Kings, Wars, And Duck Eggs: Interpretations Of Poetry In Egil’S Saga,
2016
University of Virginia
Kings, Wars, And Duck Eggs: Interpretations Of Poetry In Egil’S Saga, James C. Daughton
MAD-RUSH Undergraduate Research Conference
This paper examines the function and cultural implications of poetry in Egil’s Saga, an Icelandic saga written around the thirteenth century A.D. The title character, Egil Skallagrimson, is a renowned warrior and obstinate maverick, but perhaps his most singular trait is his gift for crafting poetry—a talent reflected in the nearly sixty sets of his verse that appear throughout the prose text. Obviously, these poems allow the reader to tap into Egil’s psyche, but they also fulfill the more profound purpose of illuminating the values and experiences of medieval Icelanders. Egil eternalizes the heritage he shares with his countrymen, explores …
The Dream Vision From The Song Of Songs By Jerome,
2016
University of California, Davis
The Dream Vision From The Song Of Songs By Jerome, Jane Beal Phd
Transference
Translated from the Latin by Jane Beal.
Excerpt From A Pilgrimage To Sumiyoshi By Ashikaga Yoshiakira,
2016
University of Michigan - Ann Arbor
Excerpt From A Pilgrimage To Sumiyoshi By Ashikaga Yoshiakira, Kendra D. Strand
Transference
Translated from the Japanese by Kendra Strand.
Getting The Picture: Engaging Student Learning Using Pinterest,
2016
Winthrop University
Getting The Picture: Engaging Student Learning Using Pinterest, Jo Koster
Winthrop Conference on Teaching and Learning
In a digital environment, teachers and students have access to a wide variety of material that can be used to create discussion, spark inquiry, and prompt critical thinking. One of the social media tools that can be used for this is Pinterest, a free online visual discovery, collection, sharing, and storage tool that allows users to curate and share information through the creation of visual bookmarks called “boards.” Users can “pin” material to their boards either by linking to other online sites or by uploading materials of their own; boards can be grouped by similar characteristics, themes, events, questions, ideas, …
Te Deum,
2016
Southern Methodist University
Te Deum, Anthony Elia
Bridwell Library Research
Te Deum--87pp.
Introductory note: "The text of Te Deum has been set to music by many composers. The Latin text 'Te Deum laudames: te Dominum confitemur' begins the work, translated as 'We praise you, O God: we acknowledge you to be the Lord.' The writing of this work was inspired initially by the work of Arvo Pärt, whose setting I find to be one of the most beautiful. I share in the admiration of Pärt's music and his contribution to the genre of sacred choral writing with my friend and colleague Dr. Robert Saler, who has promoted Pärt's work with …
The Coventry Mysteries And Shakespeare's Histories,
2016
Western Michigan University
The Coventry Mysteries And Shakespeare's Histories, Clifford Davidson
Early Drama, Art, and Music
This study is a revision of a paper read at the Shakespeare Institute at Wheaton College and subsequently published in Shakespeare's Second Tetralogy: Some Christian Features, edited by Beatrice Batson (West Cornwall, CT: Locust Hill Press, 1989), 3-25.
Killing The Rotten Citric Lump: A Somatic Reading Of The Death Of Shahrazād’S Hunchback,
2016
Western Michigan University
Killing The Rotten Citric Lump: A Somatic Reading Of The Death Of Shahrazād’S Hunchback, Erin S. Lynch
The Hilltop Review
Throughout the narrative of the Hunchback’s Tale within the Thousand and One Nights, the hunchback is always at the center of the action, yet with the exception of the first time he is “killed,” he is never written as the reader’s focus, except in instances of violence performed against the hunchback’s body. The reader’s gaze is constantly drawn to the killer, rather than the victim, and led to laugh at or empathize with the killers of the hunchbacked corpse, rather than the deformed, ever-abused body. Neither the champion nor the foil, the body of the hunchback functions merely as …
Remnants Of The Past: Grendel’S Mother, Wealhtheow, And The Pagan Past,
2016
Lesley University
Remnants Of The Past: Grendel’S Mother, Wealhtheow, And The Pagan Past, Sarah Kinkade
Senior Theses
"Within medieval studies, Beowulf is, by far, one of the most well-known and analyzed texts. While much scholarship focuses on subjects such as lexical analysis, Beowulf’s actions, the symbolism of Grendel, women’s roles and expectations, medieval politics, and many other notable topics, a less-popular, but significant theme within Beowulf is the fluctuating state of religion throughout Anglo-Saxon history. Rather than depicting a binary system between Christianity and paganism, the poem acknowledges the ongoing conversion process, which presented overlaps of both beliefs. The result of this process was folklore and this ambiguous system plays a major role throughout Beowulf. However, this …
English And Latin Lexical Innovations In Reginald Pecock’S Corpus,
2016
Pepperdine University
English And Latin Lexical Innovations In Reginald Pecock’S Corpus, J. A. T. Smith
All Faculty Open Access Publications
This article examines the Middle English and Latin word formations of Bishop Reginald Pecock (d. 1459). In particular, it addresses the false assumption that Pecock was intentionally writing in an English that was primarily Germanic in etymology. The article concludes that Pecock’s lexical innovations were primarily Latinate, that he was unlikely to be concerned with the “purity” of his word formation, and that it was highly unlikely that he was trying to eschew Latinate vocabulary. These conclusions were ascertained through a comprehensive assessment of Pecock’s vocabulary which shows that Pecock created 715 new words out of a total estimated vocabulary …
Gay Habits Set Strait: Fan Culture And Authoritative Praxis In Ready Player One,
2016
Old Dominion University
Gay Habits Set Strait: Fan Culture And Authoritative Praxis In Ready Player One, Kevin Moberly, Brent Moberly
English Faculty Publications
(First Paragraph) Gwendolyn Morgan reminds us that medievalism and authority are complementary fictions.1 Recognizing that the "past with which we identify actually reflects our present needs," she examines the way that contemporary writers establish the authority of their works by adapting, if not explicitly fabricating medieval sources.2 The result, she argues, is a kind of "double practice of medievalism," one that invokes the authoritative power of the Middle Ages by appropriating the medieval appeal to auctoritee, which is to say the pretense of "citing real and invented classical authorities" to both disguise and justify authorial invention.3 Morgan …
A Neural Network Approach To Handwriting Recognition In The Codex A,
2016
University of Mississippi. Sally McDonnell Barksdale Honors College
A Neural Network Approach To Handwriting Recognition In The Codex A, Eleanor C. Anthony
Honors Theses
In this research, an attempt to create a neural network classifier for the Latin uncial alphabet found in the Codex A, a late fourth century manuscript held by the Archivo Capitolare in Vercelli, Italy and the oldest of the Latin Gospels, is outlined. Training data collection methods, as well as image processing and artificial data creation methods used for expanding the training set, are discussed, as is their contribution to the success of the neural networks. While successful results are achieved for the testing sets, classification of new image data is largely unsuccessful. Potential improvement and avenues for expanding the …
Clerical Leadership In Late Antiquity: Augustine On Bishops’ Polemical And Pastoral Burdens,
2016
University of Richmond
Clerical Leadership In Late Antiquity: Augustine On Bishops’ Polemical And Pastoral Burdens, Peter Iver Kaufman
Jepson School of Leadership Studies articles, book chapters and other publications
Augustine returned from Italy to North Africa in 388, apparently elated to have found his calling. The cities he had known, Thagaste and Carthage, and would soon come to know, Hippo Regius, were relatively prosperous, despite taxes collected for the central government which had been making increasing demands since the time of Emperor Constantine. The funds available for municipal improvements were depleted (gravement amputés), Claude Lepelley calculated, siting the African cities in “a history of inexorable decline” from the 380s into the 430s. In the coastal city of Hippo, however, Augustine, as bishop was busy from the late 390s, exchanging …
Characters Through Time,
2015
Loyola Marymount University
Characters Through Time, Alyssa Venezia
Honors Thesis
T. S. Eliot once wrote that we “often find that not only the best, but the most individual parts of [an author’s] work may be those in which the dead poets, his ancestors, assert their immortality most vigorously” (Eliot 37). By focusing on character adaptations, one comes to understand how authors of children’s books are able to adapt classic literature into age-appropriate texts that retain the merits of the original. Five sets of characters shall be analyzed to demonstrate the success of the adaptations presented in children’s literature. In the first, Sir Bedivere from Sir Thomas Malory’s Le Morte Darthur …
Nicholas Of Lyra, Literal Commentary On Galatians,
2015
Western Michigan University
Nicholas Of Lyra, Literal Commentary On Galatians, Edward Arthur Naumann
TEAMS Commentary Series
Though little-known today, Nicholas of Lyra's commentaries are arguably among the most widely-read and influential commentaries of all time. For more than two hundred years, from the time of their composition, well into the Reformation era, they were copied and recopied, printed and reprinted, as an indispensable guide to the meaning of scripture. Naumann presents here a complete translation of Lyra's literal commentary on Galatians in English for the first time, with a freshly-edited Latin text, and provides ample notes on its significance in relation to the works of previous authors.
The Vulgate Commentary On Ovid's Metamorphoses, Book 1,
2015
Ohio State University - Main Campus
The Vulgate Commentary On Ovid's Metamorphoses, Book 1, Frank T. Coulson
TEAMS Secular Commentary Series
Composed around 1250 by an unknown author in the region of Orléans, the Vulgate Commentary on Ovid's Metamorphoses is the most widely disseminated and reproduced medieval work on Ovid's epic compendium of classical mythology and materialist philosophy. This commentary both preserves the rich store of twelfth-century glossing on the Metamorphoses and incorporates new material of literary interest, while the marginal glosses in many respects reflect the scholar interests of an early thirteenth-century schoolmaster. The Vulgate Commentary is always transmitted as a series of interlinear and marginal glosses surrounding the text manuscript, whereas other earlier commentaries were independent of a full …
Accessus Ad Auctores: Medieval Introductions To The Authors (Codex Latinus Monacensis 19475),
2015
The Pennsylvania State University
Accessus Ad Auctores: Medieval Introductions To The Authors (Codex Latinus Monacensis 19475), Stephen M. Wheeler
TEAMS Secular Commentary Series
Medieval commentaries typically included an accessus, a standardized introduction to an author or book. In the twelfth century these introductions were anthologised, referred to now as Accessus ad auctores. They served as the first handbooks of literary criticism. The earliest and most comprehensive example, Bayerische Staatsbibliothek, Clm 19475, saec. XII, is presented here for the first time in a faithful critical edition, with a new translation and explanatory notes addressing different aspects of the text. This book's aim is to present an accurate version of the text while respecting the arrangement and integrity of the anthology as a …
The Off-Board String On The Medieval Fiddle,
2015
Boise State University
The Off-Board String On The Medieval Fiddle, Linda Marie Zaerr
Performance Practice Review
Drawing on explicit descriptions, iconographic representations, and contemporary narrative, this essay analyzes playing techniques and repertories plausible for one type of medieval fiddle and suggests that notions of historical fiddle performance may need to expand to accommodate the aesthetics and techniques implied by the off-board fiddle.
While it has been widely assumed that the left thumb was used to pluck the laterally divergent string described by Jerome of Moravia, the complete body of evidence suggests an alternative interpretation: the thumb can be used to stop this off-board string, extending the melodic range of the instrument down to a step below …
The Feast Of Corpus Christi As A Site Of Struggle,
2015
CUNY Kingsborough Community College
The Feast Of Corpus Christi As A Site Of Struggle, Barbara R. Walters
Publications and Research
Multiple versions of the liturgy for the new fest of Corpus Christi provide evidence for changes in the theology of the Eucharist during the thirteenth century. These changes give pause in crediting the Miracle of Bolsena as the source of inspiration for the 1264 version of the liturgy by St. Thomas Aquinas. An earlier version of the "original office" with approbation from Liege Bishop Robert Thourotte in 1246 and a celebration of the feast by Hugh of St. Cher in 1252 weigh against the Bolsena Miracle as the source. Moreover, the idea of a corporeal presence with blood issuing from …
Unrivalled Influence: Women And Empire In Byzantium,
2015
Western Michigan University
Unrivalled Influence: Women And Empire In Byzantium, Hailey Lavoy
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.
Back Matterr, Medieval Feminist Forum, V.51, No.1, 2015,
2015
Western Michigan University
Back Matterr, Medieval Feminist Forum, V.51, No.1, 2015
Medieval Feminist Forum: A Journal of Gender and Sexuality
No abstract provided.
