The Belly,
2012
Rollins College
Clock (1),
2012
Rollins College
Body Movement Parameters (Bmp’S),
2012
Rollins College
Body Movement Parameters (Bmp’S), Rodrigo Toscano
SPECS journal of art and culture
No abstract provided.
The Three Breasts Of Hilda Von Why,
2012
Rollins College
The Three Breasts Of Hilda Von Why, Jeff Solomon
SPECS journal of art and culture
No abstract provided.
Waiting,
2012
Rollins College
Coke,
2012
Rollins College
As Good As Buried,
2012
Rollins College
As Good As Buried, Micah Riecker
SPECS journal of art and culture
No abstract provided.
In Place Of Danger,
2012
Rollins College
In Place Of Danger, Molly Bendall
SPECS journal of art and culture
No abstract provided.
Whistling From The Lean-To,
2012
Rollins College
Whistling From The Lean-To, Molly Bendall
SPECS journal of art and culture
No abstract provided.
A Relief Map,
2012
Rollins College
A Stranger, A Journey,
2012
Rollins College
A Stranger, A Journey, Rosalie Morales Kearns
SPECS journal of art and culture
No abstract provided.
Urban Legend Inquest,
2012
Rollins College
Urban Legend Inquest, Denise Duhamel
SPECS journal of art and culture
No abstract provided.
A One And A Two,
2012
Rollins College
A One And A Two, Janis Butler Holm
SPECS journal of art and culture
No abstract provided.
Notes On The Short Animation Passing,
2012
Rollins College
Notes On The Short Animation Passing, Eliza Fernbach
SPECS journal of art and culture
No abstract provided.
Short-Circuiting Aesthetics: A Novel Theory About The Origins Of Hitler And The Nazis,
2012
University of Minnesota Morris
Short-Circuiting Aesthetics: A Novel Theory About The Origins Of Hitler And The Nazis, Michael Lackey
English Publications
No abstract provided.
Death's Brother,
2012
Scripps College
Death's Brother, Gayle Greene
Scripps Faculty Publications and Research
No abstract provided.
Rachilde, Marguerite Eymery Vallette (1860-1953),
2012
CUNY Guttman Community College
Rachilde, Marguerite Eymery Vallette (1860-1953), Ria Banerjee
Publications and Research
This is a biographical overview of the life and principle works of the French author Rachilde, a.k.a. Marguerite Eymery Vallette (1860-1953), one of the few women writers working in the masculinist field of fin-de-siecle or decadent fiction.
Dirt Theory And Material Ecocriticism,
2012
Trinity University
Dirt Theory And Material Ecocriticism, Heather I. Sullivan
Modern Languages and Literatures Faculty Research
This essay speaks for dirty aesthetics. Although aesthetic landscapes readily inspire environmental thinking, a case can be made for grappling with the truly local dirty matter right at hand. Dirt, soil, earth, and dust surround us at all scales: we find them on our shoes, bodies, and computer screens, in fields and forests, and floating in the air. They are the stuff of geological structures, of the rocky Earth itself, and are mobile like our bodies.
Material Ecocriticism: Dirt, Waste, Bodies, Food, And Other Matter,
2012
Trinity University
Material Ecocriticism: Dirt, Waste, Bodies, Food, And Other Matter, Dana Phillips, Heather I. Sullivan
Modern Languages and Literatures Faculty Research
Chunks of walls and flooring crash in mangled heaps as an enormous orange crane smashes apart the science building. Fueled in part by energy funds, Trinity University is updating its campus. Several hundred feet away, purple martins swoop down to feed squawking chicks nestled in white plastic gourds dangling from an angular metallic pole. In the university's community garden, ripe tomatoes are going to waste. Beyond the demolition site, a grackle lands on the neatly mown grass, where he puffs up and struts while other grackles watch him.
Faust’S Mountains: An Ecocritical Reading Of Goethe’S Tragedy And Science,
2012
Trinity University
Faust’S Mountains: An Ecocritical Reading Of Goethe’S Tragedy And Science, Heather I. Sullivan
Modern Languages and Literatures Faculty Research
Ecocriticism's environmental perspective views human beings, bodies, and culture as participants in ecological interactions and exchanges with the rest of the energetic and material world, including both biotic and abiotic forms. This ecocritical essay assesses how Goethe portrays Faust's mountain experiences in both part I and part II (1808, 1832) of the tragedy as engagements with physical matter rather than with spiritual inspiration. Indeed, by using ecocriticism to study Goethe's science as the context for the play, we see that Faust's many mountains are more than a setting; they actively destabilize his — and our — assumptions about “passive matter” …
