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294 full-text articles. Page 9 of 11.

Grand, Nat Anderson 2014 Georgia Southern University

Grand, Nat Anderson

Irish Studies South (Archived)

No abstract provided.


Longing Eyebrows, Eamon Loingsigh 2014 Georgia Southern University

Longing Eyebrows, Eamon Loingsigh

Irish Studies South (Archived)

No abstract provided.


Seamus Heaney Memorial Reading College Of William And Mary, Virginia, Sept. 30, 2013, Henry Hart 2014 Georgia Southern University

Seamus Heaney Memorial Reading College Of William And Mary, Virginia, Sept. 30, 2013, Henry Hart

Irish Studies South (Archived)

No abstract provided.


Tuck It In, Kevin Young 2014 Georgia Southern University

Tuck It In, Kevin Young

Irish Studies South (Archived)

No abstract provided.


The Music Of What Happens (In Memoriam: Seamus Heaney), Julie Henigan 2014 Georgia Southern University

The Music Of What Happens (In Memoriam: Seamus Heaney), Julie Henigan

Irish Studies South (Archived)

No abstract provided.


Heaney And Ellmann At Emory, Ronald Schuchard 2014 Georgia Southern University

Heaney And Ellmann At Emory, Ronald Schuchard

Irish Studies South (Archived)

No abstract provided.


To Seamus Heaney In Heaven, Iggy McGovern 2014 Georgia Southern University

To Seamus Heaney In Heaven, Iggy Mcgovern

Irish Studies South (Archived)

No abstract provided.


Editor's Note, Rand Brandes 2014 Georgia Southern University

Editor's Note, Rand Brandes

Irish Studies South (Archived)

No abstract provided.


General Editor’S Introduction, John Countryman 2014 Georgia Southern University

General Editor’S Introduction, John Countryman

Irish Studies South (Archived)

No abstract provided.


Table Of Contents, John Countryman, Rand Brandes 2014 Georgia Southern University

Table Of Contents, John Countryman, Rand Brandes

Irish Studies South (Archived)

No abstract provided.


University Archives And Community Organizations: Ensuring Access Through Collaboration, Jessica R. Holden, Andrew Elder, Joanne Riley 2014 University of Massachusetts Boston

University Archives And Community Organizations: Ensuring Access Through Collaboration, Jessica R. Holden, Andrew Elder, Joanne Riley

Joseph P. Healey Library Publications

How can a university archives establish a successful ongoing relationship with a community organization? What are the benefits and challenges of such a collaboration? University of Massachusetts Boston’s Archives and Special Collections (UASC) explored these questions while working with The Irish Ancestral Research Association (TIARA) to preserve and provide access to 79,000 mortuary records from the Massachusetts Catholic Order of Foresters. Elements of the collaboration included shifting stewardship of the records from the Foresters to TIARA to UMass Boston, integrating TIARA’s efforts in processing and indexing the records into the Archives’ workflow, providing in-person and electronic access to the records, …


Heroes To Horrors: Metamorphosis As Combat Trauma In The Mythology Of The West, Thomas Passarelli 2014 University of Connecticut, Storrs

Heroes To Horrors: Metamorphosis As Combat Trauma In The Mythology Of The West, Thomas Passarelli

Honors Scholar Theses

In an attempt to show how Western mythological depictions of metamorphosis in fighting men often serve as an early discussion on the psychosocial ramifications of warfare on veterans, this research holds early Norse, Celtic, and Anglo-Saxon texts in comparison with contemporary PTSD research and anecdotes from American veterans of the Vietnam War.


Foreword To 'Memoir' By Journalist And Writer Tomás Bairéad, Ian Kilroy 2014 Technological University Dublin

Foreword To 'Memoir' By Journalist And Writer Tomás Bairéad, Ian Kilroy

Books/Book Chapters

Foreword to A Memoir of Ireland’s Nascent Years, by Irish language journalist and writer Tomás Bairéad (translated and edited by Mícheál Ó hAodha). Forthcoming from The Edwin Mellen Press, New York. Tomás Bairéad (1893-1973) is well known for a number of collections of short stories in Irish. He invented a version of short-hand for the Irish language. From Moycullen, Co Galway, he was involved in the Irish War of Independence and covered the Irish Civil War as a journalist. He edited the Irish language page in the Irish Independent for a number of years.


The Shanachie, Volume 26, Number 2, Connecticut Irish-American Historical Society 2014 Sacred Heart University

The Shanachie, Volume 26, Number 2, Connecticut Irish-American Historical Society

The Shanachie (CTIAHS)

Contents: You can blame an Irishman from Limerick for all the uproar on the Connecticut shoreline in 1814 -- Folksy paper portrayed Waterbury’s Irish in the 1890s: Sketches and profiles are unusual, but valuable, historical records.


The Shanachie, Volume 26, Number 1, Connecticut Irish-American Historical Society 2014 Sacred Heart University

The Shanachie, Volume 26, Number 1, Connecticut Irish-American Historical Society

The Shanachie (CTIAHS)

Contents: "The legacy of two Irish tenors to Connecticut, John McCormack and Peter Dolan."


The Shanachie, Volume 26, Number 4, Connecticut Irish-American Historical Society 2014 Sacred Heart University

The Shanachie, Volume 26, Number 4, Connecticut Irish-American Historical Society

The Shanachie (CTIAHS)

For more than 300 years, the most compelling reason that caused Irish people of all origins and religions to come in large numbers to the American colonies and the United States was economic opportunity. More simply: jobs. While the Irish are usually labeled as canal builders and domestic servants, a more accurate reading is that they were Jacks and Jills of all trades. In a young nation that was expanding geographically and economically, there was a constant need for workers. The Irish were able and willing. This issue of The Shanachie demonstrates the kind of fascinating information that is available …


The Shanachie, Volume 26, Number 3, Connecticut Irish-American Historical Society 2014 Sacred Heart University

The Shanachie, Volume 26, Number 3, Connecticut Irish-American Historical Society

The Shanachie (CTIAHS)

Contents: Museum in the Streets program planned for New Haven (Ethnic Heritage Center Project) -- Irish immigrants’ stories preserved for posterity (Sacred Heart University-CIAHS collaboration) -- An Irish link to the Hartford Courant’s 250th birthday ... but shame on the Courant for the job it did on the Irish


The Shanachie, Major Topic Index, 1989-2014, Connecticut Irish-American Historical Society 2014 Sacred Heart University

The Shanachie, Major Topic Index, 1989-2014, Connecticut Irish-American Historical Society

The Shanachie (CTIAHS)

Listing of major topics in each issue of The Shanachie from 1989-2014 (v.26 n.2)


Hidden From Memory: Remembrance And Commemoration Of The Sherwood Foresters’ Involvement In Easter, 1916, Amanda S. Kinchen 2014 Georgia Southern University

Hidden From Memory: Remembrance And Commemoration Of The Sherwood Foresters’ Involvement In Easter, 1916, Amanda S. Kinchen

College of Graduate Studies: Theses & Dissertations

The purpose of this thesis is to examine the level at which the Sherwood Foresters are commemorated for their service during the Easter Rising of 1916. The Sherwood Foresters, known officially as the Nottinghamshire and Derbyshire Regiment, were created in 1881 in England after combining the 45th (Nottinghamshire) and 95th (Derbyshire) Regiments of Foot and had previously served as part of the guard to the royal family. Four battalions were sent to Dublin to quell the rebellion, yet their efforts go largely unnoticed in the annals of the history of World War I. These men are not considered …


Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg 2014 Georgia Southern University

Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg

College of Graduate Studies: Theses & Dissertations

This study situates The Weir and Shining City by Conor McPherson as embodying elements of Dionysian aesthetics as elucidated by Friedrich Nietzsche. Working through the lenses of Samuel Beckett’s linguistic philosophy and the premium of theater as established by Nietzsche, Artaud, and Brecht, the aim of this paper is to demonstrate how McPherson pierces the boundaries of language in drama by establishing his audience as chorus. Background information on Nietzsche’s The Birth of Tragedy and McPherson’s own comments on the plays are included with the research on the plays themselves. This work articulates the chorus itself but also the choral, …


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