Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City,
2014
Georgia Southern University
Eye For The Gap: Frenzy, Liberty, And The Nietszchean Chorus In Conor Mcpherson's The Weir And Shining City, Frances Krieg
College of Graduate Studies: Theses & Dissertations
This study situates The Weir and Shining City by Conor McPherson as embodying elements of Dionysian aesthetics as elucidated by Friedrich Nietzsche. Working through the lenses of Samuel Beckett’s linguistic philosophy and the premium of theater as established by Nietzsche, Artaud, and Brecht, the aim of this paper is to demonstrate how McPherson pierces the boundaries of language in drama by establishing his audience as chorus. Background information on Nietzsche’s The Birth of Tragedy and McPherson’s own comments on the plays are included with the research on the plays themselves. This work articulates the chorus itself but also the choral, …
Amongst Women”: O’Brien, Beckett, And The Magdalen “Réamhscéal,
2014
Georgia Southern University
Amongst Women”: O’Brien, Beckett, And The Magdalen “Réamhscéal, Tiffany N. Manning
College of Graduate Studies: Theses & Dissertations
It is hard to escape the portrayal of what twentieth century life might have been like for a penitent living in one of Ireland’s Magdalen Laundries. With its saturation in contemporary pop culture, the morality of these Irish Institutions has been called into question through blockbuster films and best-selling books. However, some believe that the many public representations of the Magdalen Laundries fail to tell the whole story. As tension surrounding Magdalen Laundries, as well as Church and State involvement in them, has continuously grown over the last couple of decades, many citizens of Ireland and, indeed, the world have …
Foreword,
2013
Seton Hall University
Foreword, Maura Grace Harrington
Studies on the Irish-American Experience in New Jersey and New York
No abstract provided.
Notes On The Contributors And Editors,
2013
Seton Hall University
Notes On The Contributors And Editors, Maura Grace Harrington
Studies on the Irish-American Experience in New Jersey and New York
No abstract provided.
Irish Traditional Dance In The Greater Metropolitan Area: Ceili, Set And Step Dancing,
2013
Seton Hall University
Irish Traditional Dance In The Greater Metropolitan Area: Ceili, Set And Step Dancing, Marta Mestrovic Deyrup
Studies on the Irish-American Experience in New Jersey and New York
No abstract provided.
Irish Americans In Law,
2013
Seton Hall University
Irish Americans In Law, Brendan P. Mccarthy, Domhnall O'Cathain, Eric Fitzsimmons
Studies on the Irish-American Experience in New Jersey and New York
No abstract provided.
Traditional Irish Music In New Jersey And New York,
2013
Seton Hall University
Traditional Irish Music In New Jersey And New York, Peter L. Ford, Lawrence E. Mccullough
Studies on the Irish-American Experience in New Jersey and New York
No abstract provided.
The Celtic Theatre Company: A Stronghold Of Irish Culture In New Jersey,
2013
Seton Hall University
The Celtic Theatre Company: A Stronghold Of Irish Culture In New Jersey, Jim Moore, Henry Mcmillan Lague
Studies on the Irish-American Experience in New Jersey and New York
No abstract provided.
Thomas Moore’S Image Of Ireland: Real Or Commercialized,
2013
Sacred Heart University
Thomas Moore’S Image Of Ireland: Real Or Commercialized, John B. Roney
History Faculty Publications
Thomas Moore was Irish, with his father’s pedigree from the Kerry Gaeltacht, and since it mattered a great deal to most Irish of the time, he was Catholic. However, after his studies at Trinity College, he sought a life in England, married a Protestant woman and had his children baptized and raised Protestant. He became a very popular poet, singer and entertainer, and friend to many English aristocrats, including Lord Byron and Prime Minister Lord John Russell. Yet, at the same time Moore ardently defended Irish independence and Catholic freedoms. Underneath his romantic poetry lay a sometimes scathing critique of …
The Shanachie, Volume 25, Number 4,
2013
Sacred Heart University
The Shanachie, Volume 25, Number 4, Connecticut Irish-American Historical Society
The Shanachie (CTIAHS)
Contents:
Ethnic Heritage Center has treasure trove of school records --New Haven monument honors forgotten Fenian hero --Parliament should have listened to the Englishmen of Meriden
The Shanachie, Volume 25, Number 2,
2013
Sacred Heart University
The Shanachie, Volume 25, Number 2, Connecticut Irish-American Historical Society
The Shanachie (CTIAHS)
No abstract provided.
The Shanachie, Volume 25, Number 3,
2013
Sacred Heart University
The Shanachie, Volume 25, Number 3, Connecticut Irish-American Historical Society
The Shanachie (CTIAHS)
Contents:
Rural Ashford’s first pastor was a jack of all trades: Priest, farmer, builder, co-op manager, band leader, lawyer, coach. etc. --Please join us to honor the Irish servants in our families --Home sought for Civil War sword of Col. Healy of the Ninth Regiment --Civil War draft registration records now available online /by Paul Keroack --Wreath-laying at monument on Nov. 10.
The Shanachie, Volume 25, Number 1,
2013
Sacred Heart University
The Shanachie, Volume 25, Number 1, Connecticut Irish-American Historical Society
The Shanachie (CTIAHS)
Paddy & Bridget & Wooster Square.
In the late 1820s, Irish immigrants established one of the first two ethnic neighborhoods in New Haven at Chapel and Chestnut streets near Wooster Square. This Shanachie is devoted entirely to the story of that enclave and the thriving Irish neighborhood it became throughout the rest of the 19th century.
Early New Haven Irish And Their Final Resting Places: The Old Catholic And Saint Bernard Cemeteries,
2013
Sacred Heart University
Early New Haven Irish And Their Final Resting Places: The Old Catholic And Saint Bernard Cemeteries, Connecticut Irish-American Historical Society
Connecticut Irish-American Historical Society Monographs (CTIAHS)
The eventful history of these cemeteries and a listing of names and Irish origins of many of those buried there.
Written, compiled and edited by Ellen Bohan, Patricia Heslin, Paul Keroack, and Bernard and Rosanne Singer, with contributions by Neil Hogan, Robert O. Larkin, and Jamie Longley.
The Irish Dracula: A Melodrama In Five Acts,
2013
Nova Southeastern University
The Irish Dracula: A Melodrama In Five Acts, James Doan
Humanities and Politics Faculty Book and Book Chapters
While working on the first volume in the project, The Universal Vampire: Origins and Evolution of a Legend (Rowman & Littlefield, 2013) I decided to try my hand at adapting the novel Dracula to a more literal Irish context. Set in London and Co. Sligo in 1888, it constitutes a prequel to the novel. The play, entitled The Irish Dracula: A Melodrama in Five Acts, received two initial readings: the first with the Irish Theatre of Florida in August 2012 and the second at the American Conference for Irish Studies (ACIS) West meeting in Park City, Utah, in October 2012. …
Zoomorphic Penannular Brooches In 6th And 7th Century Ireland,
2012
University of Nebraska-Lincoln
Zoomorphic Penannular Brooches In 6th And 7th Century Ireland, Esther G. Ward
School of Art, Art History, and Design: Theses and Student Creative Work
In this thesis the author examines the evolution, manufacture, and societal significance of zoomorphic penannular brooches, a type of metal dress fastener used in early medieval Ireland that is often decorated. The brooches examined are dated to the 6th and 7th centuries, during which the Irish underwent a process of religious conversion from Celtic paganism to Christianity, and social rank was paramount. It is in this social context that the brooches are examined. Despite the significance of this time of social change, brooches from this period tend to be overlooked by scholarship in favor of the more ornate …
The Lismullin Enclosure: Design Beyond The Obvious In The Iron Age,
2012
Technological University Dublin
The Lismullin Enclosure: Design Beyond The Obvious In The Iron Age, Frank Prendergast
Book/Book Chapter
No abstract provided.
"Lips As Red As Parthian" Irish Heroines And The Monks Who Saved Them,
2012
Butler University
"Lips As Red As Parthian" Irish Heroines And The Monks Who Saved Them, Claire Aliese Rutledge
Undergraduate Honors Thesis Collection
Those who study European society after the fall of the Roman Empire up until the dawn of the Renaissance can attest to the misogyny found in social, political, and religious institutions. Women were relegated to the corners of society for the sake of their modesty and their families' honor. Why, then, are the female characters in pre- Christian Irish mythology so humorous, powerful, intelligent, fierce, sensual, and respected when the theology which preserved their characters viewed femininity in a much different light? Ireland had been solidly Christian since the 400's CE, and Irish society was influenced by the newly introduced …
From Galway To Soho,
2012
Technological University Dublin
From Galway To Soho, Máirtín Mac Con Iomaire
Articles
This is a food related recitation / poem / ballad that was learned from my father and now back in the oral tradition thanks to a my recital of it at the special food poetry and song evening at the 2012 Oxford Symposium on Food and Cookery.
The Shanachie, Volume 24, Number 1,
2012
Sacred Heart University
The Shanachie, Volume 24, Number 1, Connecticut Irish-American Historical Society
The Shanachie (CTIAHS)
This special issue of The Shanachie is titled Ireland, Irish-America and the Titanic. Commemorating the 100th anniversary of the sinking of Titanic, the issue includes a timeline of the sinking, illustrations and portraits, and historical reports of Irish who survived and those who did not.
