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Blue Crystal By Martha Hofmann, Paul J. Shlichta 2020 Crystal Research

Blue Crystal By Martha Hofmann, Paul J. Shlichta

Transference

A translation of a German poem by Martha Hofmann into English verse. The commentary includes a brief biography of Hofmann and a link to additional information.


Two Poems By Nohad Salameh, Susanna Lang 2020 Independent Scholar

Two Poems By Nohad Salameh, Susanna Lang

Transference

Susanna Lang's translations of Nohad Salameh's "I Greet You, My Twin" and "Dance of the One/the Moon."


Four Sonnets By Feng Zhi, Emily Goedde 2020 University of Michigan

Four Sonnets By Feng Zhi, Emily Goedde

Transference

Translation of Feng Zhi's Sonnets 6, 12, 16, and 18 by Emily Goedde.


Six Poems By Safiye Can, Marilya V. Reese 2020 Northern Arizona University

Six Poems By Safiye Can, Marilya V. Reese

Transference

Translations into English of six pieces of poetry by Safiye Can, Circassian-German poet from Offenbach.

P.E.N member Safiye Can pronounced like John), award-winning and best-selling Circassian poet from Offenbach, is a German citizen. Can studied philosophy, psychoanalysis and law at the Goethe-Universität in Frankfurt am Main and is the recent recipient of two prestigious literary prizes (Else Lasker-Schüler Poetry prize and Alfred-Müller-Felsenburg Prize for Civil Courage in Literature). Can’s work examining the place of the individual in society reframes concepts of home and belonging. Safiye Can was featured at the 20th annual, week-long Leselenz, Germany’s largest non-urban literary …


Persistence Of Memory After A Poem By Bashō, John Savoie 2020 Southern Illinois University Edwardsville

Persistence Of Memory After A Poem By Bashō, John Savoie

Transference

This piece merges a classic haiku of Bashō with a contemporary English poem, first as its own new creative piece, then contemplated further in the commentary.


Four Poems By Rainer Maria Rilke, Susan McLean 2020 Southwest Minnesota State University

Four Poems By Rainer Maria Rilke, Susan Mclean

Transference

Translations of four German poems from New Poems by Rainer Maria Rilke (1875-1926): "The Blind Man," "The Donor," "The Arrival," and "Lady on a Balcony."


From The Villa By Lucretius, James E. Fowler 2020 Univ. of Central Arkansas

From The Villa By Lucretius, James E. Fowler

Transference

"From the Villa" is an epistolary poem in hexameters whose argument is loosely based on the Lucretius's De Rerum Natura. It is addressed to Lucretius's putative dedicatee/patron Gaius Memmius, a contemporary politician and poet.


My Dear Double By Abdellatif Laâbi, Guillemette C. Johnston, Allan Johnston 2020 DePaul University

My Dear Double By Abdellatif Laâbi, Guillemette C. Johnston, Allan Johnston

Transference

This translation of Abdellatif Laabi's poem "My Dear Double" is accompanied by an essay on the theme of the double in literature.


Foreword, Molly Lynde-Recchia 2020 Western Michigan University

Foreword, Molly Lynde-Recchia

Transference

No abstract provided.


Transference Vol. 8, Fall 2020, Molly Lynde-Recchia 2020 Western Michigan University

Transference Vol. 8, Fall 2020, Molly Lynde-Recchia

Transference

No abstract provided.


A Tale Of Two Nations’ Histories The Application Of Literary Fairy Tales As A Firsthand Account Of History, Nicholas Gottlob 2020 Wayne State University

A Tale Of Two Nations’ Histories The Application Of Literary Fairy Tales As A Firsthand Account Of History, Nicholas Gottlob

Honors College Theses

Fairy tales are often thought to be solely for children as a means of education and entertainment. The literary fairy tale provided a medium that allowed authors to express their opinions under the guise of a story. This has not always been the case as literary fairy tales have been utilized as political instruments by authors and intended for a highly educated audience. Using fairy tales as a facade provided protection for authors, as outright criticisms against those in power usually resulted in dire consequences such as imprisonment or even death for the objector. The literary fairy tale provided a …


Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller, Liyuan Zhu 2020 Fudan University

Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller, Liyuan Zhu

CLCWeb: Comparative Literature and Culture

This paper is a response to Hillis Miller’s query on the author’s essay “Hillis Miller on the End of Literature.” The author basically agrees with Miller’s view on the shift from print culture to digital culture, explaining the special cultural context under which Chinese scholars emphasize the visual turn. Based on the rapid development of Chinese online literature, the author points out that print culture does not rival but coexists with digital culture. On the other hand, drawing on Aristotle’s Poetics and insights of several leading figures of contemporary hermeneutics, the author contends that Miller’s dichotomy of poetics (form) and …


China Question Of Us-American Imagism, Qingben Li 2020 Hangzhou Normal Universy

China Question Of Us-American Imagism, Qingben Li

CLCWeb: Comparative Literature and Culture

This paper investigates first the influences of ancient Chinese culture on Ezra Pound, and then Pound’s influence on the New Culture Movement of modern China (1917). It is a kind of circular journey of literary texts and theories from ancient China to the West and then back to China. This journey, or “circle model,” involves textual appropriation, variation, transformation and misunderstanding in every stage.


Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu 2020 East China Normal University

Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu

CLCWeb: Comparative Literature and Culture

This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literature” and “literary criticism” in the early twentieth century, largely through Japan, laid the very foundation of historical studies of classical Chinese literary criticism as an independent subject of study. This paper argues that when adopting Western methods …


The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai 2020 Shandong Normal University

The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai

CLCWeb: Comparative Literature and Culture

This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …


Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu 2020 East China Normal University, Shanghai

Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu

CLCWeb: Comparative Literature and Culture

This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC.


“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang 2020 Shanghai University,China

“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang

CLCWeb: Comparative Literature and Culture

China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …


Herding History: Law And The Transformation Of Collective Subjectivities In The Dairyspheres Of Ukraine, Monica Eppinger 2020 Saint Louis University, St. Louis

Herding History: Law And The Transformation Of Collective Subjectivities In The Dairyspheres Of Ukraine, Monica Eppinger

Journal of Food Law & Policy

In response to the limitations of socialism and capitalism in meeting basic needs, this article explores the alternative version of modernity offered in post-Soviet Ukraine and its agriculture. Tracing a century of fundamental transformations through the story of milk, it finds a history that troubles universalized framings of indigeneity and colonialism. This article argues that under socialism milk became a product of collectivized effort and a reservoir of household resilience; and then, with post-Soviet disintegration of some forms of collective life and emergence of others, that milk has come to delineate spheres of both collective action and individual striving. This …


Late Postmodernism, Nicholas Brown 2020 University of Illinois in Chicago

Late Postmodernism, Nicholas Brown

CLCWeb: Comparative Literature and Culture

No abstract provided.


Sedimented Forms: Coming Back To Autonomy, Marina Vishmidt 2020 Goldsmiths, University of London

Sedimented Forms: Coming Back To Autonomy, Marina Vishmidt

CLCWeb: Comparative Literature and Culture

No abstract provided.


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