Fine Arts Commons^™

One Thread At A Time: The Role Of Textile Crafts On Well-Being In Marginalized Communities, Michelle Burton, Bianka Hausknecht, Ja-Young Hwang, Kim Hahn, Jihyun Kim-Vick

Textile Society of America: Symposium Proceedings

Racial injustice and social unrest have spurred support for marginalized communities, historically excluded from mainstream society's activities. Marginalized individuals may often feel powerless and experience societal discrimination and negative stereotypes resulting in diminished well-being (WB). Consequently, finding resources to promote well being in marginalized communities is paramount. One possibility is exploring the art of textile crafts (e.g., repurposing, knitting, crocheting, and quilting) to serve as a platform for rupturing exclusionary hierarchies and oppressive frameworks, fostering empowerment and community cohesion.

In this qualitative study we conducted focus groups and individual interviews to better understand the impact on marginalized communities. Participants in …

Burning Fear, Amy Dorie

Textile Society of America: Symposium Proceedings

Climate change is leading to more intense and devastating wildfires that lead to tragic loss of life and property (Cal Fire, 2018; Sinco et al., 2023) and disturbing environmental impacts (OECD, 2023). The purpose of this textile design was to create an activist design that communicates the fear and anxiety felt by those impacted by wildfires. First-hand accounts of those experiencing wildfires were researched as inspiration for the textile design. Based on the accounts, a selection of wildfire-related images were cropped in irregular shapes, placed around the canvas, and blended evoking a sense of chaos and devastation. An image of …

Caring Cloth Praxis: Ethics Of Loss, Practices Of Remembering, Suzanna James

Textile Society of America: Symposium Proceedings

This research, in continual development as a part of early PhD study, is currently entitled ‘Ethics of Loss, Practices of Remembering’ and locates itself within the field of cultural sustainability. It is foregrounded by my MA thesis entitled ‘Caring Cloth’ and works in response to the words of Louise Bourgeois: ‘the needle is used to repair damage, its claim to forgiveness.’ My own socially and environmentally regenerative textiles practice considers the way in which personal practices of remembering can be developed in response to cultural sustainability.

This textiles practice develops explorative visual textile art and social textile practice research which …

23 Extinct Redwork Quilt Project: Repairing Relationships With Our More-Than-Human Kin, Stitch By Stich, Heather Kerley

Textile Society of America: Symposium Proceedings

In 2021, the United States Fish and Wildlife Service proposed 23 species for delisting from the Endangered Species Act due to extinction. I would like to present my redwork quilt, Mourning Lost Kin (23 Extinct), which honors each of these species. I plan to share my process from researching and sketching each species to the embroidering of each block and the over-all construction of the quilt. But most importantly, I would love to share the stories of these species, the layers of meaning in this quilt, and the many questions it raised for me over the course of two years. …

Stitches Of Sustainability: Empowering Women And Preserving Culture Through Pakko Embroidery, Rajesh Kumar, Dharmendra Bana, Deepali Bhatnagar

Textile Society of America: Symposium Proceedings

Pakko embroidery, originating from Gujarat’s Kutch district, stands as a testament to the area's rich textile tradition, marrying exceptional craftsmanship with profound cultural narratives. Currently facing the challenge of conserving its heritage while adapting to the evolving demands of the modern world, this study aims to identify pathways for cultural and economic resurgence.

Pakko embroidery, renowned for its sturdiness and the detailed cheereli saankdi stitch, finds itself at a critical crossroads, battling declining engagement and integration into modern design paradigms. Initiatives to rejuvenate interest and establish sustainable practices for artisans are deemed critical for preserving this ancient art for future …

Lambani Textiles: Oscillating Between The Past And The Present, Beena Santosh Modathi, Anjali Karolia

Textile Society of America: Symposium Proceedings

This paper examines the experiences of home-based women zardozi artisans in Bhopal, India, who use traditional embroidery skills to create fashionable products. It highlights the role of the traditional craft sector in promoting women's empowerment, enhancing economic well-being, and supporting sustainable development in the Global South. Through ethnographic research, including literature review and interviews, the study reveals the resilience of these artisans, many of whom come from low-income backgrounds with limited education. Despite modest earnings, Textiles embody narratives, legacies, and lineages. Indian traditional textiles, particularly those featuring strong Lambani embroidery, represent a dynamic interplay of ancestral techniques, motifs, and cultural …

Public Patriotism, Silent Dissent: Women And The Making Of Senninbari In Wartime Japan, Mariko Nagai

Textile Society of America: Symposium Proceedings

During the early years of the so-called “Fifteen Year War” (1931–1945), Japanese women and girls created senninbari when men received draft notices to serve. Often worn around soldiers’ waists underneath their uniforms, these sash-shaped talisman were embroidered with 1,000 red knots, each knot made by a woman. In a time when the Japanese government censored dissenting voices against its militaristic and nationalistic foreign and domestic policies, this government-encouraged gesture of stitching senninbari became one of the few ways in which women could voice their personal protests within patriarchal gender expressions (良妻賢母 “good wife, wise mother”). Senninbari’s design evolved with regional- …

Textile As Cultural Technology: The Evolution Of Robert Rauschenberg’S Jammers, 1975–6, Katya Oicherman

Textile Society of America: Symposium Proceedings

Robert Rauschenberg suggested that any material has a “humanitarian reportage” or a history built into it, that opens art to the “strange and unpredictable” experience only comparable to everyday reality. Developing this idea, I will focus on the Jammers, a series of works with significant textile presence produced in 1975–76, and discuss how Rauschenberg’s relationship to textiles evolved from treating them as “materials” to recognizing them as cultural technologies. In 1975 he was on a fellowship in Ahmedabad, India, a period of intense experimentation.

Textiles were already a significant presence in his art, playing a subservient role of materials …

Inconclusive Objects: Sample Making As Inquiry-Driven Practice, Etta Sandry

Textile Society of America: Symposium Proceedings

In Inconclusive Objects: Sample Making as Inquiry-driven Practice I will discuss craft sample making as a valuable practice of critical thought and experimentation. Craftspeople, artists, and designers make samples to practice technical skills and to demonstrate results on small scales. It is process work, typically used to learn a new technique or a hidden step on the way to a final product. However, as a cumulative process of research, material probing, and play, sampling is a critical aspect of design and creation. What can a closer study of sampling reveal about creative practice and knowledge production in craft and beyond? …

Textile Ways Of Thinking As A Trauma-Informed Design Tool To Research And Understand Communities, Smrti Ganesan, Nishanth Srikanth

Textile Society of America: Symposium Proceedings

There has been a shift in methodologies in the broader world of design. Today, co-design and participatory methods are a vital part of the modern designer's toolkit, and designers are finding new ways to interact with communities and design solutions that are more responsive to the actual needs of those communities.

Textile design has historically been a medium for expressing and processing traumatic experiences, reflecting individual and collective traumas in society. Textiles have also historically served not only as a form of artistic expression but also as a powerful tool in activism, particularly within feminist movements. Recent developments have seen …

Solidarity Dividend With Us Wool And Community Engagement To Address Socioeconomic Inequities, Helen X. Trejo, Angela Becerril

Textile Society of America: Symposium Proceedings

As a long-standing natural fiber, wool provides an opportunity for community engagement and reflexive practice. Our process involved sourcing wool from US sheep and wool farms in lower income areas and hands-on textile development, and intersectional reflection. Being at a Hispanic Serving Institution, informed approaches to engage with concepts, such as the “zerosum paradigm” and “Solidarity Dividend” based on Heather McGhee’s NY Times Best Selling book “The Sum of Us.” It explores how racism affects intergenerational wealth among minorities. The zero-sum paradigm is the idea that progress is a tradeoff; benefits to some is at an expense for others. The …

Lavenz, Valenz, Levenxë, Lavexha, Lavenzka: Woven Felted Blankets From The Korçë Region In Southeastern Albania, Alexis Zoto

Textile Society of America: Symposium Proceedings

This paper will look at and document colors and patterns and motifs of woven and felted blankets from the Korçë region of southeastern Albania. Very little is published on these textiles. This paper will document the disappearing and under appreciated textile, and why are they no longer understood or valued. In Albania and in Albanian diaspora communities this textile has had different names in prewar, prewar Korçare dialect and now.

I will be drawing from information gathered interviewing parishioners who volunteered to share their heirlooms and information gathered from examining the textile(s). These heirlooms belong to members of multiple generations …

Curatorial Practice Project For Art Exhibition "Check In Planet Colonization Plan”, Jiajing Ji

Chulalongkorn University Theses and Dissertations (Chula ETD)

As digital life increasingly shapes how we engage with culture, Check-in Culture has emerged as a powerful lens through which identity, space, and symbolic value are negotiated. Far from mere location tags, Check-ins on platforms like Instagram and Xiaohongshu are performative acts—blending personal branding, viral humor, and algorithmic visibility. This study examines how ordinary places, such as the now-iconic “Chengdu Disney,” are transformed into cultural landmarks through participatory remixing and meme-driven attention.To explore these dynamics, the “CHECK IN Planet Colonization Plan” online exhibition serves as both a case study and a curatorial experiment, merging artistic interpretation, social media interaction, and …

Narratives In Ink: A Journey Through Lineage And Land, Natasha Sethia

Scripps Senior Theses

This thesis explores the convergence of personal heritage and artistic expression through a series of pen-and-ink portraits, deeply rooted in the familial stories and cultural tapestry of Rajasthan. The project, initially envisioned as a broader exploration of underrepresented narratives, evolves into a more intimate journey of self-discovery and cultural reclamation, guided by ethical considerations and feedback from peers and professors. Drawing theoretical inspiration from figures like Richard Meyer and Edward Said the work delves into themes of cultural representation, appropriation, and the power dynamics of artistic creation. The shift towards personal narratives allows for a respectful, authentic portrayal of my …

Saxophone: A Deeper Understanding, Toree Fogle

Williams Honors College, Honors Research Projects

The goal of this project is to provide a comprehensive background on the creation and evolution of the saxophone, as well as to examine the acoustic factors that contribute to its function. Beyond that, the project will assess differences within the saxophone family (including soprano, alto, tenor, and baritone saxophones) and between major brands (including Selmer, Yamaha, and Yanagisawa). The project will be largely constructed from previous research, in addition to personal experiences. The end result will consist of a written report that individuals-especially future saxophone students-will be able to use to expand their knowledge and understanding of the saxophone.

Retrospective Exhibition Evansdale Section, Sally Brown, Colleen Moretz, Frankie Tack, Jason Lee, Ruth Yang

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of the exhibitions that have taken place at the WVU Evansdale Library.

Retrospective: Health Sciences Section, Sally Brown, Beth Mccormick, Anne Mcfarland, Renee Nicholson, Sheila Price, Manuel Vallejo, Misbah Muzaffer, Dana Gray, Jamie Shinn, Jennifer Momen

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) exhibit includes a summary of exhibitions and projects that have been based at the WVU Health Sciences Library.

Lights And Shadows - 2024, University Of North Alabama

Lights and Shadows

Art and Literature Magazine

Retrospective: The Beginning, Section 1, Sally Brown, Linda Blake

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) exhibition includes the history of the Art in the Libraries Program, including the first exhibitions and the forming of the committee.

Emirati Comics & Illustrations, Sarah Laura Nesti Willard

CoHSS Faculty Work

No abstract provided.