Inner Demons,
2017
Indiana State University
It’S 10:49 And I’M Still Alive,
2017
Indiana State University
The Countdown,
2017
Indiana State University
Joe Sartor: Morehead Mind Games,
2017
Morehead State University
Joe Sartor: Morehead Mind Games, Kentucky Folk Art Center, Joe Sartor
Kentucky Folk Art Center Exhibition Catalogs
2017 Kentucky Folk Art Center exhibition catalog of artist Joe Sartor.
Art Infested Water, January 2017,
2017
Nova Southeastern University
Art Infested Water, January 2017, Nova Southeastern University Department Of Performing And Visual Arts
Department of Performing and Visual Arts Newsletters
No abstract provided.
Pathos, Winter 2017,
2017
Portland State University
Pathos, Winter 2017, Portland State University. Student Publications Board
Pathos
Editor: Jessica Moore
Volume 11 No. 2
Young Chicanx On The Move: Folklórico Dance Education As A Mechanism Of Self-Assertion And Social Empowerment,
2017
Scripps College
Young Chicanx On The Move: Folklórico Dance Education As A Mechanism Of Self-Assertion And Social Empowerment, Maya Salas
Scripps Senior Theses
In the context of Chicanx experiences in the United States, where varying generations of Chicanxs experience bicultural realities, this study shows how embodied knowledge performed through the body’s movements in folklórico dance by Chicanx youth from multiple generations, acts as a mechanism for reconnecting youth to cultural ties, reevaluating educational practices, and emplacing within youth, the ability to foster the confidence to express and create imagined futures. Data collection incorporated a series of interviews with eight Chicanx youth and adults who have either taught or danced folklórico in the Phoenix, Los Angeles, or Coachella Valley areas. Interview participants revealed a …
Love Rings: From Ancient Egypt To The 19th Century,
2017
Sotheby's Institute of Art
Love Rings: From Ancient Egypt To The 19th Century, Solah Hwang
MA Projects
This curatorial proposal accounts for an exhibition on the history of love rings from the ancient Egyptian period to the 19th century. It began with the belief that the void space in circlet objects carries more than what it seems; despite the small size, its symbolic power is evidently weighty. This proposal was compiled with hope to interest people in antique rings for not only their exterior value but also for their historical significance that the rings survived to carry through the course of histories.
Yi, Observational Documentary Aesthetics, And The Identity Politics Of Transcultural Migrancy,
2017
Virginia Commonwealth University
Yi, Observational Documentary Aesthetics, And The Identity Politics Of Transcultural Migrancy, Jiacheng Xu 4159187
Theses and Dissertations
There is a moment in Edward Yang’s acclaimed film Yi Yi (2000) in which a young boy in a conversation with his father observes that he cannot see what his father sees and that his father cannot see what he sees, prompting two questions: “How can I know what you see?” and “Can we only know half of the truth?” Unable to provide adequate answers, his father instead offers his son a camera. Later in the film, the same boy presents his uncle with a picture he took of the back of his head. When asked why, the boy responds …
A Window The Color Of Her Sunburn,
2017
Virginia Commonwealth University
A Window The Color Of Her Sunburn, Joana Stillwell
Theses and Dissertations
I use video and material fragments to investigate the collapse of virtual and physical spaces as memories, lived environments, and digital interfaces become overlaid and interchangeable. I am interested in the capacity for technology to propose alternative strategies in which to engage with the world as we continue to extend ourselves in new and enduring methods. Seemingly unremarkable fragments offer new potentials in questioning meaning, worth, and care within spaces of downtime, boredom, and play.
This document accompanies my thesis exhibition a window the color of her sunburn. It provides background information on selected fragments and residues from my own …
Below The Neck, Above The Knees,
2017
Virginia Commonwealth University
Below The Neck, Above The Knees, Desiree Dawn Kapler
Theses and Dissertations
My thesis explores the act of violation in the context of trauma and healing through the use of personal narratives and experimental film. My research allows personal storytelling to transform into a larger and more universal theme of generational trauma and dysfunction. Through a feminist lens, I challenge social norms of body autonomy for the sick and abused, capitalism’s social effects on the poor, and passed down maternal lessons from the women who are doing the best that they can with the lives and opportunities that they have been given.
This work is created in spite of the labels my …
We,
2017
Virginia Commonwealth University
We, Wesley B. Chavis
Theses and Dissertations
Here is an exploration of the intergenerational Southern Black American Body, a complex collection of persevering souls of the past, present, and faith-driven future. Through the sensorial physical encounters of my body, sometimes recalled through the physicality of another, I locate the labor to belong, the complexity of submission, sensual awakening, displacement, absence, and the expansive spiritual force of the collective body.
Using documentary additions of archived family photos and journal entries, I expand and abstract the occurrence of my presence through non-linear time, connecting the personal to the complex communal. These documents are the slippery prophecies of my being, …
Restoration,
2017
Virginia Commonwealth University
Restoration, Shannon M. Slaight-Brown
Theses and Dissertations
The marks I make in clay have different characteristics, and the physical mark of one’s fingertips or visual record of the hand is personal and intimate. This visible activity is the evidence of my constant presence and control within each object. Its repetitive meditation produces a private relief from my persistent anxieties. This exploration for me is not only visual, but also physical. This is the start of my infatuation with the idea of pattern. It has its own discrete visual language and modes of communication; and through my research I am developing a method of intercommunication.
"Perhaps," She Said, "Looking Itself Could Be An Antidote.",
2017
University of Montana, Missoula
"Perhaps," She Said, "Looking Itself Could Be An Antidote.", Sarah Moore
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
Pushzoompantilt, A Letter To Grandmother,
2017
University of Montana
Pushzoompantilt, A Letter To Grandmother, Karl Y. Schwiesow
Graduate Student Theses, Dissertations, & Professional Papers
pushzoompantilt is an ongoing body of work that considers the relationship of handmade art objects with found and altered objects of utility and leisure. Addressed herein is an explanation of this relationship between clay form and altered objects seen through the lens of open and closed systems and fixedness.
Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard,
2017
University of Montana
Radical Dissonance And Haunted Gestures: Rupture And Reverence In The Artwork Of Aja Mujinga Sherrard, Aja M. Sherrard
Graduate Student Theses, Dissertations, & Professional Papers
This paper serves to establish the studio practice of Aja Mujinga Sherrard within the framework of conceptual art, touching on the flexible use of media, the subversive or political nature of the work, and its relationship to movements and disciplines such as Feminism and Poststructuralism.
The section entitled “Race and Incoherence” addresses the practice of Radical Dissonance—or the creation of ruptures within commonly accepted concepts and social constructions—through the Costuming Kinship Series, 13≠12≠12.2 (Genetics Project), and Body Double. The section entitled ”Art, Loss, and the Unspeakable” traces an emotional shift in her work and speaks directly to the pieces …
The Prescribed West,
2017
University of Montana
The Prescribed West, Evan M. Hauser
Graduate Student Theses, Dissertations, & Professional Papers
No abstract provided.
Prime, Perform, Recover,
2017
Virginia Commonwealth University
Prime, Perform, Recover, Patrick Harkin
Theses and Dissertations
This thesis examines the formal and conceptual framework of my artistic practice as it culminated in the installation of my thesis exhibition, Prime, Perform, Recover. My exhibition seeks to operate as an analysis and critique of the separation inherent in media presentation and rhetoric surrounding natural disasters.
I utilize the aesthetics and vocabulary of disaster capitalism and prepping culture in order to pose direct questions about ecological and social change. I examine the role of images within mass media image production as an all encompassing Now-Time. In this paper I describe frameworks that my practice proposes as potential solutions to …
Laban For The Actor: The Mind/Body Connection,
2017
Virginia Commonwealth University
Laban For The Actor: The Mind/Body Connection, Margaret C. Buckner
Theses and Dissertations
When it comes to actor training in higher education, an extremely strong emphasis is placed on understanding the voice and interpreting the text. While some institutions do incorporate movement courses into the curriculum of the students, many do not serve the learning actor in the most effective way. The work of Rudolf Laban is a way to strengthen the curriculum taught to actors, specifically in regards connecting actors to their bodies. This thesis discusses and analyses the use of Laban’s movement theory in the movement classroom, and focuses on the most effective way of presenting the material to the student. …
Love Learning In Porous Skin,
2017
Virginia Commonwealth University
Love Learning In Porous Skin, Sarah Coote
Theses and Dissertations
My thesis questions our construction of identity through objects. In small sculptures and paintings with collage and various found materials, I insist on the touch and intimacy that our bodies afford us in the world saturated with surface content, screens, and digital profiles. My criticism is self-reflective and curious, an attempt based in research and process in hopes of understanding further the complexities of absorbing in a body and dressing a surface. I have been focused on the formative years of growing up with objects and tools that shaped a concept of individual self and how the imposition of the …
