What Is Installation Art?,
2010
Technological University Dublin
What Is Installation Art?, Niamh Ann Kelly
Exhibition Catalogues
No abstract provided.
Driving Without Destination,
2010
Seton Hall University
Driving Without Destination, Shannon Bellum, Ellen Denuto, Billy Friebele, Kathleen Gerard, Allan Gorman, Max Heller, So Yoon Lym, Tony Murray, Mary Ann Reilly, Ryan Roa, Larry Ross, Joan Sonnenfeld, Bill Westheimer, Heidi Younger
Exhibition Catalogs
Catalog for the exhibition Driving Without Destination held at the Seton Hall University Walsh Gallery, September 7 - October 2, 2010. Curated by Jeanne Brasile and Tony Capparelli. Includes essay by Jeanne Brasile and Tony Capparelli. Includes color illustrations.
Horizons, Volume 26, 2010,
2010
Sacred Heart University
Horizons, Volume 26, 2010, Sacred Heart University
Vistas (Horizons)
No abstract provided.
Wahala Temi - Body Work,
2010
Seton Hall University
Wahala Temi - Body Work, Wahala Temi
Exhibition Catalogs
Catalog for the exhibition Wahala Temi - Body Work held at the Seton Hall University Walsh Gallery, May 10 - May 21, 2010. Curated by Jeanne Brasile. Includes an essay by Jeanne Brasile. Includes color illustrations.
Ivy Leaves, Volume 84,
2010
Anderson University
Ivy Leaves, Volume 84, Ivy Leaves Editorial Staff
Ivy Leaves
The 2010 edition of the Anderson University journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Kathryn White, Brenna Davis, Josh Sorrells, Steven Bailey, Anna Marie Davis, Brianna Holmes, Jennifer Hall, Laura Jones, Kelly Johnson, Chris Waldrop, Beth Cooper, Jivan Davé, Andrew Higgins, Katherine Carter, Megan Morris, Cameron Ridenour, Melanie Smalley, Dr. Teresa Jones, and Tim Speaker.
Inscape 2010,
2010
Morehead State University
Inscape 2010, Morehead State University
Inscape: Art & Literary Magazine Archive
The 2010 edition of the Inscape: Literary and Art Magazine.
The Strange Horses Came,
2010
Morehead State University
The Strange Horses Came, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2010 Kentucky Folk Art Center exhibition catalog for the World Equestrian Games.
Red River: The Narrative Works Of Edgar Tolson, Carl Mckenzie, Earnest Patton & Donny Tolson,
2010
Morehead State University
Red River: The Narrative Works Of Edgar Tolson, Carl Mckenzie, Earnest Patton & Donny Tolson, Edgar Tolson, Carl Mckenzie, Earnest Patton, Donny Tolson, Kentucky Folk Art Center
Kentucky Folk Art Center Exhibition Catalogs
2010 Kentucky Folk Art Center exhibition catalog of artists Edgar Tolson, Carl McKenzie, Earnest Patton and Donny Tolson.
Fan Letter, Spring/Summer 2010,
2010
Illinois State University
Fan Letter, Spring/Summer 2010, Illinois State University, College Of Fine Arts
FAN Letter
Newsletter of the College of Fine Arts
Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography,
2010
Chapman University
Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond
Art Faculty Books and Book Chapters
Wendy Salmond's foreword to Irina Yazykova's Hidden and Triumphant: The Underground Struggle to Russian Iconography, in which Yazykova discusses how the art of icon painting survived during years of Russian Communism and is now poised to launch a new era that reflects modern experience.
How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32,
2010
Chapman University
How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32, Wendy Salmond
Art Faculty Books and Book Chapters
On 14 October 1930, the first exhibition of Russian icons ever to take place in the United States opened at the Museum of Fine Arts in Boston. Over the next nineteen months it traveled to nine venues across the country, introducing the American public to a form of medieval painting virtually unknown outside Russia. Billed as the "Union of Soviet Socialist Republics Loan Exhibition," its avowed goal was to share with the outside world the full story of Russian icon painting's evolution from the twelfth to the nineteenth centuries, thereby adding a vital missing chapter to the history of medieval …
Exile In The Gramola: A Jewinican (Re)Collection,
2010
University of Texas at El Paso
Exile In The Gramola: A Jewinican (Re)Collection, Roberto Alejandro Santos
Open Access Theses & Dissertations
Exile in the Gramola: A Jewinican (Re)Collection is a poetic attempt at navigating the multicultural landscapes of the ethnic hybrid. It is a collection of poetry that aims to reveal how we ourselves become acculturated in the process acculturating others, and which also aims at promoting opportunities of cross-cultural dialogue, cross-cultural negotiation, cross-cultural overstanding, and cross-cultural endorsement.
Through the themes of exile, divorce, familial separation, and the mixing of the cultural movements of hip-hop and bachata, Exile reaches beyond ideas of ethnicity and cultural norms in order to reveal the hardships we share in our only commonality--our humanity.
Carolee Schneemann: Within And Beyond The Premises,
2010
Bryn Mawr College
Carolee Schneemann: Within And Beyond The Premises, Carolee Schneemann, Brian Wallace
Library Staff Books
Includes the following essays: "Introduction," by Brian Wallace; "Painting, What It Became," by Maura Reilly; "Depth of Place: An Interview with Carolee Schneemann," by Emily Caigan.
Midnight Splendor,
2010
Nova Southeastern University
Midnight Splendor, Sonya Chacko
Digressions: Literary & Art Journal
No abstract provided.
Self Portrait,
2010
Nova Southeastern University
Commonthought (2010),
2010
Lesley University
Commonthought (2010), Commonthought Staff
Commonthought
This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.
Inscapes Of Unrequited Belonging,
2010
Louisiana State University and Agricultural and Mechanical College
Inscapes Of Unrequited Belonging, Debangana Banerjee
LSU Master's Theses
This thesis is about my journey through life—memories of the past, experiences of the present and premonitions of the future—and how that journey, through its changing landscapes and human characters, generates images that I call inscapes. My subjects arise from very personal experiences and get fermented in my imagination to project an inner vision. I create deep intimate spaces, transitional moments of conscious and unconscious thoughts using both natural and personal imageries. In this endeavor, dark, solid and earthly colors and robust textures play a big role. I employ printmaking (woodcut), painting (oil on canvas) and poetry to express my …
This Doorknob Is On The Ceiling,
2010
Louisiana State University and Agricultural and Mechanical College
This Doorknob Is On The Ceiling, Cody Tyler Arnall
LSU Master's Theses
This Doorknob is on the Ceiling is a thesis exhibition of sculptural works that explore the fusion of various domestic, industrial and commonplace objects. Some are new, but most of them are used and outdated. I explore and take advantage of the baggage that comes along with them, their history, their functions and what they suggest. My intention with these items is to both exploit and subvert the contextual boundaries which define them. I manipulate these objects in opposition to the way they are normally presented, encountered and understood, while leaving them recognizable. I am interested in obstructing function and …
Flower Symbolism As Female Sexual Metaphor,
2010
Eastern Michigan University
Flower Symbolism As Female Sexual Metaphor, Andrea Frownfelter
Senior Honors Theses and Projects
The watercolor paintings that I created from September 2009 to March 2010 use flowers as metaphorical subject matter to address issues and emotions associated with the topic of female sexuality. My goal was to use the long-standing tradition of flowers as symbols of female genitalia (which will be thoroughly explained in part two of this thesis) to allude to my personal attitudes, experiences, observations, and worries in a manner that would be easier for me to express and less abrasive for my audience to accept. Creating these watercolors was certainly therapeutic for me; I hope that other women who have …
Playground In-Between,
2010
Louisiana State University and Agricultural and Mechanical College
Playground In-Between, Yoojeung Park
LSU Master's Theses
I want to create my own Utopia that is, as a system, not an ideal community but fun in appearance, like castles in the movie Alice in Wonderland, the land of Rivendell from Lord of the Rings, or the Archigram’s architectural drawings. Even though those scenes are fictional, viewers can picture themselves into that visualized description. Once my Utopia is visualized with its detail, it is the human imagination that makes the Utopia come alive. The one who gives function to unfamiliar things are viewers not creators. Playground In-Between was my first active attempt to construct my Utopia, which was …
