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Ani175.1 Activities Doc Example 1, Sae University College

Exemplars

ANI175.1 student exemplar of completed Activities docuentation.

The Construction Of Character And Authenticity On Rupaul's Drag Race, Carli Pickett

University Honors Theses

One of the most common instructions delivered to the drag queens competing on RuPaul's Drag Race is to show their "true self." At first glance, RuPaul's Drag Race foregrounds authenticity and individuality, but it does so through a constructed lens that shapes its contestants into characters. While storylines and characterizations on the show are necessarily informed by the queen's actions, they are heavily shaped by editing.

In this essay, I will be exploring the ways in which authenticity manifests itself throughout several seasons of RuPaul's Drag Race. Each episode of Season Seven, Eight and Nine was watched with special …

Trial By Rat Infestation, Elias Lunsford

University Honors Theses

Wanna make a rat movie?! From Ashton Livingston handing me his script in class to a week of December night shoots, his vision for a 1980s-inspired horror comedy called Rat Problem was a joy of a challenge for me to take on as his cinematographer. Watching reference films, renting and borrowing equipment, and managing the crew all culminated in creating this film's unique vintage-inspired ultra-wide and high-contrast aesthetic. The process of making this film, from equipment technicalities to creative problem-solving, forged my values as a creative collaborator. I learned to always protect the essence of the film as campy and …

La Condition Féminine En Algérie Et Sa Transcription Filmique Chez Nadia Zouaoui, Saïd Adel

Journal of Amazigh Studies

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Review Of Myopia. Akroud, Sanaa, Dir. L’Étoile Du Canada, 2020, Yahya Laayouni

Journal of Amazigh Studies

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Compte Rendu Du Film Argu, Réalisé Par Omar Belkacemi En 2021, Nabil Boudraa

Journal of Amazigh Studies

N/A

Aẓar De Malik Bourkache, Production Mvi (2023). Film Documentaire, Hend Sadi

Journal of Amazigh Studies

N/A

The Future In Focus

DePaul Magazine

Film and TV students at DePaul University's School of Cinematic Arts put special effects into action in a cutting-edge virtual production program.

Technology And The Human Body In The Films Of David Cronenberg, Owen Davies

Lawrence University Honors Projects

Since David Cronenberg seemingly broke from the genres of science fiction and body horror, scholarship surrounding his work has shifted away from questions of the body and technology. However, his recent return to the conventions of these genres in the film Crimes of the Future (2022) requires us to return to these questions. Through the work of Deleuze and Guattari, I analyze the ways in which technology interacts with the body as a factor of technological development, along with the ramifications of technology for the production of subjectivity and organization of sexuality. I use this to demonstrate one possible political …

America, Dreaming., Sarah Meftah

Masters Theses

There is a version

of America

that exists

only in dreams,

a kind of folklore,

shrouded in images,

technicolor interiors,

wrapped in plastic,

ghosts of recent past

to haunt and guide;

a constant reminder.

Wishful thinking

a constructed imaginary,

one I can hold in my hand.

Popular culture and spectacle, America and the domestic ideal, capitalism and the collective unconscious of a national identity. As an artist, I am interested in the myriad images that manifest for a viewer when they think of the spectacle of American pop culture, its domestic archetypes, and the material worship it revolves around. My …

Strike A Pose: Performing Gestures Of Female Madness Across Media Circa 1900, Elyse S. Singer

Dissertations, Theses, and Capstone Projects

This dissertation examines methods for performing female madness onstage, in the medical theatre, and before the camera circa 1900. My focus is on Western techniques for imitating white women’s hysteria in the United States, England, and France. I argue that theatrical gesture served—and continues to serve—as a safeguard, a survival technique, for the actor (and the spectator) to preserve rationality in the enactment or viewing of mentally ill characters. At the same time, these resilient mad gestures carry traces of the oppressive structures of power that have fostered their legibility. Embodying a person in mental distress is a high-stakes endeavor. …

Alianzas Antimodernas: Estudios Del Cine Español Del Proceso 15m, Pedro Cabello Del Moral

Dissertations, Theses, and Capstone Projects

Anti-Modern Alliances: Studies of Spanish Cinema of the 15M Process mobilizes decolonial theory to shed new light upon the politics of the 15M (or Indignados) movement and its visual culture. It tackles anti-modern critiques as embodied in film characters who have been traditionally relegated to the margins of modernity’s grand narratives. The research corpus encompasses a diverse body of works –documentaries, fiction films, activist video essays and their paratexts, which I critically interrogate in dialogue with contemporary feminist, anti-racist, decolonial, anti-neoliberal and anti-ableist debates. Thus, the dissertation examines the methods by which audiovisual works from the past ten years have …

The Animated Cinema Of Bruno Bozzetto, Emilia Gambardella

Dissertations, Theses, and Capstone Projects

The principal aim of this dissertation is to insert Italian animator Bruno Bozzetto into the established narrative of Italian cinema. Although in American and British Film Studies animation has enthusiastically been at the center of many important conversations for the last thirty years, animation has received scant attention within Italian Studies. As such, in the dissertation I discuss a selection of Bozzetto’s animations in relation and comparison to live-action Italian films of the same decades which have been discussed and written about extensively. My dissertation fills this gap in Italian cinema scholarship by drawing on interdisciplinary sources to locate Bozzetto …

Memoriam, Mira Helena Darham

Dartmouth College Master’s Theses

The chasm between past and present is a constant reminder of the perilous journey one takes through the fissures of memory. While on this expedition the forms surrounding you, the memories themselves, are a constantly changing landscape that make navigation a difficult and dangerous task. Is a memory a recall or a remembrance, truth, or construction? Are all memories as they happened or are we the “rememberer,” the architect of their composition? This dilemma has been the impetus of my academic pursuits and creative endeavors. For Memoriam I have chosen an event in my past, a wildfire, as the catalyst …

Shake Ya Ass, But Watch Yourself: An Intersectional And Decolonial Approach To Exploring The Sexualization Of Female Recording Artists And The Empowerment Of Women In The United States, H.B. Rebeka

Dissertations

This dissertation, titled Shake Ya Ass, But Watch Yourself: An Intersectional and Decolonial Approach to Exploring the Sexualization of Female Recording Artists and the Empowerment of Women in the United States, critically examines the phenomenon of sexualization of women in the music industry and its impact on female empowerment. Through an intersectional and decolonial feminist lens, the study delves into the historical and socio-cultural contexts that shape the portrayal and perception of female recording artists in the United States.

The research traces the roots of feminism and the commodification of racial stereotypes through music, exploring how female empowerment has been …

Desire Lines: An Annotated Screenplay, Alexandra Tydings

Dissertations, Theses, and Capstone Projects

This thesis explores under theorized questions of power, sexuality, and gender on the film set by analyzing the role of the Intimacy Coordinator (IC), a recent arrival in that space. A film set has its own culture, built from conventions, rituals, and hierarchies. The work of the IC occurs at the nexus of some of the most entrenched and invisible of these dynamics, including gender roles, bodily autonomy, and the power to consent. The author, having worked professionally as an actress, a director, and most recently an Intimacy Coordinator in film and television, now turns to feminist and queer theory, …

When Critics Are Artists: Ekphrasis In Erotic Art Criticism, Joanna A. Ligon

Dissertations, Theses, and Capstone Projects

In “Against Interpretation,” Susan Sontag argues for an erotics of art in art criticism in place of hermeneutics. In this thesis, I examine erotics of art, a focus on form and experiencing art instead of exclusively on content, in practice. Drawing on other essays by Sontag, specifically the essay “Godard” in comparison with the filmmaker Jean-Luc Godard’s own filmic criticism in Breathless, criticism according to an erotics of art becomes a new artwork itself. Subsequently, I present a definition of erotic through Anne Carson and Roland Barthes and juxtapose the term with Hans-Georg Gadamer’s hermeneutics. The comparison ultimately undoes …

Silver Screen Reversals Of The Domino Theory: American Cold War Movies And The Re-Imagination Of British Experiences In Southeast Asia, Wen-Qing (Wei Wenqing) Ngoei

Research Collection School of Social Sciences

This essay examines how Hollywood was affected by the successful anticommunism of Britain and its local allies in Malaya and Singapore, victories that unfolded alongside Vietnam’s mounting crisis in the early 1960s. It shows that American movies of this era which portrayed the intertwining of US and British experiences in 1950s Malaya and 1940s Singapore conveyed an uneasy yet clear optimism about U.S. involvement in Southeast Asia.

Modern Times, Will Beattie

Masters Theses

At the intersection of glass, photography and sound lies issues of perspective, framing, and information. These factors as well as the conceptual space between object and image offer an opportunity to explore the way we register narrative through contradicting signifiers. Glass historically has been used as an instrument to reveal spaces, moments, and phenomena previously imperceptible to the human eye. This rendering of previously unseen spaces through language, technology or vision, may work to reorient the viewers’ perspective and allow for a new understanding of the world. The power of disruption as a potential catalyst is central to my studio …