Fine Arts Commons^™

Trespassers Of Space: Rewriting Female Narratives In Mexican Cinema, Andrea Ruvalcaba

Undergraduate Theses in Art History

How have Mexican cultural figures such as Maria Novaro and Adela Sequeyo made space for themselves in the male-dominated film realm? How and why have these women dared to become “contrabandistas,” or trespassers, in a social fabric defined and governed by men? The same questions apply to the world of Mexican cinema — more specifically Mexican Feminist cinema. Throughout these pages, I will explore how the film Los Pasos de Ana (1991), by the Mexican filmmaker Marysa Sistach, integrates women’s perspectives into Mexican film culture to counteract the neutralization of powerful female representations played out across various facets of Mexican …

Con Fe Te Vere Otra Vez, Edwin Perez-Hernandez

Student Projects

"Con Fe the vere otra vez" is a photographic series that documents the struggles associated with immigration. How it causes a divide in the familial construct as one member separates themself to build a better opportunity while sacrificing the opportunity to live a life with the family they were raised with. This work focuses on showing how though separated they still find ways to connect with each other. This series also serves as a way to connect and comfort immigrants and individuals whose family immigrated and remind them they are not alone. In a political climate where Mexican and Mexican-Americans …

Painting The Other: Mary Cassatt's Spanish Portraits And The Feminine Gaze, Delaney Batter

Undergraduate Theses in Art History

The historical viewing of women artists, in conjunction with Mary Cassatt’s biography and later depictions of women and children, suggests that Cassatt's gender is identified within the art historical canon as an essential component to the interpretation of her work. The language attached to Cassatt's work is most often taken from discourses surrounding female-produced artwork of the nineteenth century, attaching passive and stereotypically feminine attributes like 'delicate,' 'light,' and 'tender' to the style, composition, and subjects of her works. These characteristics were among the accepted nineteenth-century descriptions of artworks, with inherent femininity translating to inherent domesticity.

Rather than further reducing …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

Uncovering Artemisia: Turning Rage Into Fame, Sophie Longo

Undergraduate Theses in Art History

During the fifteenth through seventeenth centuries in Italy - more commonly known as the Italian Renaissance and early Baroque periods - masters like Titian, Leonardo da Vinci, Michelangelo, and Caravaggio made a name for themselves and secured legacies through the widespread popularity and study of their masterpieces. As time progressed, however, more artworks have been found, and more histories, especially by women Baroque artists, have been explored. With the rise of women’s rights movements and social justice campaigns from the mid-20th century on, stories of female artists and figures have further emerged from the woodwork and hold greater precedence in …

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Sacred Oath Of Healing - Volume 9

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No abstract provided.

The Hidden Scars Of Healing, Amanda Almeida

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A photograph collection of Mark's unique road to healing, and a medical narrative.

The Essence Of Resilience, Evelyn Echevarria Cruz

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No abstract provided.

Putting Myself First, Nicholas E. Doberstein

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No abstract provided.

The Circle Of Life And Care, Isabel M. Vera Machado

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As a first-year medical student on the osteopathic path, my art is a reflection of my journey to balance creativity and the principles of holistic care. Osteopathic medicine’s focus on treating the whole person—mind, body, and spirit—aligns closely with my approach to art, which aims to capture the connections between humanity, healing, and empathy.

Through my work, I explore themes of care, connection, and the values I hope to uphold as a future physician. Whether it’s through symbolic imagery or simple, heartfelt compositions, my art reflects the importance of compassion and the human connection in both medicine and life.

For …

Cultural And Religious Perspectives On Suicide And Healing, Arielle Friedman

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This essay is built off of a paper I wrote in a college global health course on culture and mental illness. I have always been fascinated by cultural interpretations of illness & believe that as a future physician, it is my responsibility to educate myself and others on the complex interplay between religious ideologies & recognition/management of biological disease in order to provide appropriate patient-centered care.

The Masculine Way, Jessica Asuquo

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This painting was conceptualized after a particularly impactful patient visit. During the visit, the patient described a traumatic event in greater detail, stating that the doctor and I were the first people he had ever spoken to about the event.

I felt both honored and disheartened by this statement. I was honored that this man trusted us with this knowledge. Still, I was immensely sad that he dealt with the trauma of this event alone for decades. I believe he released some of the grief, pain, anger, fear, and hurt when he shared his burden with us, and I will …

A Child’S Oath, Nozimakhon K. Omonullaeva

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"A Child's Oath" reflects the transformative journey of a young girl shaped by her personal experiences with healthcare inequities, both in her home country of Uzbekistan and in the United States. This piece explores the emotional impact of these experiences and how they inspired a lifelong commitment to healing and serving underserved communities. It is a testament to the resilience born from hardship and the sacred promise to bring compassion and equity to medicine.

The Glacier, Emily Rodman

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The Glacier discovers the inner workings of a medical student's mind as she devotes years of her life to eventually partake in the "sacred oath of healing." She knows that these years of medical training - filled with strife and joy alike - will eventually lead her to fulfill the career of her dreams, serving others.

The Sacred Healing Of A Little Warrior, Adrianna M. Zambrano

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As a hopeful pediatrician, I find my sacred oath of healing to be inspired by the radiant positivity and resilience of children. My goddaughter was not even three years old when she had her first major surgery, and I was so worried about her future recovery. Then, she was just a few hours post-op and already cracking a smile. Her innocence and purity extended to the point where she made sure that she wasn't the only one being taken care of; after all, her "baby" Julie needed to be taken care of, too.

The Heart Of Healing, Madison Prieto

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No abstract provided.

Nourishing The Body, Nurturing The Soul, Vidhi Raval

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No abstract provided.

Frankenstein Colorized, Marianne Koleng

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One of my favorite novel's growing up was Mary Shelley's Frankenstein. I see Frankenstein's desire to create a "Monster" as a way to grasp at the fundamental human drive for connection, and healing through connection. In this piece, I attempt to bring that inner yearning for fundamental connection to paper.

Beyond Myself - Healing Through Pain, Marianne Koleng

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In this piece I reflect on the importance of setbacks, non-linear growth, injuries, and pain and their ability to provide self-reflection, a platform for growth, and an crucial reminder of the fragility of life. I have often been self-critical for not following a "traditional" path in life, and reflecting on my experiences allows me to show myself grace and hopefully may influence others to do so as well.