'Pop!' & 'Cherries',
2026
California Polytechnic State University, San Luis Obispo
'Pop!' & 'Cherries', Alyssa Shavely, Gillian Grow-Juarez
.RAW Journal of Art and Design
No abstract provided.
'Drag'; 'Obsession Rewritten'; & 'Untitled',
2026
California Polytechnic State University, San Luis Obispo
'Drag'; 'Obsession Rewritten'; & 'Untitled', Maxwell Rice, Mia Haney, Cézar Gomez
.RAW Journal of Art and Design
No abstract provided.
'Swell Sisters',
2026
California Polytechnic State University, San Luis Obispo
'Love Forever And Forever In Love',
2026
California Polytechnic State University, San Luis Obispo
'Love Forever And Forever In Love', Tracy Jackson
.RAW Journal of Art and Design
No abstract provided.
'4 Legged Creatures Discover The Sun' & 'Interim',
2026
California Polytechnic State University, San Luis Obispo
'4 Legged Creatures Discover The Sun' & 'Interim', Moussa Ndiaye, Joshua Mahlow
.RAW Journal of Art and Design
No abstract provided.
'Cut Plane Sand' & 'Spring Break',
2026
California Polytechnic State University, San Luis Obispo
'Cut Plane Sand' & 'Spring Break', Luke Gillon, Jaiden Duffee
.RAW Journal of Art and Design
No abstract provided.
'Nourish Nymphs',
2026
California Polytechnic State University, San Luis Obispo
'Nourish Nymphs', María Belén Luzuriaga Abad
.RAW Journal of Art and Design
No abstract provided.
'Fish 1, Fish 2' & 'The Reef',
2026
California Polytechnic State University, San Luis Obispo
'Fish 1, Fish 2' & 'The Reef', Yagmur Wernimont, Victoria Dai
.RAW Journal of Art and Design
No abstract provided.
Preface,
2026
California Polytechnic State University, San Luis Obispo
Table Of Contents,
2026
California Polytechnic State University, San Luis Obispo
Opening,
2026
California Polytechnic State University, San Luis Obispo
Opening, Michaela Velleno, Zoé Shaikh
.RAW Journal of Art and Design
No abstract provided.
Cover,
2026
California Polytechnic State University, San Luis Obispo
Full Issue,
2026
California Polytechnic State University, San Luis Obispo
Full Issue, Michaela Velleno, Zoé Shaikh
.RAW Journal of Art and Design
No abstract provided.
From Print To Film: Political Censorship And Nationalism In Nineteenth And Twentieth-Century Central Europe,
2026
University of Arkansas, Fayetteville
From Print To Film: Political Censorship And Nationalism In Nineteenth And Twentieth-Century Central Europe, Kartik Joshi
The Ozark Historical Review
From Print to Film: Political Censorship and Nationalism in Nineteenth- and Twentieth-Century Central Europe examines the relationship between emerging media technologies, state censorship, and nationalist political movements in Central Europe. Focusing primarily on Austria, the German states, and Hungary, this article traces how governments employed increasingly sophisticated systems of press regulation to suppress nationalist and subversive political discourse while political actors developed their own methods for circumventing those restrictions. The article considers censorship of newspapers, satire, lithographs, and other printed materials before examining the transformative effects of cinema in the twentieth century. As film became increasingly difficult to regulate through …
Quoting The Silver Screen: The Communication Influence Of Film Dialogue,
2026
Liberty University
Quoting The Silver Screen: The Communication Influence Of Film Dialogue, Albert Clayton Vandiver Jr.
Doctoral Dissertations and Projects
This qualitative thematic analysis study researched the topic of film dialogue elements used in common interpersonal discourse. These elements, or movie quotes, were observed to manifest as meaning-filled symbols in communication throughout American culture. This phenomenon, and the gap in scholarly literature or lack of research on movie quotes within the field of communication, underscored the significance and need for investigation. This study employed a qualitative methodology using the thematic analysis approach in evaluating data. Research questions were designed to focus the study on internal motivation for, and external influence on, movie quote usage. 17 screened adult participants provided valid …
A Natural Fit: Reconceptualizing The Work Of Oregon's Silent Era Sister Exhibitors,
2026
Liberty University
A Natural Fit: Reconceptualizing The Work Of Oregon's Silent Era Sister Exhibitors, Karen Caverly-Molineaux
Doctoral Dissertations and Projects
Inspired by the quadrupling of women theater owners in Census reports between 1910 and 1920, this dissertation focuses on women theater owners in the state of Oregon and brings their experiences of theater ownership to the forefront for historical inquiry. The 1920 Census reported nineteen women theater owners for Oregon, yet the research here only found eighteen. Of the eighteen found, only two women’s Census records indicate them as theater owners – meaning this dissertation’s study found more than the Census accounted for. However at the same time, many have yet to be located. Scholarship claims women’s work as happening …
Speaking Back Through Stories: Storytelling And The Politics Of Resistance,
2026
Yenne Kids' Academy
Speaking Back Through Stories: Storytelling And The Politics Of Resistance, Korka Sall
Wagadu: A Journal of Transnational Women's & Gender Studies
Black women have long served as storytellers, knowledge producers, and custodians of collective memory across Africa and its diaspora. Through oral traditions, literature, and film, they have created networks for the circulation of knowledge while fostering Pan-African consciousness, preserving cultural heritage, and educating communities about identity, justice, and self-determination. Their narratives challenge systems of colonialism, patriarchy, and historical erasure by centering Black women's voices and lived experiences within transnational conversations about history, culture, and belonging. This paper examines Aminata Sow Fall's Le Revenant (1976), Bessie Head's short story "Life" (1977), and Diabou Bessane's documentary Les Mamans de l'Indépendance …
The Existential Ambiguity Of Authentic Love In Alice Diop's Saint Omer,
2026
Chapman University
The Existential Ambiguity Of Authentic Love In Alice Diop's Saint Omer, Kelli Fuery
CCI Articles and Research
Using Simone de Beauvoir's and Frantz Fanon's existentialist phenomenology, this article examines an existentialist ethics of recognition as an act of authentic love in Alice Diop's Saint Omer (2022). Loosely based on a true story, Saint Omer tells a story of filicide: Laurence Coly leaves her baby on a beach to die and we follow the subsequent courtroom drama as it unfolds. The film also follows Rama, a literature professor intending to write up the case as a contemporary version of the Medea myth. I suggest Saint Omer presents an ethics of recognition in its avoidance of the superficial question …
Lights, Camera, Acting! A Collaborative, Interdisciplinary Approach To Basic Filmmaking,
2026
Gardner-Webb University
Lights, Camera, Acting! A Collaborative, Interdisciplinary Approach To Basic Filmmaking, Jessica Maloney, Chris Nelson
Communication and Theater Association of Minnesota Journal
No film studio? No problem! This activity is designed to introduce basic concepts of filmmaking across disciplines such as theatre and communications, but could be used by either. It includes an emphasis on acting as well as the technical processes and procedures on set. We have geared this activity specifically towards use in a cross-listed class in Communication and Theatre Arts.
Intersectionality And Institutional Power In Dystopian Cinema: Gender, Race, And Social Order In Sinners,
2026
Embry-Riddle Aeronautical University
Intersectionality And Institutional Power In Dystopian Cinema: Gender, Race, And Social Order In Sinners, Alexander Kilian, Amaya Baker
Discovery Day - Daytona Beach
This research project, Intersectionality and Institutional Power in Dystopian Cinema: Gender, Race, and Social Order in Sinners, examines how Sinners construct and represent women through intersecting systems of gender, race, and institutional power within a dystopian framework. Situated within broader discussions of equity, embodiment, and access, the project addresses how speculative media reflect and shape contemporary social hierarchies, particularly in modeling institutional authority, social organization, and identity formation. The primary objective is to analyze how these intersecting systems influence perceptions of identity, hierarchy, and social cohesion. Employing an interdisciplinary humanities approach, the project integrates film analysis, feminist theory, and critical …
