Chinese Studies Commons^™

The Transforms Of Linguistic Literary Theory By Media Literary Theory, Xiaoxi Shan

Theoretical Studies in Literature and Art

If the 20th century is a century of language and linguistic literary theory, then the 21st century is a century of new media and media literary theory. Media literary theory, as a form of the post-linguistic literary theory, represents the sublation and transformation of linguistic literary theory. Linguistic literary theory occurred in the context of "the linguistic turn", while media literary theory is the outcome of "the media turn". Literary form is not only of linguistic structure but also the structure of the media system. The literary world is not only the real world constructed by language but also the …

The Shaking Continent: A Metageographical Critique Of Eurocentrism, Yujun Xu

Theoretical Studies in Literature and Art

Eurocentrism refers to both a system of values and a space-time mindset. Modern space-time ideology and geographical knowledge are characterized by objectivity and neutrality, which is usually ignored by postcolonial criticism. However, the divisions of continents and the boundary between the west and the east tend to betray subjectiveness and randomness, which sheds light on the interests of culture and geopolitics. The deconstruction of Eurocentrism does not necessarily imply a replacement, but an alternative mindset.

The Literary Criticism Of Records Of History In The Song Dynasty, Xinke Zhang, Hong Li

Theoretical Studies in Literature and Art

There is plenty of literary criticism over time of Records of History as a fine example of the combination of literature and history. From a literary perspective, this paper discusses the contents and the significance of literary criticism of Records of History in the Song dynasty. Touching upon the political and cultural backgrounds, the paper analyzes the outreach as well as the cause and methods of literary reception in order to show the solid cultural foundation for Records of History’ literary criticism in the Song dynasty. With their narrative and characterization as core, the paper analyzes the main content of …

The Moon Festival And The Stories Behind, Haiwang Yuan

DLPS Faculty Publications

A presentation that traces the evolution of the Chinese Mid-Autumn Festival, or the Moon Festival with regard to the elements that were added to the myth of the moon fairy and other elements needed for the celebration of the festival such as the moon cake and examines the differences between the Western and Chinese view of and attitude toward the Moon in history through English and Chinese literature.

Advanced Technical Chinese Chn 413, Joanna Burkhardt

Library Impact Statements

No abstract provided.

Live Confucian: The Newsletter Of The Confucius Institute Of Pace University September 2016, Confucius Institute

Live Confucian

A newsletter of the Confucius Institute, Pace University.

The Confucius Institute at Pace Universi­ty is dedicated to providing Chinese lan­guage and cultural education, resources,and services to meet the needs of people from all backgrounds.

Toma Y Daca: Transculturación Y Presencia De Escritores Chino-Latinoamericanos, Huei Lan Yen

Purdue Studies in Romance Literatures

En la segunda mitad del siglo XIX, decenas de miles de trabajadores chinos emigraron a Cuba, Perú, México y Panamá en busca de una vida mejor. En los países donde residieron, los chinos y sus descendientes optaron por asimilarse contribuyendo de manera significativa al desarrollo económico de la sociedad de acogida mediante su participación laboral en la agricultura, el transporte y otras industrias. Asimismo, en el ámbito literario, artístico, religioso y político también aportaron al devenir cultural de estos países.

En Toma y daca: Transculturación y presencia de escritores chino-latinoamericanos, uno de los primeros estudios de la tradición literaria …

On "Shi" In Chinese Calligraphy: Time, The Body, And Origin, Xinqiao Qiu

Theoretical Studies in Literature and Art

The tradition of Chinese art has a tendency toward musicalization and hence toward time. Chinese calligraphy is the most typical art form that replaces music to shape our sense of time, as embodied by "shi", a concept of temporality in calligraphy. In Chinese calligraphy, "shi" is presented through the body, and thus temporality is embodied. The origin of the discourse of "shi" about Chinese characters can be traced back to Shuo Wen Jie Zi and Zhouyi in their discussions of creating Chinese characters, which have produced a great influence on the theory of calligraphy. As "shi" is a key concept …

Ruminating On Garbage: Exemplified By Kunal Vohra's Film The Plastic Cow, Chang Chia-Ju

Theoretical Studies in Literature and Art

This paper examines the way in which non-human animals are constructed as unwanted object through human language, culture and economic system, and how such construction in return affects the lives of the animals. The paper aims to think through the entangled interconnected relationship among animals, humans and environment on both the conceptual and material levels. It argues that animals are deeply enmeshed in capitalist system while the animal-garbage connection can be traced in etymological, cultural, and economic and ecological systems. In order to reflect on our culture, globalization, and modernity, an Indian documentary film, The Plastic Cow, by Kunal Vohra, …

The "Drama-Embedded Mode" Of Popular Novels Of The Ming And The Qing Dynasties, Pengfei Li

Theoretical Studies in Literature and Art

The "drama-inserted mode" of the novel refers to the insertion of drama stories, diction, and other elements into the plot or the narration of the novel. In this way, these dramatic elements can be connected with the plot, the narration, or the theme of the novel, thus creating a unique aesthetic effect. The "drama-inserted mode", which can be seen as one of the "layer structures", is not only the narrative method of the novel, just like analogy, intermingled plots and repeated relation, but also the narrative structure of the novel. This skill has been frequently usedin the the world history …

The Origin And Evolvement Of Aesthetic Poetics From The Perspective Of Genealogy, Jianchang Xing, Hao Zhang

Theoretical Studies in Literature and Art

This article is a genealogical investigation of the origin and evolvement of aesthetic poetics in China since the 1980s. Its prelude originated from the "imagistic thinking Debate" in the 1950s and 1960s, which was revived at the end of the 1970s. The outcome of this debate was a common recognition that the image, rather than concepts, features literature and art. The evolvement from image epistemology to affectionism paved the way to an aestheticism-based theory. However, the emphasis on the functions of aestheticism to appeal, to educate, to save, and to liberate indicates that the aesthetic poetics was a utilitarian literary …

A Study Of The Name And Connotation Of "Literature" In Early Modern China: From Zhu Xizu To The Zhou Brothers, Xuehu Chen

Theoretical Studies in Literature and Art

The paper tries to analyze the modern name and connotation of "literature" and its emergence and evolution in early modern China. The establishment of literature in China bearing the Western name and connotation was marked by Zhu Xizu's paper On Literature, when professors of literature at institutions of higher learning at that time tried to define literature and its boundaries through academic papers whose influence reached out to the entire social community. Zhu's literary concepts mainly came from the Zhou brothers, who studied in Japan in the early 1900s. The Zhou brothers were among the first advocates for literature in …

A Summary Of The Fifth Youth Forum Academic Conference Held By The Chinese Association Of Literary And Art Theory, Yan Xing, Wenjie Na

Theoretical Studies in Literature and Art

No abstract provided.

Body, Life-World, And The Reconstruction Of Literary Theory, Xiaohua Wang

Theoretical Studies in Literature and Art

Since the end of the 20th century, literary studies have gradually become conventionalized and entered into the so-called "post theory" period. What caused this situation? An easily acceptable answer is that there is a "stoppage" in the connection between literature and the life-world. In our view, the underlying cause is the oblivion of man's embodied being. In order to investigate the cause, this article reviews the primitive linkage of the life-world and the body in Husserl's phenomenology, analyzes the "ancient quarrel between poetry and philosophy", demonstrates the symptom of "poetics of amnesia" which separates the body and the life-world, and …

A New Exposition Of Su Ting's Comments On Li Bai With A Comment On Li Bai's Early Literary Explorations, Qinghai Liu

Theoretical Studies in Literature and Art

The meeting with Su Ting in Chengdu proved to be an important event in Li Bai's early literary life when Li Bai was encouraged and directed. Before the meeting, Li Bai's writing was more of a local literature than of a literary master starting a new literature. Su Ting was then lauded as "Master Pen" (Da Shoubi), and his appreciation of Li Bai's literary talent, to the extent that he compared Li Bai to Sima Xiangru, was influential on Li Bai's late writing. Especially, Su Ting's comments on the relationship between rhetoric (Ci-cai 辞采) and vigor of style (Feng-gu 风骨) …

A Review Of The Academic Conference On "Hearing And Culture", Zhiping Yang

Theoretical Studies in Literature and Art

No abstract provided.

A Techno-Political Poetics Built On The Body: On Brian Massumi'sb Parables Of The Virtual, Yunfan Yao

Theoretical Studies in Literature and Art

Centered round his elucidation of the concepts of "body" and "the virtual," Massumi proposes a critique toward the understanding of the process of subjectivization dominated by the symbolic operations in his work Parables of the Virtual: Movement, Affections and Sensations. He assumes that contemporary capitalist power mechanism does not abide by the logic of subjectivization that is mediated by the symbolic order; instead, with help of technology, the capitalist power can control the human-beings by intervening the intensity and direction of human affections. The hope of escaping the control relies on the objectification of human beings during the evolution of …

Aesthetics Of The Sublime And Its Connotations And Properties In Postmodern Literature, Qi Chen, Quansheng Hu

Theoretical Studies in Literature and Art

This paper explores Kant's classification of aesthetics as the beautiful and the sublime, and with an interpretation of Lyotard's proposition that postmodern aesthetics is the aesthetics of the sublime, it suggests that postmodern sublimity lies mainly in viewing postmodern literature as an art for protest, highlighting how to tell a story instead of what a story is, and regarding the indeterminacy as the primary aesthetic principle as in the slogan of "Vive la difference," and it then achieves strangeness through radical experiment and eclecticism, and derives pleasure by adjusting expectations. The paper argues that postmodern literature, if judged by traditional …

Chuanqi & Zaju By Scholar Writers During The Republic Of China Period And Their Significance In Drama History, Dahuai Yao

Theoretical Studies in Literature and Art

Before the New Culture Movement, the development of chuanqi & zaju was directed by reporter writers and adherent writers. Hereafter, they were gradually replaced by scholar writers. Influenced by such factors as national crises and individual plights, scholar writers wrote plays to call upon the struggling spirit, or express their own melancholy. As they had the most profound attainment on traditional drama during the Republic of China, scholar writers respected the essence of drama, and especially devoted more in melody, phraseology and structure. They had the highest achievement in the creation of chuanqi & zaju since the late Qing Dynasty …

Cosmopolitanism And Cultural Translation, Shaobo Xie

Theoretical Studies in Literature and Art

The global present remains saturated with various forms of xenophobia, hostility towards cultural and ethnic others, us-versus-them feelings, and ethnocentric arrogance. It is in response to such an exigency, to which one cannot respond, that cosmopolitanism and cultural translation are being globally debated and embraced at various intellectual forums, academic conferences, and in various journal special issues. This paper explores the issue of cosmopolitan cultural translation through the lens of two world-famous novels: Chinua Achebe's Things Fall Apart and Ngugi wa Thiong'o's The River Between. It illustrates how the cosmopolitan reader, by way of cultural translation, perceives or recognizes culture-specific …