Fine Arts Commons^™

Untitled, Michael Hunter

Theses and Dissertations

The following is an exploration of ideas and themes related to my studio work, past and present, concrete and aspirational. I approach painting as an experience of pleasure and as a mode of resistance and critique. I will discuss how my work is aligned with many of the themes found in the Pattern and Decoration movement of the 1970s. I will also identify alliances that my work has with DIY, networks, and the contemporary art scene as discussed in Lane Relyea’s "Your Everyday Art World". I describe my mode of working in the context of "workable resistance," which Jan Verwoert …

Marshall University Music Department Presents A Junior Recital, Jason Cook, Flute, Jason Cook

All Performances

No abstract provided.

Marshall University Music Department Presents Belle & Lynum Jackson, Winner's Recital, Angela Scoulas, Violin, Angela Scoulas

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No abstract provided.

Marshall University Music Department Presents The Perfect Fifth, Marshall University

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No abstract provided.

Marshall University Music Department Presents A Junior Recital, Hillary Herold, Mezzo-Soprano, Hillary Herold

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No abstract provided.

Marshall University Music Department Presents Craig Burletic, Bass, Craig Burletic

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No abstract provided.

Marshall University Music Department Presents An Evening Of 20th Century American Music, Marshall University Choral Union, Marshall University Chorus, And Marshall University Chamber Choir, Robert Wray, David Castleberry

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No abstract provided.

Marshall University Music Department Presents A Guitar Studio Graduate Recital, Kareem Mccullough & Rodrigo Almeida, Kareem Mccullough, Rodrigo Almeida

All Performances

No abstract provided.

In The Right Mirror: We Are All Gods, Aaron Koehn

Theses and Dissertations

I look to the common and mundane as sources for inspiration and imagination. In an attempt to evolve a veneer away from representing a coveted material, I have taken phenomenological events from my own personal experience and have searched for commonalities with them to create a new idea for veneering. My exploratory use of Google as a grammar-less machine deciphers the very nature of naming and its ambiguous attachment to an image. I am interested in the multiplicity of personal associations that become attached to images, and the subjectivity thus involved in the naming of an image.

Marshall University Music Department Presents The Marshall University Symphonic Band And The Marshall University Wind Symphony, Shirelle Yuhase, Steve Barnett

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No abstract provided.

Marshall University Music Department Presents A Graduate Recital, Kate Soules, Clarinet, Kate Soules

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No abstract provided.

Marshall University Music Department Presents A Jazz I, Martin W. Saunders

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No abstract provided.

Marshall University Music Department Presents A M.U. Guitar Ensemble, Júlio Ribeiro Alves

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No abstract provided.

Marshall University Music Department Presents The Low Brass Studio Recital, Bradley Brown, Mila Markun, William Mullins, John Bruce, Thomas Cavender, Alexander Cardwell, Matt Drummer, Brianna Williams, Brian Crawford, Mark Smith, Chris Mcconaha, William Mullins

All Performances

No abstract provided.

Marshall University Music Department Presents A Chamber Music Recital: "Guitar, Flute & Violin Potpourri", Marshall University

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No abstract provided.

Marshall University Music Department Presents The Marshall University Percussion Ensemble, Steven Hall

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No abstract provided.

Marshall University Music Department Presents A Woodwind Ensemble Recital, Wendell B. Dobbs, Ann Bingham, Ed Bingham, Kay Lawson, Richard Kravchak, Donald Williams

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No abstract provided.

Marshall University Music Department Presents A Master Class With Guido Sanchez-Portuguez, Guido Sanchez-Portuguez

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No abstract provided.

Labor, Vera Bauluz

CGU MFA Theses

I make sacred objects from scratch, from ready mades, from industrial materials, and sometimes from trash or recycling. I treat those objects with love and reverence to embed them with essence and soul. I propose conversations with objects exquisitely executed, that question our social order and the machine, easily understood by everybody, although still challenging our understanding of contemporary art.

The placement of the work and the lighting, as fundamental part of the installation, attempts to generate strokes of conscience that enhance human understanding and capabilities beyond a specific discourse.

Humor and sacred coexist in my installation and in my …

Marshall University Music Department Presents Guido Sanchez Portuguez, Guitar, Guido Sanchez Portuguez

All Performances

No abstract provided.