Subsistence To Agribusiness: American Farmstead Imagery In The Nineteenth Century,
2018
Carnegie Center for Art and History
Subsistence To Agribusiness: American Farmstead Imagery In The Nineteenth Century, Eileen Yanoviak
Art Inquiries
No abstract provided.
Front Matter,
2018
Virginia Commonwealth University
Bayou Bohemia: Early Modernism In Houston,
2018
University of Houston-Downtown
Bayou Bohemia: Early Modernism In Houston, Susan J. Baker, Randy Tibbits
Art Inquiries
No abstract provided.
Facing The Real: Arman’S Accumulations,
2018
Notre Dame of Maryland University
Facing The Real: Arman’S Accumulations, Jennifer Watson Wester
Art Inquiries
No abstract provided.
Her Paris: Women Artists In The Age Of Impressionism,
2018
Colorado Mesa University
Her Paris: Women Artists In The Age Of Impressionism, Meghan Bissonnette
Art Inquiries
No abstract provided.
Rodin: The Human Experience,
2018
Savannah College of Art and Design
Takashi Murakami: Lineage Of Eccentrics,
2018
Framingham State University
Takashi Murakami: Lineage Of Eccentrics, Yumi Park Huntington
Art Inquiries
No abstract provided.
Art Inquiries, Xvii:3, Full Issue,
2018
Virginia Commonwealth University
An Interview With Stacey M. Holloway,
2018
Maryland Institute College of Art (MICA)
An Interview With Stacey M. Holloway, Kerr Houston
Art Inquiries
No abstract provided.
Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits,
2018
Lamar University
Radical Reconfiguration: Appropriation, Assemblage, And Masked Hybridity In Jean Dubuffet’S Postwar Portraits, Stephanie Chadwick
Art Inquiries
No abstract provided.
Native Art Now!: Developments In Contemporary Native American Art Since 1992,
2018
University of Pittsburgh
Native Art Now!: Developments In Contemporary Native American Art Since 1992, Marina Tyquiengco
Art Inquiries
No abstract provided.
Democratising Beauty In Nineteenth-Century Britain: Art And The Politics Of Public Life,
2018
Assumption College
Democratising Beauty In Nineteenth-Century Britain: Art And The Politics Of Public Life, Toby Norris
Art Inquiries
Review of Democratising Beauty in Nineteenth-Century Britain: Art and the Politics of Public Life, by Lucy Hartley.
Howardena Pindell: What Remains To Be Seen,
2018
University of Illinois, Urbana-Champaign
Howardena Pindell: What Remains To Be Seen, Alyssa Bralower
Art Inquiries
No abstract provided.
Boredom,
2018
University of Toledo
Cristóbal De Villalpando: Mexican Painter Of The Baroque,
2018
Winston-Salem State University
Cristóbal De Villalpando: Mexican Painter Of The Baroque, Lisandra Estevez
Art Inquiries
No abstract provided.
No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man,
2018
University of North Carolina Greensboro
No Spectators: The Art Of Burning Man; No Spectators: Beyond The Renwick; City Of Dust: The Evolution Of Burning Man, Andrew Wasserman
Art Inquiries
No abstract provided.
Michelangelo: Divine Draftsman & Designer,
2018
University of Mary Washington
Michelangelo: Divine Draftsman & Designer, Marjorie Och
Art Inquiries
No abstract provided.
Manet: A Symbolic Revolution Pierre Bourdieu,
2018
University of Virginia
Manet: A Symbolic Revolution Pierre Bourdieu, Claire Raymond
Art Inquiries
Review of Manet: A Symbolic Revolution, by Pierre Bourdieu.
Back Matter,
2018
Virginia Commonwealth University
Italian Bedfellows: Tristan, Solomon & “Bestes”,
2018
University of Nebraska - Lincoln
Italian Bedfellows: Tristan, Solomon & “Bestes”, Kathryn Berenson
Textile Society of America: Symposium Proceedings
Two surviving late fourteenth-century quilted furnishings, the Coperta Guicciardini in the Museo Nazinale del Bargello, Florence, and the Tristan Quilt in the Victoria and Albert Museum, London, depict scenes from the legend of Tristan, one of King Arthur’s knights. Both museums attribute the furnishings to a southern Italian atelier. Research to-date essentially treats these works as if, like Athena from the head of Zeus, they burst complete. Yet by the twelfth century Greek, Roman, Byzantine, and Norman occupation and active trade with the Levant, all had contributed to the culture of southern Italy. Prime evidence is the mosaic floor, dated …
