Medieval Studies Commons^™

The Medical Response To The Black Death, Joseph A. Legan

Senior Honors Projects, 2010-2019

This paper discusses the medical response to the Black Death in both Europe and the Middle East. The Black Death was caused by a series of bacterial strands collectively known as Yersinia pestis. The Plague originated in the Mongolian Steppes. It was spread westward by the east-west trading system. Once it arrived in the Crimea in 1346, Italian merchants helped spread it throughout the Mediterranean. Medicine in Europe and the Middle East were centered on Galen’s theory of humors. There were many religious explanations for the Plague, but the main medical explanation was the spread of bad air, or …

The Cistercian Studies Conference, 2015, The Center For Cistercian And Monastic Studies

Conference on Cistercian Studies Programs

Program for the 2015 Cistercian Studies Conference at Western Michigan University in conjunction with the 50th Intentional Congress on Medieval Studies.

"So Vexed Me The Þouȝtful Maladie": Public Presentation Of The Private Self In Hoccleve's My Compleinte And The Conpleynte Paramont, Lauren M. Silverio

Honors Scholar Theses

The scholarship surrounding the life and work of Thomas Hoccleve is relatively young and lean compared to the tomes of knowledge that have been circulated about the slightly older and vastly more popular Geoffrey Chaucer. Up until the second half of the 20th century, Hoccleve came through history with the unfortunate moniker of the "lesser Chaucer." What this insult neglects, however, is that Hoccleve was more than just a lowly clerk who spent his days admiring and emulating the so-called Father of English Literature. Thomas Hoccleve deserves recognition for conceiving and creating works that are impressive both in their form …

The Anti-Crusade Voice Of Chaucer's Canterbury Tales, Malek Jamal Zuraikat

Graduate Theses and Dissertations

This study reads some Middle English poetry in terms of crusading, and it argues that the most prominent English poets, namely Geoffrey Chaucer, William Langland, and John Gower, were against the later crusades regardless of their target. However, since the anti-crusade voice of Gower and Langland has been discussed by many other scholars, this study focuses on Chaucer's poems and their implicit opposition of crusading. I argue that despite Chaucer's apparent neutrality to crusading as well as other sociopolitical and cultural matters of England, his poetry can hardly be read but as an indirect critique of war in general and …

Magic And Femininity As Power In Medieval Literature, Anna Mcgill

Undergraduate Honors Theses

It is undeniable that literature reflects much about the society that produces it. The give-and-take relationship between a society and its literature is especially interesting when medieval texts are considered. Because most medieval plots and characters are variants of existing stories, the ways that the portrayals change has the potential to reveal much about the differences between medieval societies separated by distance and time. Changes to the treatment of these recurring characters and their stories can reveal how the attitudes of medieval society changed over time. Perceptions of magic and attitudes toward its female practitioners, both real and fictional, changed …

50th International Congress On Medieval Studies, Medieval Institute, Western Michigan University

International Congress on Medieval Studies Archive

The printed program of the 50th International Congress on Medieval Studies (May 14-17, 2015), including the Corrigenda.

“The Bedroom And The Barnyard: Zoomorphic Lust Through Territory, Procedure, And Shelter In ‘The Miller’S Tale’” & Haunchebones, Danielle N. Byington

Undergraduate Honors Theses

“The Bedroom and the Barnyard: Zoomorphic Lust Through Territory, Procedure, and Shelter in ‘The Miller’s Tale’” is an academic endeavor that takes Chaucer’s zoomorphic metaphors and similes and analyzes them in a sense that reveals the chaos of what is human and what is animal tendency. The academic work is expressed in the adjunct creative project, Haunchebones, a 10-minute drama that echoes the tale and its zoomorphic influences, while presenting the content in a stylized play influenced by Theatre of the Absurd and artwork from the medieval and early renaissance period.

Julian Of Norwich: Voicing The Vernacular, Therese Elaine Novotny

Dissertations (1934 -)

Julian of Norwich (1342-1416), the subject of my dissertation, was a Christian mystic whose writings, Revelation of Love and A Book of Showings, are the earliest surviving texts in the English language written by a woman. The question that has puzzled scholars is how could a woman of her time express her vision in such innovative and literary language? The reason scholars have puzzled over this for centuries is that women had been denied access to traditional education. Some scholars have answered this problem through close textual comparisons linking her text to those in the patristic tradition or through modern …

Deposito Diademate: Augustine’S Emperors, Peter Iver Kaufman

Jepson School of Leadership Studies articles, book chapters and other publications

To assist colleagues from other disciplines who teach Augustine’s texts in their core courses, this contribution to the Lilly Colloquium discusses Augustine’s assessments of Emperors Constantine and Theodosius. His presentations of their tenure in office and their virtues suggest that his position on political leadership corresponds with his general skepticism about political platforms and platitudes. Yet careful reading of his revision of Ambrose’s account of Emperor Theodosius’s public penance and reconsideration of the last five sections of his fifth book City of God—as well as a reappraisal of several of his sermons on the Psalms—suggest that he proposes a radical …

Mirrored Images: The Passion And The First Crusade In A Fourteenth-Century Parisian Illuminated Manuscript (Paris, Bibliotheque Nationale De France, Ms Fr. 352), Susanna A. Throop

History Faculty Publications

This lavish mid-fourteenth-century Parisian illuminated manuscript (Paris, Bibliothèque nationale de France, MS fr. 352) combines a description of the Holy Land with an abridged version of the history and continuations of William of Tyre in Old French known as the Eracles. It is both visually familiar to scholars and under-studied. Several of its Gothic panel miniatures, especially folio 62r, the conquest of Jerusalem, have been published more than once, yet the manuscript's illumination programme as a whole has not been assessed since Jaroslav Folda's 1968 doctoral dissertation. Analysis of folio 62r in the context of both the full illumination …

Crossing Cultures: The Old Norse Adaptations Of Marie De France’S Lais, Kenna Jacobs

The Quiet Corner Interdisciplinary Journal

The representation of sin and sexuality in Marie de France’s Lais is a topic that continues to be debated among scholars, as the unexpected storylines – including adultery, bestiality, and physical violence – often clash with our preconceived notions concerning the medieval principles of modesty and restraint. The provoking, even disconcerting, nature of this work becomes quite apparent when examined in conjunction with their later adaptations in the thirteenth century, as King Hákon of Norway commissioned the translation of several lais into Old Norse as a means of promoting the courtly codes and conventions within French literature. Focusing on the …

“For It Acordeth Noght To Kinde”: Remediating Gower’S Confessio Amantis In Machinima, Sarah L. Higley

Accessus

Visual adaptation of a medieval text, as tempting as it is in film of any kind, is never an easy conversion, and all the more so if the original is as formally structured as John Gower’s Confessio Amantis. This essay examines the philosophy and difficulties of making a “medieval motion picture” (animated and narrated by the author) reflect the message of three of Gower’s tales (“The Travelers and the Angel,” “Canace and Machaire,” “Florent”) as well as the multimedia properties of the manuscripts that house them, their illuminations beckoning us into colorful virtual worlds. In referencing theories of adaptation, …

Preface, Georgiana Donavin, Eve Salisbury

Accessus

Co-editors Georgiana Donavin and Eve Salisbury are delighted to feature the work of medievalist and machinimatographer Sarah L. Higley in this issue of Accessus. In a machinima production that debuted during the Third International Congress of the John Gower Society at the University of Rochester (30 June through 3 July, 2014), Higley refashions three tales from the Confessio Amantis for her film The Lover's Confession. In this issue of Accessus, we present the film and Higley's commentary on the intersections between her creative work with machinima and scholarly issues surrounding "The Tale of the Travelers and the …

Buddhism As Performing Art: Visualizing Music In The Tibetan Sacred Ritual Music Liturgies, Jeffrey W. Cupchik

Yale Journal of Music & Religion

The eleventh-century Tibetan female ascetic, Machik Labdrön (1055-1153), developed a Vajrayāna (Tantric) Buddhist meditation method called Chöd (Tib. gCod, Eng. “to cut”) and associated ritual practices as a means of eliminating “self-grasping,” which is defined as the mistaken instinct of regarding one’s “self” and all phenomena as intrinsically, or independently, existent. Her musical-meditation method became renowned across Central Asia during her lifetime, and Chödritual practices and liturgies have been transmitted from teacher to disciple in unbroken lineages until today. The ritual is now well known globally, with Tibetan Lamas, nuns, and empowered exponents teaching widely, across a transnational …

Orphic Powers In J.R.R. Tolkien's Legend Of Beren And Lúthien, Jane Beal Phd

Journal of Tolkien Research

In “Orphic Powers in Tolkien’s Legend of Beren and Lúthien,” I consider three interrelated strands that influenced the development of Tolkien’s most precious story: Tolkien’s own life experience, sources from classical mythology and medieval literature, and the hope inherent to the Christian faith, especially for resurrection and eternal life, as symbolized in the Parable of the Pearl of Great Price. This study suggests that Tolkien’s relationship to his wife, Edith, inspires the legend and renders it a psychological allegory. Three Ovidian tales from classical mythology that were later re-told in medieval literature also influence it: the rape of Philomela, the …

Demon Possession In Anglo-Saxon England, Peter Dendle

Research in Medieval and Early Modern Culture

Anglo-Saxon England was a society governed by the competing discourses of illness, spirituality, power, and community. The concepts of demon possession and exorcism, introduced by Christian missionaries, provided a potential outlet for expressing the psychological, biological, and sociopolitical dysfunctions of a society that was at the center of multiple conflicting cultural dimensions.

Demon Possession in Anglo-Saxon England is a reexamination of the available sources describing the possessed and a study of the currently recognized medical and psychiatric conditions that may be relevant to and resemble medieval possession.

Front Matter, Medieval Feminist Forum, V.50, No.1, 2014

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.

The Life And Miracles Of Saint Margaret Of Cortona (1247-1297), Pablo Garcia Acosta

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.

Exhortations To Women And To Others If They Please, Lyn Blanchfield

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.

A Handbook Of Anglo-Saxon Studies, Tracey-Anne Cooper

Medieval Feminist Forum: A Journal of Gender and Sexuality

No abstract provided.