La Cultura Que No Cambia, Karina Arreola-Gutierrez

MFA in Visual Art

In the text of La Cultura Que No Cambia, I mention how my work has been influenced by becoming more aware of generations of altar making that occur in my family. By collecting stories and photographs of altars, I can observe and create work based on how the legacies can change through generations or stay the same. The memory of my ancestors and family traditions is strengthened. Growing up seeing discrimination towards others has influenced me to highlight my Mexican heritage of traditions, culture, and language through several different methods. Using these elements, I can create work informing audiences about …

Entities: A Field Of Imaginary Games, Thrasyvoulos Ioannis Kalaitzidis

LSU Master's Theses

With this body of work, I am looking for visual symbols that help communicate unuttered meanings through storytelling and stimulate an affectual response to the viewer. This exploration is presented in two different forms: a surreal sculptural installation and a board game. The installation consists of large-scale sculptures made from light and soft materials (polyurethane foam, plastic waste, paper) that are available to move inside the gallery, while the board game is presented as a set of 3D prints with instructions on how the participants can play it. The materials used in the installation suggest a way to transform waste …

Ambiguity Of Vision: Reimagining The Hypervisible Void, Kiwha Lee Blocman

Theses and Dissertations

Asking questions about what Painting is in the 21st century and the dominant narratives it can challenge, my paintings complicate the viewer’s reading of pictorial hierarchy and the projection of human relations in the world. I de-hierarchize and decentralize the compositional components that make up a painting by using patterns to create spatial depth, not European perspectival conventions. In dialogue with modernists such as Matisse who drew from the visual vocabulary of “The Orient”, my central forms derived from architecture and ornamental fragments possess a body-like presence. Further, I reinvent ancient Asian printmaking processes with oil paint. Observing the tenets …

Toward Holistic Mental Wellness: A Literature Review Of Mindfulness-Based And Focusing-Oriented Art Therapies, Lesley Vernon

Expressive Therapies Capstone Theses

Modern day living, for all its benefits, is synonymous with record levels of stress. The mental health clinician’s role is to assist clients in accessing the skills and tools necessary to reduce and alleviate the symptoms of stress-induced anxiety. Mindfulness is emerging as a potent and effective tool to restore one’s state of well-being. Likewise, engaging in art therapy has been shown to reduce stress and foster resilience. Grounded in humanistic and existential theories, this literature review aimed to assess the impact and effectiveness of two intermodal holistic therapies, specifically mindfulness-based art therapy (MBAT) and focusing-oriented art therapy (FOAT). A …

Tiempo De Hibridos, Paul Acevedo Gomez

LSU Master's Theses

Tiempo De Hibridos is a body of work that celebrates the multiplicity of my shifting identity. It navigates back and forth between two different worlds, each packing different experiences that become a crossbreed or hybrid of information. Using historical references, pop culture, and personal experiences, I create a narrative story that maneuvers through familiar and foreign spaces.

The images suggest a celebration of cultural identity, vitality, but also psychological pain. I purposely combine objects that can be perceived as conflicting, altering their function to reference elements that are both playful and painful. The viewer should question the combination of objects …

Review: The Anarchivist: History, Memory, And Archives, Greg Mcnamara

Provenance, Journal of the Society of Georgia Archivists

Book Review: The Anarchivist: History, Memory, and Archives. By Geof Huth (New York: AC Books, 2020. 145 pp.). Reviewed by Greg McNamara.

Between The Garden And The Gardener, Sara Lynne Lindsay

Theses and Dissertations

My work uses plant material and soil as a record of personal, cultural, and ecological history. History is not only held in the buildings and monuments, but in the soil itself. I gather this soil and foliage from both cultivated and uncultivated locations for my artwork. Using traditional domestic techniques of drying and canning, I preserve the materials that I have gathered. These will then be sewn together, cooked, and encrusted into objects. Despite my labor of preserving, these organic art supplies are transient. When made into works of art, they can be viewed in their vulnerable state, fighting against …

Untethering The “Other”: Creating Spaces For Black Autonomy And Community, Kaylyn Webster

Bachelor of Fine Arts Senior Papers

By complicating viewers’ relationships to my painted figures through the application of the gaze, my work analyzes how America’s colonial past affects our current landscape to find ways to break the cycle, and to make space for Black autonomy. Blackness should be free to exist without being tethered in a position of inferiority to Whiteness. Radical defiance, resiliency, and expressions of agency have been used by Black people for centuries, and their employment must continue to combat systems of oppression. Our history has been one of division, but mutual respect and cooperation are needed for our communities to stand against …

Disorientations, Noah Greene-Lowe

MFA in Visual Art

The materials that make up the ordinary and mundane in the United States also reinforce and normalize a white spatial imaginary. Conventions of mapping, imaging of land and landscape, and elements of the built environment continue to orient us in a logic of space as property. In my sculptural work, I employ strategies of disorientation and creative repair, or reconstruction, to unsettle the spatial practices of whiteness and structures of power embedded in the mundane, the familiar, and the domestic. I consider the planned cohousing community where I grew up as an influence on my work, and my whiteness. By …

Student Voice And Choice: Factors Influencing Student Participation In Secondary Arts Classes In An Urban Public School District, Alan D. Lambert Ed. D.

Teacher Education, Educational Leadership & Policy ETDs

The purpose of this study was to capture the student voice regarding the value, importance, and relevance of visual and performing arts education in public schools. The host institution for the study was an urban school district in the southern central United States serving 75,000 students, with 55% students identified as Hispanic, and 52% of students experiencing poverty. Graduating seniors responded via questionnaires with forced choice and open-ended items regarding several topics, including what they do in their free time, how they perceive the value of arts classes at school, access to arts classes and the match of their interests …

Save And Continue?, Douglas Boyd Johnson

Theses - ALL

The purpose of this thesis is to describe the research I completed and the body of work produced during the course of my Master's studies. The paper begins by briefly recounting early influences and the nature of my practice at the time I began the program. Then elaboration follows on the development of my work across various media, both traditional and digital. The work centers on formal questioning of pictorial media and draws conclusions on the nature of picture making, and the motivations I have for pursuing pictorial art.

Carrying The Longings, Shuoran Zhou

Theses - ALL

The objective of this paper is to reveal the origin and evolution of the work I have made, thereby establishing the foundation for my future practice. The core purpose of my work is to provoke introspection and to question, if not reverse, entrenched and stereotypical assumptions toward women. I derive inspiration from my confrontational relationship with my mother, who is a prominent female figure in my life. Our confrontations arise from our differing perspectives and beliefs regarding the roles and aspirations of women. These unpleasant confrontations are the origin of my practice, which is based on questioning assumptions and norms …

Forget Forgot Forgotten, Kevin J. Frazier

Theses - ALL

The purpose of this thesis is to support a series of works that represent different ideas on my life experiences through memory, attachment to social media use, and digital appearance. By showcasing these works together, viewers can experience the ways in which I choose to visualize how digital content alters our memories, as well as our own opinions of ourselves.The paper begins with a background of myself, detailing how I arrived at this project and why I am interested in the relationship between memory and social media. It then provides examples of previous work I created to inform the reader …

The Psychological Experience Of Astronauts And How It Can Be Depicted In Artworks, Xuan Liu

Theses - ALL

The aim of this thesis is to investigate the psychological phenomena that astronauts experience during long-term space missions and to find their relationship with space-themed artworks. By analyzing the psychology of space exploration, this thesis finds that by inserting those phenomena into an appropriate plot and exaggerating it can create compelling and imaginative work. Secondly, this thesis categorizes several plot types that are frequently found in space- themed sequential artworks. This thesis also reflects on the impact of the current Covid-19 epidemic on human psychology, similar to long duration solitude impact on cosmonauts. Finally, this thesis discusses the visual thesis …

To Have And To Hold, Michael Kalish

Theses - ALL

The relationship between mere objects, richly aesthetic objects, and the emotional structure ofexperience is considered in three parts. The first part attempts to develop the relationship between object-ness and art-ness from the intellectual tradition of ordinary language philosophy. The first part ends with the death of my wife. The second part provides a view of the emotional structure of grief-experienced in the form of a poem. The third part attempts to reconcile the lost and the kept, as intellectual and emotional structures are re-aligned. The thesis therefore attempts to both show and tell the origin and nature of the material …

Energy Portraits For Flute, Clarinet In B-Flat, Violin, Cello, Piano, And Percussion, Luis Solis

Music Theses and Dissertations

Energy Portraits is a 25-minute work for flute, clarinet, violin, cello, piano, and percussion based on the nine Enneagram personality types. The Enneagram system delves into underlying motivations and thought patterns of different people rather than only external behaviors, so this piece incorporates the typical overall energy of each number as a miniature portrait. The movements are not in the same order as the nine types from the Enneagram but are reordered and renamed for musical reasons. This allows the listeners who are not familiarized with the Enneagram to still understand the theme and energy of each movement.

Flourish is …

Cultural Formation Of Place: Making Yourself At Home, Olivia Arratia

Art Theses and Dissertations

The environment you grow up in can become a pivotal part of your existence. The sights, smells, people, and places you experience every day can transform the way you see the world. Growing up in a Mexican-American household has brought its own set of experiences that have made me the artist I am today. I am one of many contemporary artists building on the foundations of their heritage and the Chicano movement. I am also a Mexican-American artist expanding the identity and extending the legacy in the 21st century. This paper will investigate how Mexican-American heritage has influenced my artistic …

More Than Just Food, Haden King

Masters Theses, 2020-current

Our relationship with the natural world--as it relates to our production of food--is complex. Drawing inspiration from principles of regenerative agriculture, my paintings explore the dynamics and perceptions surrounding food, health, and a sustainable future. I deliberately use idealized images--some of which comes from corporate marketing campaigns--to examine the tension between what is real and what is fake.

Monuments Are For The Living: The Confederate Mound Monument And The Falsehood Of Reconciliation Statues, Janelle O'Malley

Student Projects

In 2015 the Southern Poverty Law Center (SPLC) began tracking Confederate symbol usage in the United States, namely focusing on confederate flags and monuments. That same year a white supremacist fatally shot nine Black worshippers at the historic Emanuel African Methodist Episcopal Church in Charleston, S.C. The shooter in this case had confederate symbols all over their home. This sparked conversation nationally about confederate symbolism and its true purpose. In turn, the conversation led to highly contested debates on confederate monuments and statues. Between 2015 and 2020, 148 confederate statues were removed from the public eye. But the most shocking …

Nest, Camillia Elci

Masters Theses, 2020-current

The major themes in this body of work are time and layers. These themes are linked by the materiality of the work. Intentional destruction and recreation, perpetually. The work is constantly being made, destroyed, and remade. It is always partly past and partly future. Nest is a self portrait displaying objects acquired and made over the past several years.