Echoes Of Longing,
2025
Rhode Island School of Design
Echoes Of Longing, Mahalexmi Mohan
Masters Theses
Loss lingers like a shadow, a weight no time can lift. Longing becomes a silent scream, echoing within, unanswered. Internal pain festers in the quiet, where unhealed wounds weave themselves into the fabric of being. Each breath is both survival and surrender, a fragile balance between hope and the hollow ache of what was, what will never be, yet could be.
Abstract
My work is deeply influenced by my experiences within a dysfunctional family structure and is explored through the relationship of emotional vulnerability and its effect on self-worth. Layered into the work is a confrontation with the scars, conflict …
Body Choice Of Women-507,
2025
Rhode Island School of Design
Body Choice Of Women-507, Yilin Sun
Masters Theses
This thesis examines the struggle for bodily autonomy through the lens of contemporary art, focusing on 507, a kinetic installation by Yilin (Rebecca) Sun. At the heart of this work lies a powerful meditation on the emotional and political dimensions of reproductive responsibility. In a world where women’s rights over their own bodies are frequently contested, 507 becomes both a vessel of remembrance and a visual act of resistance. It channels the often-silenced experiences of women into a shared space of reflection, mourning, and confrontation.
Rather than offering straightforward answers, 507 presents an enigmatic title and a symbolic language …
Of Primal Substance,
2025
Rhode Island School of Design
Of Primal Substance, Yueting Wu
Masters Theses
This collection of writings arises from encounters with intensity and embodied practice — moments that reveal the body’s capacity for transformation.
Last year, I experienced ego death The intensity of the vibration and movement evoked deconstruction, reconstruction, and liberation. It felt like a vibrational reorganization of my physical body and all surrounding matter. During this past summer, I started embodied practices. One day, I held hands with a group of people and slowly walked from the beach into the ocean. It took us one hour. One evening, I was alone in the studio with a huge window facing the jungle. …
How To Walk On Water: Living Through The Absurd,
2025
Rhode Island School of Design
How To Walk On Water: Living Through The Absurd, Esther Du
Masters Theses
Set in a speculative world submerged by water, this thesis constructs a fragmented, nonlinear narrative that reflects on survival, memory, and displacement in the aftermath of catastrophe. Through three interwoven chapters—The Outcast, The Researcher, and The World—the project explores the emotional and psychological landscapes of individuals navigating a post-apocalyptic existence where the past is irretrievable and the future uncertain. Using an interdisciplinary form of visual storytelling, writing, and sound, the work draws from personal experience and collective trauma to examine how people reconstruct identity and meaning after loss. Rather than offering a definitive answer to existential …
Tierras Celosas,
2025
Rhode Island School of Design
Tierras Celosas, Gery Vargas
Masters Theses
Tierras Celosas is a field study, a symposium presentation at Brown University, a belief system. It is a machine-object, a cosmotechnic tension, an ontological contradiction. It embodies resistance and release, failure, and reclamation.
Belonging In Memory,
2025
Rhode Island School of Design
Belonging In Memory, Yilin Li
Masters Theses
This book is a visual and textual exploration of belonging, memory, and the sublime found in the mundane. Through a combination of written reflections and curated artworks, it traces my artistic journey, showcasing how I search for belonging through memory, everyday life, personal witness, family dynamics, and cultural memory.
The first part delves into the intimate connections between everyday life and artistic inspiration, weaving together personal experiences, observations, and memories into imaginative narratives. The second part presents a chronological selection of my artworks, illustrating my artistic evolution. Initially, my work responded to China’s rapid urbanization, exploring fading personal and collective …
Modes Of Seeing, Means Of Telling,
2025
Rhode Island School of Design
Modes Of Seeing, Means Of Telling, Tina Zhou
Masters Theses
In a world increasingly threatened with dis- and misinformation, far-right nationalisms, geopolitical violence and conflicts, I am interested in graphic design as a tool for investigation and interactive storytelling.
To investigate is to track a movement, to untangle a situation, to search for the roots of an incident. In adopting the posture of the researcher, the journalist, or the pedestrian observer, I engage in the work of collecting vantage points: data, records, images, from academic papers to personal anecdotes. I position them in larger sociopolitical contexts, making visible how they might all fit together. Who holds the power of narration? …
Plural Vistas,
2025
Rhode Island School of Design
Plural Vistas, Brooke Shary
Masters Theses
Plural Vistas introduces an expansive spatial dimension to the practice of graphic design. Through emotive means and embodied experience, each vista engages the potential for design to negotiate the intertwined relationship between the built environment (structured language and hierarchical systems), and the reciprocal demands of the natural world (interdependency and entanglement). This approach offers new ways for design to operate and extend into the world and our communities.
Not bound to one singular path or point of view,
Plural Vistas invites you to think spatially.
Space and time are active—
engaging the body and considering the complex and subjective relationship …
Lingering Loading,
2025
Rhode Island School of Design
Lingering Loading, Chi Hao Chang
Masters Theses
In a culture that values speed, seamlessness, and instant clarity, Lingering Loading investigates how graphic design can slow down our ways of seeing and knowing. As technology, internet culture, and social media continue to condition us to expect immediate answers, we have become more passive in how we receive meaning. We scroll, absorb, and move on—often without time to ask what we truly think or feel. But in the increasingly rare moments of pause, something undefinable can happen.
To linger is not to delay progress, but to make space for participation—for meaning to emerge from within, not be delivered from …
Notes On Revivalism,
2025
RISD
Chasing The Sacred: A Personal Archive,
2025
Rhode Island School of Design
Chasing The Sacred: A Personal Archive, Yiko Yang
Masters Theses
The relationship between humans and nature is like that of a child to a mother, or consciousness to the unconscious. The former arises from the latter, which always holds and shapes it. As human consciousness evolves, the desire to return to the unconscious remains—we are always looking back, searching for that first glimpse of the world.
Thinking back to my childhood, certain fundamental images—archetypes—come to mind. Rooted in the research of Carl Jung and Erich Neumann, this concept also stems from my family’s cultural heritage and my deep, lasting connection with nature as a child. These archetypes reflect the natural …
Fire Fossils: Biomineral Infrastructures In Untangling Climates,
2025
Rhode Island School of Design
Fire Fossils: Biomineral Infrastructures In Untangling Climates, Tanmayee More
Masters Theses
Diatoms drift, sediments sink, wildfires generate their own weather. Lightning strikes can blast sand into glass, and microscopic organisms do the same in the cold recesses of the ocean. What alchemies and metabolisms catalyze space, time, and energy? What are the thermodynamics of infrastructure in Climate Change?
Places, materials, and beings are afterimages. Through alchemical experiments, and multi-scalar imaging, I develop simulations of wildfires, and their profound, reverberating effects. In this thesis, a glass-meets-landscape experimental process enters these obscured conditions and renders new material relations for the built environment.
Ecospiritual Entanglement,
2025
Rhode Island School of Design
Ecospiritual Entanglement, Ali Vedad Yüner
Masters Theses
Land breeds culture. It gives us the resources to thrive, and in that process we establish a relationship with its constituents. With a multitude of beings inhabiting the land, a complex web of relationships develop. Biology describes these relationships as food webs; the mass entanglement of organisms in a manner that each organism nourishes the other. These webs are not just mere scientific structures but rather an interpretation of existential connections that every organism in the world, humans included, are indebted to. Food webs are the first stepping stone in the formation of culture, as they account for the engagement …
Wooorrmmhooolleess,
2025
Rhode Island School of Design
Wooorrmmhooolleess, Kimberly Duck
Masters Theses
By now we all know that the internet is an integral part of our existence. One could argue that this online existence holds equal importance to our physical one. While the lines blur even further and Mark Zuckerberg can’t wait to cosplay the rich computer guy from Ready Player One, I choose to refrain from the existential dread that seems to be inescapable when thinking of the future nowadays. While we often associate the internet with portals (after all, we once called websites “Internet Portals”—in German at least), Wormholes more accurately capture the experience. Portals promise instant connection. But what …
Instrument,
2025
Rhode Island School of Design
Instrument, Elliott M. Romano
Masters Theses
I compose graphic design like I would a piece of music. Using input sources such as sound signals and noise algorithms, I create generative systems that alter or adapt typography and graphic form to output audio-textual compositions in real time. I call these systems graphic instruments.
In this book, I present a methodology for constructing and performing visual instruments as hybridized, real-time feedback systems, tracing a lineage of apparatuses as well as works of art and design that share a similar orientation. Through short-form essays and interviews with artists who operate between designer and performer, this thesis explores the …
Afrography: Scripting Futures Anchored In Culture & Community,
2025
Rhode Island School of Design
Afrography: Scripting Futures Anchored In Culture & Community, Osmond Tshuma
Masters Theses
Latin and Arabic are the most used writing systems in Afrika, not only because of their functionality but because of colonial history. Colonialism established Eurocentrism as the standard, while Afrikan creations were marginalized and demonized. This thesis investigates various ways of reclaiming identity through typography using the concept of Sankofa, which emphasizes retrieving and learning from the past to build the future. By integrating cultural objects into designs and everyday visual language, we can challenge and reverse the demonization imposed on Afrikan symbols by colonial narratives.
The belief of Ubuntu, the philosophy that an individual’s well-being is intrinsically tied to …
Jotographía // Fagtography: On Amor Propio Radical // Radical Self-Love,
2025
Rhode Island School of Design
Jotographía // Fagtography: On Amor Propio Radical // Radical Self-Love, Jonathan Erick Guzman
Masters Theses
“Jotographía // Fagtography: On Amor Propio Radical // Radical Self-Love” is an interdisciplinary thesis that explores the intersections of queer Chicanx identity, photography, and performance as technologies of survival and self-construction. I construct a speculative archive of Chicanx queer experience through my tripartite personas: Barbí, Luke, and myself—collectively, the Guzman Triplets.
Through these embodied avatars, I embrace rasquachismo, camp, Catholic iconography, and hybrid photographic processes—including Polaroids, AI-manipulated imagery, anthotypes, and installation—to investigate visibility, fragmentation, and ancestral memory. Rooted in Gloria Anzaldúa’s frameworks of la herida abierta and nepantla, José Esteban Muñoz’s concepts of disidentification and queer futurity, and bell …
Covered In Snow,
2025
Rhode Island School of Design
Covered In Snow, Katelynn M. Rogers
Masters Theses
Covered in Snow is a photographic exploration into the ripple effect of maternal loss and environmental decay in my hometown of Canton, Ohio. In the wake of a miscarriage, the woods I had grown up within began calling to me, urging me to return. Unbeknownst to me, a series of accidental deaths of women had been happening throughout these trees my entire life, their stories only coming to the surface as I looked to the trees for solace. This series of inexplicable deaths in the woods I so desperately loved began to alter my relationship to the trees, a distrust …
The Blue Below Still Breathes,
2025
Rhode Island School of Design
The Blue Below Still Breathes, Yiyi Wang
Masters Theses
The Blue Below Still Breathes explores disappearance transformation rather than loss—a shift in visibility that reveals the pressures, absences, and structures shaping perception. Across interactive installations and print works, I examine how power operates through omission, fragility, and formal control. At the heart of this practice is printmaking, reimagined as a responsive, impermanent medium that challenges its historical association with fixedness.
The thesis installation features a 5x5 grid of thermochromic screenprints of a concrete wall, where viewer proximity activates a randomized sequence of heating panels. As heat raises the temperature of the surface, a field of blue gradually emerges, breaking …
The Navel Of The Dream,
2025
Rhode Island School of Design
The Navel Of The Dream, Ella C. Baum
Masters Theses
The images in The Navel of the Dream evoke a state of groundlessness. In this body of work, photographs act as thresholds between what is seen and what is felt, between daydreams and nightmares, and memories and myths. The camera is used as a means to engage with feelings of loss, and reenact the mythos of childhood, as well as the deep waters of the subconscious.
Created in Southern Sweden between 2022 and 2025, these photographs investigate the fallow winter landscape, the liminal space of deep, dark Scandinavian nights and the transformative qualities of ice, snow and …
