Fine Arts Commons^™

Eco-Theatre, R. Murray Schafer, Eleanor James, Sarah Ann Standing

Publications and Research

Born in Sarnia, Ontario, in 1933, and widely considered Canada’s leading living composer, Raymond Murray Schafer is also a librettist, educator, writer, and “soundscape” theorist. Schafer composes for symphonies as well as chamber orchestras, solo instruments (he has even composed a piece for snowmobile), and vocalists. His compositions have played throughout the world. Schafer’s operatic cycle Patria—a masterwork almost forty years in the making—consists of ten episodes, plus a prologue and an epilogue. The prologue The Princess of the Stars and epilogue And Wolf Shall Inherit the Moon (also known as the Wolf Project) comprise an eco-theatre where Schafer places …

The Art Of The Circle, Yvette Creel

LSU Master's Theses

The circle is a primary shape, a closed curve that divides a plane into two regions: an interior and an exterior. This exploration has allowed me to place what I like inside the circle and then use that piece to complete a composition. In graphic design, the circle is not only a ring, a disc or a sphere; it is also the fifteenth letter of the Roman alphabet. ‘O’ is not only a letter, but a vowel that is the same shape in upper and lower case. It can also be a number. Beyond its ability to participate in statistics …

Recreating Paris In Les Miserables, Joel Schiebout

All Graduate Theses, Dissertations, and Other Capstone Projects

This document is a thesis submitted in partial fulfillment of the Master of Fine Arts degree in theatre. It is a detailed account of author Joel Schiebout's technical process in the construction of the set for Minnesota State University, Mankato's production of Les Misérables in the fall of 2013. The thesis chronicles the author's technical process from pre-production through post-production in five chapters: an early production analysis, a historical and critical perspective, a construction process journal, a post-production analysis and a process development analysis. Appendices and works cited are included.

[Implied Depth]*, Hope Thier

All Graduate Theses, Dissertations, and Other Capstone Projects

While snooping through my great grandmother's belongings, I found late 19th and early 20th century photographs and stories of untold familial histories, from that of my own family and others. I have taken to adopting these families, and I am attracted to these almost forgotten narratives and developing these incomplete truths about past relatives into fictionalized characters and false histories. I strive to develop a chaotic but structured quality in my work. While doing so, I explore relationships. The relationships evolve between myself and the material, myself and the characters, and the characters and the material. By observing and learning …

All Things In All Ways, Amanda Nicole Crary

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis highlights our obliviousness to nonhuman nature and how this ignorance severs a great connection to the earth and our senses. My work explores this important connectedness. The natural world is filled with fleeting revelations that shatter habitual ways of seeing and experiencing; my paintings act as record of such moments. The exhibition was held at the Conkling Gallery in Nelson Hall from February 24th to March 5th, 2014. It consisted of twenty-two works including paintings, drawings, and prints. All works were produced during my time within the M.A. program, 2012-2014. Postcards and a brochure advertised the exhibition. The …

The Scene Design For Kiss Of The Spider Woman, Noah Jon Michael Files

All Graduate Theses, Dissertations, and Other Capstone Projects

This thesis contains a detailed account of Noah J. Files's scene design research and process for Kiss of the Spider Woman by Terrence McNally, John Kander and Fred Ebb. The musical was produced in the Andreas Theatre, opening January 30 and closing February 8, 2014. The first chapter is a preliminary analysis of the plot, the designer's first intentions and reactions to the scenic requirements, and the designer's goals for the production. The second chapter is an historical and critical analysis providing perspective into the history of the musical and research to illuminate the designer's choices. The third chapter is …

A Century Of Self-Expression: Modern American Art In The Collection Of John And Joanne Payson, Students Of Exhibiting Modern Art 360 2013-2014, Laurette Mccarthy, John Payson, Joanne Payson, Brian Wallace

Books, pamphlets, catalogues, and scrapbooks

A catalogue of the exhibition held at Bryn Mawr College February 28-June 1, 2014.

Fred Kabotie, Elizabeth Willis Dehuff, And The Genesis Of The Santa Fe Style, Jessica W. Welton

Theses and Dissertations

Those scholars who have overlooked the relevance of Fred Kabotie and the Santa Fe Style he developed have missed an important historical segment of early Native American painting. This dissertation underscores the convergence of diverse intellectual, artistic and cultural backgrounds, especially those of Kabotie and Elizabeth Willis DeHuff, his first art teacher, which led to the formation of the Santa Fe Style in 1918. This style was formative for Dorothy Dunn’s later Studio School at the Santa Fe Indian Boarding School.

This first generation of the Santa Fe Style of watercolor painting was empowered by highly educated men and women, …

Something Wicked This Way Comes: Scoring Hamline University's Production Of "Macbeth", Andrew Brady

Departmental Honors Projects

This project represents a practical investigation into using original underscore in the modern theatrical experience. Over 40 minutes of cinematic, orchestral underscore were composed by the author specifically for Hamline University Theatre Department’s 2014 production of Macbeth. Using electronic scoring methods and digital playback strategies, the music was “performed” with variable timing that was able to directly match the performance of the actor’s for each show. The accompanying written musicological analysis explores the score’s uses of themes, spotting strategies, and integration of the show’s artistic concept. The analysis, in conjunction with the recorded score, demonstrates a cohesive effort to …

The Burgos Tapestry: Medieval Theatre And Visual Experience, Nathalie Rochel Frch '11

The Fordham Undergraduate Research Journal

In the field of art history, the medium of tapestry has only recently begun to gain attention as its own significant art form. This paper examines the possible relationship between the Burgos Tapestry, recently on view at The Cloisters after a thirty-year conservation, and medieval theatre. The compositional and stylistic forms of the tapestry may have been influenced by productions of medieval mystery plays, which through analysis can help provide a greater understanding of the medieval cultural mindset, the possible artistic decisions behind maintaining medieval pictorial traditions into the early sixteenth century, and the medieval viewer’s experience when looking at …

Marshall University Music Department Presents A Senior Recital, Laura Nichole Campbell, Soprano, Laura Nichole Campbell

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Joshua Blair, Clarinet, Joshua Blair

All Performances

No abstract provided.

Marshall University Music Department Presents A Mass In E Minor By Anton Bruckner, Marshall University Choral Union, Marshall University Chorus, Robert Wray, Conductor, Marshall University Chamber Choir, David Castleberry, Conductor, Robert Wray, David Castleberry

All Performances

No abstract provided.

Art Journal 2013 - Musings

Art Journal

No abstract provided.

Art Journal 2012 - Interface

Art Journal

No abstract provided.

Marshall University Music Department Presents A Senior Recital, Nicholas Hartley, Piano, Nicholas Hartley

All Performances

No abstract provided.

The Heart Of The Lower Story: Thesis Exhibition, Cassandra Stagner

Honors Theses

The Heart of the Lower Story: Thesis Exhibition is established around a study-internship in Scotland. The works consist of landscape and architecture photography, as well as hand drawn portraits and charcoal pieces. The style of the work and exhibition is comprised of simple elements such as barn wood framing and work created on OSB board to involve experimentation. “The Heart of the Lower Story” has been exhibited at the Lee Honors College with an opening reception for supporters and friends to attend that also introduced a video compilation of interviews taken while in Scotland. The questions being addressed were: What …

Marshall University Music Department Presents The Marshall University Symphonic Band And The Marshall University Wind Symphony, Shirelle Yuhase, Steve Barnett

All Performances

No abstract provided.

Marshall University Music Department Presents A Senior Degree Recital With Derek Ellis, Piano, Derek Ellis

All Performances

No abstract provided.

Indefinability2013c.E., Clayton T. Ehman

CGU MFA Theses

I am a multidisciplinary artist; because I am committed to art that engages a broad array of subjects and ideas. This is reflected in my works which consist of diverse mediums and processes including graphic design, digital imagery, printmaking, painting, sculpting, poetry, song composition, clothing, website design, drawing, video, lighting, installation art, abstract art, Op art, conceptual art, political art, black light art, maximalist art, and various combinations of these.