morris
Art Inquiries
No abstract provided.
The Avant-Garde Networks Of Amauta: Argentina, Mexico, And Peru In The 1920s,
2020
George Mason University
The Avant-Garde Networks Of Amauta: Argentina, Mexico, And Peru In The 1920s, Michele Greet
Art Inquiries
No abstract provided.
Enid Yandell: Kentucky’S Pioneer Sculptor,
2020
Kingsborough Community College
Enid Yandell: Kentucky’S Pioneer Sculptor, Caterina Y. Pierre
Art Inquiries
Book review of Enid Yandell: Kentucky’s Pioneer Sculptor, by Juilee Decker.
Back Matter,
2020
Virginia Commonwealth University
