Open Access. Powered by Scholars. Published by Universities.®

Fine Arts Commons™

Open Access. Powered by Scholars. Published by Universities.®

10,547 Full-Text Articles 9,307 Authors 5,097,474 Downloads 232 Institutions

All Articles in Fine Arts

Faceted Search

10,547 full-text articles. Page 406 of 409.

What Is Installation Art?, Niamh Ann Kelly 2010 Technological University Dublin

What Is Installation Art?, Niamh Ann Kelly

Exhibition Catalogues

No abstract provided.


Driving Without Destination, Shannon Bellum, Ellen Denuto, Billy Friebele, Kathleen Gerard, Allan Gorman, Max Heller, So Yoon Lym, Tony Murray, Mary Ann Reilly, Ryan Roa, Larry Ross, Joan Sonnenfeld, Bill Westheimer, Heidi Younger 2010 Seton Hall University

Driving Without Destination, Shannon Bellum, Ellen Denuto, Billy Friebele, Kathleen Gerard, Allan Gorman, Max Heller, So Yoon Lym, Tony Murray, Mary Ann Reilly, Ryan Roa, Larry Ross, Joan Sonnenfeld, Bill Westheimer, Heidi Younger

Exhibition Catalogs

Catalog for the exhibition Driving Without Destination held at the Seton Hall University Walsh Gallery, September 7 - October 2, 2010. Curated by Jeanne Brasile and Tony Capparelli. Includes essay by Jeanne Brasile and Tony Capparelli. Includes color illustrations.


Horizons, Volume 26, 2010, Sacred Heart University 2010 Sacred Heart University

Horizons, Volume 26, 2010, Sacred Heart University

Vistas (Horizons)

No abstract provided.


Wahala Temi - Body Work, Wahala Temi 2010 Seton Hall University

Wahala Temi - Body Work, Wahala Temi

Exhibition Catalogs

Catalog for the exhibition Wahala Temi - Body Work held at the Seton Hall University Walsh Gallery, May 10 - May 21, 2010. Curated by Jeanne Brasile. Includes an essay by Jeanne Brasile. Includes color illustrations.


Ivy Leaves, Volume 84, Ivy Leaves Editorial Staff 2010 Anderson University

Ivy Leaves, Volume 84, Ivy Leaves Editorial Staff

Ivy Leaves

The 2010 edition of the Anderson University journal of art and literature, Ivy Leaves.

The names of the known editors for this issue of Ivy Leaves were Kathryn White, Brenna Davis, Josh Sorrells, Steven Bailey, Anna Marie Davis, Brianna Holmes, Jennifer Hall, Laura Jones, Kelly Johnson, Chris Waldrop, Beth Cooper, Jivan Davé, Andrew Higgins, Katherine Carter, Megan Morris, Cameron Ridenour, Melanie Smalley, Dr. Teresa Jones, and Tim Speaker.


Inscape 2010, Morehead State University 2010 Morehead State University

Inscape 2010, Morehead State University

Inscape: Art & Literary Magazine Archive

The 2010 edition of the Inscape: Literary and Art Magazine.


The Strange Horses Came, Kentucky Folk Art Center 2010 Morehead State University

The Strange Horses Came, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2010 Kentucky Folk Art Center exhibition catalog for the World Equestrian Games.


Red River: The Narrative Works Of Edgar Tolson, Carl Mckenzie, Earnest Patton & Donny Tolson, Edgar Tolson, Carl McKenzie, Earnest Patton, Donny Tolson, Kentucky Folk Art Center 2010 Morehead State University

Red River: The Narrative Works Of Edgar Tolson, Carl Mckenzie, Earnest Patton & Donny Tolson, Edgar Tolson, Carl Mckenzie, Earnest Patton, Donny Tolson, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2010 Kentucky Folk Art Center exhibition catalog of artists Edgar Tolson, Carl McKenzie, Earnest Patton and Donny Tolson.


Fan Letter, Spring/Summer 2010, Illinois State University, College of Fine Arts 2010 Illinois State University

Fan Letter, Spring/Summer 2010, Illinois State University, College Of Fine Arts

FAN Letter

Newsletter of the College of Fine Arts


Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond 2010 Chapman University

Foreword To Irina Yazykova, Hidden And Triumphant: The Underground Struggle To Save Russian Iconography, Wendy Salmond

Art Faculty Books and Book Chapters

Wendy Salmond's foreword to Irina Yazykova's Hidden and Triumphant: The Underground Struggle to Russian Iconography, in which Yazykova discusses how the art of icon painting survived during years of Russian Communism and is now poised to launch a new era that reflects modern experience.


How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32, Wendy Salmond 2010 Chapman University

How America Discovered Russian Icons: The Soviet Loan Exhibition Of 1930-32, Wendy Salmond

Art Faculty Books and Book Chapters

On 14 October 1930, the first exhibition of Russian icons ever to take place in the United States opened at the Museum of Fine Arts in Boston. Over the next nineteen months it traveled to nine venues across the country, introducing the American public to a form of medieval painting virtually unknown outside Russia. Billed as the "Union of Soviet Socialist Republics Loan Exhibition," its avowed goal was to share with the outside world the full story of Russian icon painting's evolution from the twelfth to the nineteenth centuries, thereby adding a vital missing chapter to the history of medieval …


Exile In The Gramola: A Jewinican (Re)Collection, Roberto Alejandro Santos 2010 University of Texas at El Paso

Exile In The Gramola: A Jewinican (Re)Collection, Roberto Alejandro Santos

Open Access Theses & Dissertations

Exile in the Gramola: A Jewinican (Re)Collection is a poetic attempt at navigating the multicultural landscapes of the ethnic hybrid. It is a collection of poetry that aims to reveal how we ourselves become acculturated in the process acculturating others, and which also aims at promoting opportunities of cross-cultural dialogue, cross-cultural negotiation, cross-cultural overstanding, and cross-cultural endorsement.

Through the themes of exile, divorce, familial separation, and the mixing of the cultural movements of hip-hop and bachata, Exile reaches beyond ideas of ethnicity and cultural norms in order to reveal the hardships we share in our only commonality--our humanity.


Carolee Schneemann: Within And Beyond The Premises, Carolee Schneemann, Brian Wallace 2010 Bryn Mawr College

Carolee Schneemann: Within And Beyond The Premises, Carolee Schneemann, Brian Wallace

Library Staff Books

Includes the following essays: "Introduction," by Brian Wallace; "Painting, What It Became," by Maura Reilly; "Depth of Place: An Interview with Carolee Schneemann," by Emily Caigan.


Midnight Splendor, Sonya Chacko 2010 Nova Southeastern University

Midnight Splendor, Sonya Chacko

Digressions: Literary & Art Journal

No abstract provided.


Self Portrait, Grace Cox 2010 Nova Southeastern University

Self Portrait, Grace Cox

Digressions: Literary & Art Journal

No abstract provided.


Commonthought (2010), Commonthought Staff 2010 Lesley University

Commonthought (2010), Commonthought Staff

Commonthought

This issue features works created by Lesley University students and covers a broad range of topics. The work itself crosses many disciplines from creative writing to visual arts.


Inscapes Of Unrequited Belonging, Debangana Banerjee 2010 Louisiana State University and Agricultural and Mechanical College

Inscapes Of Unrequited Belonging, Debangana Banerjee

LSU Master's Theses

This thesis is about my journey through life—memories of the past, experiences of the present and premonitions of the future—and how that journey, through its changing landscapes and human characters, generates images that I call inscapes. My subjects arise from very personal experiences and get fermented in my imagination to project an inner vision. I create deep intimate spaces, transitional moments of conscious and unconscious thoughts using both natural and personal imageries. In this endeavor, dark, solid and earthly colors and robust textures play a big role. I employ printmaking (woodcut), painting (oil on canvas) and poetry to express my …


This Doorknob Is On The Ceiling, Cody Tyler Arnall 2010 Louisiana State University and Agricultural and Mechanical College

This Doorknob Is On The Ceiling, Cody Tyler Arnall

LSU Master's Theses

This Doorknob is on the Ceiling is a thesis exhibition of sculptural works that explore the fusion of various domestic, industrial and commonplace objects. Some are new, but most of them are used and outdated. I explore and take advantage of the baggage that comes along with them, their history, their functions and what they suggest. My intention with these items is to both exploit and subvert the contextual boundaries which define them. I manipulate these objects in opposition to the way they are normally presented, encountered and understood, while leaving them recognizable. I am interested in obstructing function and …


Flower Symbolism As Female Sexual Metaphor, Andrea Frownfelter 2010 Eastern Michigan University

Flower Symbolism As Female Sexual Metaphor, Andrea Frownfelter

Senior Honors Theses and Projects

The watercolor paintings that I created from September 2009 to March 2010 use flowers as metaphorical subject matter to address issues and emotions associated with the topic of female sexuality. My goal was to use the long-standing tradition of flowers as symbols of female genitalia (which will be thoroughly explained in part two of this thesis) to allude to my personal attitudes, experiences, observations, and worries in a manner that would be easier for me to express and less abrasive for my audience to accept. Creating these watercolors was certainly therapeutic for me; I hope that other women who have …


Playground In-Between, Yoojeung Park 2010 Louisiana State University and Agricultural and Mechanical College

Playground In-Between, Yoojeung Park

LSU Master's Theses

I want to create my own Utopia that is, as a system, not an ideal community but fun in appearance, like castles in the movie Alice in Wonderland, the land of Rivendell from Lord of the Rings, or the Archigram’s architectural drawings. Even though those scenes are fictional, viewers can picture themselves into that visualized description. Once my Utopia is visualized with its detail, it is the human imagination that makes the Utopia come alive. The one who gives function to unfamiliar things are viewers not creators. Playground In-Between was my first active attempt to construct my Utopia, which was …


Digital Commons powered by bepress