European Languages and Societies Commons^™

Fascism, Flamenco, And Ballet Español: Nacionalflamenquismo, Theresa Goldbach

Theatre & Dance ETDs

The nationalist regime of General Francisco Franco (1936-1975) dramatically and forcefully reshaped every element of Spanish culture including dance and flamenco. Many flamencologists derisively refer to the resulting product of this system as nacionalflamenquismo or national-flamencoism. The bureaucratic mechanics that created nacionalflamenquismo evolved throughout the first three decades of the regime to fit with changing economic and political realities. As Spain re-entered the global community following its Civil War (1936-1939), flamenco and Spanish dance proved useful tools for international public relations as well as domestic propaganda. By discerning the various factors that linked the art of flamenco to the political …

Funny Girls: A Study Of The Graciosa In Four Early Modern Plays, Dolores Ruiz-Fabrega

Spanish and Portuguese ETDs

This study centers on the graciosa, the female stock comic figure of early modern Spanish theater. It focuses on the comical discourse of this character in order to underscore five basic reasons that prove that she is a figure of this theater that requires more scholarly focus. The graciosas that are analyzed are: Celia and Clara from Lope de Vegas La dama boba (1613), Isabel from Calderón de la Barca's La dama duende (1629), Flora from Francisco Rojas Zorrilla's Primero es la honra que el gusto (prior to 1648) and Irene from Agustín Moreto's La fuerza de la ley (1651). …

Declínio E Despertar Da Favela: Um Estudo (Auto) Etnográfico, José Luiz Santos Nogueira

Spanish and Portuguese ETDs

This thesis is made up primarily of auto-ethnographic studies. It is a collection of information about life in the favela (shanty town) as described by residents of the favelas with personal experience and by the author who is himself a resident of a favela in Rio de Janeiro, Brazil. With a basis in facts, this study follows the appearance, development, decay, and redemption of the favelas in Rio de Janeiro and São Paulo, Brazil. This work is based on the perspectives of literary production, cinema, culture and social projects, and personal testimonies of real events in the daily life of …

Tracing The Origins Of Success: Implications For Successful Aging, Nora M. Peterson, Peter Martin

French Language and Literature Papers

Purpose of the Study: This paper addresses the debate about the use of the term “successful aging” from a humanistic, rather than behavioral, perspective. It attempts to uncover what success, a term frequently associated with aging, is: how can it be defined and when did it first come into use? In this paper, we draw from a number of humanistic perspectives, including the historical and linguistic, in order to explore the evolution of the term “success.” We believe that words and concepts have deep implications for how concepts (such as aging) are culturally and historically perceived.

Design and Methods: We …

To Each His Own Reality: How The Analysis Of Artistic Exchanges In Cold War Europe Challenges Categories, Mathilde Arnoux

Artl@s Bulletin

How to reconstruct artistic relationships among four European countries, situated on both sides of the Iron Curtain, during the period that commenced post-Stalin and lasted until the fall of the Berlin Wall? This is one of the questions that faces the research program To Each His Own Reality: The notion of the real in the art of France, West Germany, East Germany and Poland between 1960 and 1989, which was initiated in January 2011. The paper discusses syntheses of the questions that the research team is facing, descriptions of its methodology, an analysis of preliminary results and what they allow …

Immigrants, Roma And Sinti Unveil The “National” In Italian Identity, Francesco Melfi

Cultural Encounters, Conflicts, and Resolutions

This essay picks up a few threads in the ongoing debate on national identity in Italy. Immigration and the intertwining of cultures locally have stretched the contours of the nation state to a breaking point. As a result, the social self has become a sharply contested terrain between those who want to install a symbolic electronic fence around an imagined fatherland and those who want a more inclusive nation at home in a global world. After discussing the views of Amin Maalouf (2000), Alessandro Dal Lago (2009), Abdelmalek Sayad (1999) and Patrick Manning (2005) on national identity and migration in …

Book Reviews: A Concise History Of Switzerland, Rob Sherwood

Swiss American Historical Society Review

No abstract provided.

Once A Swiss Winegrower Colony Named Chabag In Russia Now A Modern Winegrowing Center Called Shabo In The Ukraine, Heidi Gander-Wolf

Swiss American Historical Society Review

The above picture of Chabag was painted by Eugene Duffoug-Favre in 1850, For many years he journeyed through Russia and also visited Chabag, On December 14/26, 1851, he reported in a letter from Prokrovskoi to Alexandre Michaud that also contains this picture of Chabag

Book Review: Naissance De La Suisse Moderne, Dwight Page

Swiss American Historical Society Review

No abstract provided.

End Matter

Swiss American Historical Society Review

No abstract provided.

Book Review: Three Weeks In November: A Military History Of The Swiss Civil War Of 1847, Kevin Cronin

Swiss American Historical Society Review

No abstract provided.

Full Issue

Swiss American Historical Society Review

No abstract provided.

Fritz Zwicky And The Search For Dark Matter, Kurt Winkler

Swiss American Historical Society Review

The study of astronomy greatly accelerated in the twentieth century. Aided by many advances in technology that improved observations, there has been an explosion of information about the cosmos, and scientists have had to review and overturn many long-held beliefs and assumptions about the universe. Among the most perplexing and enduring questions has been the nature of a mysterious substance known as dark matter.

Literary Adaptations Of James In Roth's, Ozick's, And Franzen's Work, John Carlos Rowe

CLCWeb: Comparative Literature and Culture

In his article "Literary Adaptations of James in Roth's, Ozick's, and Franzen's Work" John Carlos Rowe posits that Henry James continues to exert a powerful influence on contemporary writers. Given the dramatic social, economic, and political changes from modern to postmodern eras, his continuing influence requires explanation. Rowe considers three US-American novelists—Philip Roth, Cynthia Ozick, and Jonathan Franzen—who are influenced by James and presents an interpretation of James's continuing impact. Despite James's reputation as a cosmopolitan modern who influenced global literature in significant ways, US-American writers attempt to "Americanize" him. Their effort expresses the problem of contemporary US-American literary practice …

Roth's Graveyards, Narrative Desire, And "Professional Competition With Death", Debra Shostak

CLCWeb: Comparative Literature and Culture

In her article "Roth's Graveyards, Narrative Desire, and 'Professional Competition with Death'" Debra Shostak analyzes Philip Roth's 1954 short story "The Day It Snowed" and surveys a range of his books. Shostak offers a reading of Sabbath's Theater and Everyman to explore Roth's fictional forms and his conception of storytelling, elucidates how the traumatic knowledge of death at graveside initiates the psychoanalytic process of repression, repetition, remembering, and telling, and uncovers several motifs or formal strategies that appear when Roth deploys cemetery scenes: the linear plotting toward death is often embraced within circular narrative structures; the voice of the mother, …

Jewish History, Us-American Fictions, And "Soul-Battering" In Roth's "Conversion Of The Jews", Sandor Goodhart

CLCWeb: Comparative Literature and Culture

In his article "Jewish History, US-American Fictions, and 'Soul-Battering' in Roth's 'Conversion of the Jews'" Sandor Goodhart discusses Philip Roth's story in which an innocent question raised in a Hebrew school discussion in the early 1950s gets wildly out of control. It leads the student into a screaming fight with his Rabbi, which propels the child into a confrontation with his mother, which in turn leads to a second violent confrontation with the Rabbi (who ends up slapping the child), and the episode culminates in a rooftop exchange over the synagogue where the boy’s thought of escape is suddenly converted …

European Literary Tradition In Roth's Kepesh Trilogy, Gustavo Sánchez-Canales

CLCWeb: Comparative Literature and Culture

in his article "European Literary Tradition in Roth's Kepesh Trilogy" Gustavo Sánchez-Canales discusses the significance of European literature in Philip Roth's novels. Sánchez-Canales analyses the influence of Nikolai Gogol's "The Nose" and Franz Kafka's "The Metamorphosis" on Roth's The Breast and in Roth's The Professor of Desire of Anton Chekhov's tales and Franz Kafka's "A Hunger Artist" and The Castle. Further, Sánchez-Canales elaborates on the impact of Thomas Mann's Death in Venice and W.B. Yeats's poem "Sailing to Byzantium" on Roth's The Dying Animal.

Reverse Anti-Semitism In The Fiction Of Bellow And Roth, Jay L. Halio

CLCWeb: Comparative Literature and Culture

In his article "Reverse Anti-Semitism in the Fiction of Bellow and Roth" Jay L. Halio discusses anti-Semitism in Philip Roth's fiction that what might be called reverse anti-Semitism: the active reaction by Jews who are subjected to anti-Semitism. This aspect of Roth's work is not often discussed: it is not the same as philo-Semitism, which takes a different form entirely. Since Roth was an admirer of Saul Bellow, Halio begins by considering reverse anti-Semitism in Bellow's early novel The Victim. In the novel the protagonist, Asa Leventhal, is accused by a character named Allbee of costing him his job …

Roth’S Humorous Art Of Ghost Writing, Paule Levy

CLCWeb: Comparative Literature and Culture

In her article "Roth's Humorous Art of Ghost Writing" Paule Lévy analyses Philip Roth's Exit Ghost, the last novel featuring Nathan Zuckerman, in which Roth reassesses his favorite alter ego's itinerary while exploring the troubled relation between writing and aging. Lévy considers Exit Ghost as an ironic sequel to The Ghost Writer and posits that in the light of Derrida's theories of writing and "hauntology" the central motifs of ghosts and "spectrality" in the novel are a means for Roth to reflect anew on the ambiguous relation between autobiography and fiction. Lévy asks whether Exit Ghost should be …

Bibliography For The Study Of Phillip Roth's Works, Gustavo Sánchez-Canales, Victoria Aarons

CLCWeb: Comparative Literature and Culture

No abstract provided.