Orpheus, Spring 2019: Bound,
2019
University of Dayton
Orpheus, Spring 2019: Bound, University Of Dayton
Orpheus: UD's Literary and Artistic Magazine
No abstract provided.
Ivy Leaves, Volume 94,
2019
Anderson University
Ivy Leaves, Volume 94, Ivy Leaves Editorial Staff
Ivy Leaves
The 2019 edition of the Anderson University journal of art and literature, Ivy Leaves.
The names of the known editors for this issue of Ivy Leaves were Jacob Cavett, Caleb Flachman, Lucy Kirkpatrick, Logan Carrolll, Aleisse Buck, Alli Kennedy, Matthew Jarrett, Emma Morris, Jessica Jeter, Jayne Small, Lauren Swathwood, Megan Adams, Terra Baughn, Logan Chapman, Allie Thompson, Lizzie Todd, Austin Rusher, Blaire Bellaire, Ashley Stone, Teresa Jones, and Tim Speaker.
Pathos, Spring 2019,
2019
Portland State University
Pathos, Spring 2019, Portland State University. Student Publications Board
Pathos
Editor: Sadie Jordan
Symmetrically Significant: Essays,
2019
Western Kentucky University
Symmetrically Significant: Essays, David Stephen Haydon
Masters Theses & Specialist Projects
This collection of personal essays explores the use of symmetry as a metaphor of normality in contemporary American culture. These essays use formalistic exploration to enter into a conversation with the reader regarding the body, sexuality, gender, and mental illness. Each piece aims to dismantle and explode the metaphorical significations of symmetry through the use of interdisciplinary research combined with memoir.
Entangled,
2019
University of Nebraska-Lincoln
Entangled, Katherine Cox
School of Art, Art History, and Design: Theses and Student Creative Work
I create objects to incite wonder through their exuberance, inviting one to explore the beauty found in the strange and offering the viewer a way to interact with the discomfort of the unknown. Mysculptures are an assembly of engaging surfaces and forms revealing varying texturesandvibrant colors referencing natural and fabricated worlds. Each sculpture is entangled within its own environment or narrative and each is adorned for its own role, finding a balance between discord and harmony, captivation and repulsion.
Each is an individual exploration of the distinct qualities inherent within each object. They are precious in scale and stimulate …
Reworking The White-Masculine Ideal,
2019
Southern Methodist University
Reworking The White-Masculine Ideal, Steven H. Gonzalez
Art Theses and Dissertations
This text functions as an exploration of self through artistic practice, a designated space for reflection on contemporary Queer experience. In looking specifically at the permeation of the idealized-white-masculine figure as found within Western visual culture, social media and gay pornography become isolated as sites where these figures are commonly found. This line of inquiry defines how the ideal is reified through these differing digital platforms and the social implications the homogenized male form has on raced individuals. In addition to determining the image of the perfect masculine physique through research, this text expands on how its' imaged representation becomes …
Thesis/Thesis Document 2,
2019
Southern Methodist University
Thesis/Thesis Document 2, Jessamyn Plotts
Art Theses and Dissertations
Thesis/thesis document 2 explores the subversive power of the painted image, made by a physical performative act. Such acts are not confined to the production of the art object, but expand across the landscape, involving the minds, bodies, and things of culture adjacent to the making process. Following the thinking of Maurice-Merleau Ponty, Thesis/thesis document 2 understands painting not as the container of a finite, legible message, but as a physical platform for the conveyance of perceptual, personal, and experiential ambiguity. Made in this way, painted images offer a powerful alternative to the proliferation of propaganda and advertisement …
Bodies Of Empathy,
2019
Washington University in St. Louis
Bodies Of Empathy, Eunyoung Rosa Jang
Bachelor of Fine Arts Senior Papers
Trauma is defined as the emotional and or psychological response to a deeply disturbing event. When looking at domestic, familial and generational trauma, however, it is not a singular event but a thread through a lifetime or even generations. When it accumulates and goes beyond one person or body, that trauma can embed itself deeply and go neglected and unaddressed. Despite this, trauma is not invisible, and it is not silent. It festers in the mind and surfaces on the body. In Bodies of Empathy, I discuss my body of work which attempts to come to terms with my …
Bones,
2019
Western Michigan University
Bones, Holly Palmer
Honors Theses
For my thesis I am using all of the technique I acquired in my oil painting class, as well as my past three life drawing classes. Working with oils allows me to achieve smooth color gradients and rich pigments. Life drawing taught me to understand ratios between different parts of a subject as well as the relationship between it and its negative space. By using all of these techniques I am working to create the most accurate representation of the pieces as possible. I am painting a series of bones floating on the canvases over different tones, allowing each one …
How Does The Artist Teacher Successfully Negotiate Being Both Artist And Teacher?,
2019
Brigham Young University
How Does The Artist Teacher Successfully Negotiate Being Both Artist And Teacher?, Marie Withers
Theses and Dissertations
Around water coolers, faculty rooms, and classroom corners, art teachers discuss their concerns about maintaining a balance between making, teaching, and studying art. Research indicates there are advantages and disadvantages to commingling these activities, and about how these activities inform each other. The purpose of this study is to not only research what has been written, but also discover through interviews, using a narrative inquiry/case study approach, what living, breathing artist teachers are doing to that allows them to take advantage of the symbiotic nature of making, teaching, and studying art.
Enchantment: A Teleology,
2019
Liberty University
Enchantment: A Teleology, Nathanael S. Toth
Senior Honors Theses
Despite the highly developed nature of his fictional world, Middle-earth, Tolkien never formally laid out a tabulated magic system for his fantasy creation. Nevertheless, unlike many stories by others in the fantasy genre, the magic he does include is far from just a shallow, world-building mechanism. Instead, it encapsulates the core theme of his fiction and the purposes which Ilúvatar (the God of Middle-earth) has given to the story’s many characters.
This paper will examine the nature and function of this magic from many angles: the identification of good magic with art and evil magic with domination; the delineation between …
Advancing Film Through Art & Design: A Study Of The Influence That Film And Fine Art Have On The Independent Film Market,
2019
Liberty University
Advancing Film Through Art & Design: A Study Of The Influence That Film And Fine Art Have On The Independent Film Market, Jamall Rashaud Mcmillan
Masters Theses
The Influence of Graphic Design and Fine Art in Film is a exploration into the impact that an investment of the arts has on film and more specifically the independent film market. Most independent filmmakers have to develop their productions with little to no budget. In doing so they must work to create a marketable film to the best of their ability. There in-lies the issue; they are doing it to the best of “their” ability. The issue that is in focus with the notion of ability is that a major component that is left out of the equation to …
Jukebox Musicals,
2019
University of South Carolina
Jukebox Musicals, Kimberly Braun
Theses and Dissertations
This masters thesis explores the jukebox musical as an art form and includes the script and next steps for a solo show about the work of Joni Mitchell.
Historical Events In Fictional Playwriting,
2019
University of South Carolina
Historical Events In Fictional Playwriting, Darrell Johnston
Theses and Dissertations
This Masters thesis explores the use of historical events and legends within the form of fictional playwriting.
En Quête D’Image(S) : L’Emploi Des Archives Pour La Construction D’Une Mémoire (Visuelle) Palestinienne,
2019
EHESS, Paris
En Quête D’Image(S) : L’Emploi Des Archives Pour La Construction D’Une Mémoire (Visuelle) Palestinienne, Charlotte Schwarzinger
Regards
By relying on the works of two Palestinian directors – one being a found-footage documentary and the other an experimental piece – this article examines the importance of archives in the elaboration of Palestinian visual memory. Through its complex cinematographic history and the “missing image / ‘invisibled’ image,” Palestinian creators today use the medium of film to bear witness to their presence. The author aims to think through the use of archives in this struggle against invisibility and toward the recognition of a history, a culture, and a memory that are constantly threatened by erasure. At the border between historical …
Iconoclasme, Blasphème Et Liberté De L’Art,
2019
Université de Cergy-Pontoise
Iconoclasme, Blasphème Et Liberté De L’Art, Hassouna Mansouri
Regards
Based on two films – La Ricotta by Pier Paolo Pasolini and The Message by Mustapha Akkad – this paper examines the relationship between art and religion. At the core of this debate lies an opposition between two semiotic approaches, defined by Umberto Eco as in verbis and in factis. In dealing with works of art, I will highlight the connection between these two concepts and the idea of “The Open Work.” I will then argue that the conflict arises from a shift in the debate from aesthetics to politics, and thus revolves around a certain margin of tolerance …
الهامش باعتباره خياراً والتحلّي بالهشاشة مقابل العنف,
2019
IESAV, Université Saint-Joseph de Beyrouth
الهامش باعتباره خياراً والتحلّي بالهشاشة مقابل العنف, Abdullah Al-Kafri
Regards
.قراءة في بعض ما يُقدَّم ضمن مشهد فنون الأداء في بيروت خلال عامي 2017 و2018
« Regards », Nouvelle Formule,
2019
Université Saint-Joseph de Beyrouth
« Regards », Nouvelle Formule, Joseph Korkmaz
Regards
Après vingt ans d’existence, la revue Regards se métamorphose entièrement. D’une revue annuelle limitée à une diffusion interne et rédigée en grande partie par des enseignants et des étudiants de l’Institut d’Études Scéniques, Audiovisuelles et Cinématographiques (IESAV) de l’Université Saint-Joseph de Beyrouth (USJ), elle passe à une publication semestrielle et comprend désormais un comité scientifique et un comité de lecture internationaux. Elle s’ouvre également aux contributions de chercheurs et d’universitaires, aussi bien locaux qu’étrangers...
Mémoire Et Conflit Dans « Le Dernier Jour Du Printemps » (آخر يوم في الربيع" 2018") De Fidaa Zidan,
2019
IFPO – INALCO
Mémoire Et Conflit Dans « Le Dernier Jour Du Printemps » (آخر يوم في الربيع" 2018") De Fidaa Zidan, Najla Nakhlé-Cerruti
Regards
Last Day of Spring (آخر يوم في الربيع" 2018") is a monodrama written and performed by Fidaa Zidan (فداء زيدان, b. 1989), premiered in July 2018 at the National Palestinian Theatre/El-Hakawati in Jerusalem. The play tells, in the first person, the story of a young girl from a Druze village in the Galilee who finds herself alone with her parents after the death of her brother during his military service in the Israeli army, compulsory for men of the Druze community in Israel since 1956, and who had been buried in a military cemetery. The sister wants to fulfil her …
La Mémoire Comme Ressource Et Enjeu De Lutte Dans Les Documentaires Syriens De L’Après 2011,
2019
Université de Genève
La Mémoire Comme Ressource Et Enjeu De Lutte Dans Les Documentaires Syriens De L’Après 2011, Nicolas Appelt
Regards
In Syrian cinematographic creation – essentially documentary – which escapes the control of the regime, memory occupies an important place in the representation of the conflict that tears the country apart. Drawing from three Syrian documentary films shot after 2011 – Houses without Doors, 194, Us Children of the Camp and The Taste of Cement – we will put into perspective how the memory of one side is mobilized as a resource for representing the conflict, including after leaving Syria, and, on the other hand, how it is an issue in reclaiming the story of this conflict, in a …
