Art Practice Commons^™

Politics Of Being A Lover: In Art, (Space) And Kink, Rabeeha Adnan

Theses and Dissertations

Politics of being a lover: in art, (space) and kink explores my relationship with my practice through observations and stories that draw parallels with romance and kink. Narrated as love affairs turned into complex commitment, it shuffles through logics of structural power, control, and communication in the context of praxis and art institutions.

Double Jointed: Gendered Flexibility And The Overextended Self, Grace A. Bromley

Theses and Dissertations

This thesis explores compulsory domesticity and the impulse to overextend oneself, both pressures often associated with the construct of femininity. Through diving into my personal history, which includes growing up in a three-generational home of women, I explore mimesis as it functions in both the replication of identity and in terms of pictorial representation; specifically I address its relationship to gender, manifestation within the body, and the search for subjectivity through the process of making and thinking. In various forms of material explorations, I play with ideas of malleability, mimicry and “embedded” behaviors that are passed down and embodied in …

Notes Toward A Personal Afrofuturism, Jalen T. Adams

Theses and Dissertations

This paper is penned by a young adult who is generally confused about a lot of things regarding life, but has one singular focus that is perhaps larger than life—trying to find the bridge between a future already lived, and a past yet to happen. These are his findings so far.

Call For Me When You Get There: I'Ll Be Among The Crows, Jessica O. Tifase

Theses and Dissertations

I've always been intrigued by the ways in which the notion of flight has been used to describe the movement of Black people, both literally and figuratively. In many instances, flight performs as a double entendre, embodying multiple meanings: to escape or to transcend. The fluidity of its definition prompts a reflection I’ve been wrestling with as I move through the world: Are Black people in a perpetual state of flight?

In my thesis exhibition, Call for Me When You Get There, I use the precarious state of flight as a means to explore the complicated choreography necessary for navigating …

Embody, Lillian Luna Bennett

Graduate Student Theses, Dissertations, & Professional Papers

In this paper I will discuss my studio process, material, content and context as it relates to each piece or installation in my thesis exhibition, Embody. My work explores and reacts to the effects that the current political climate has on our physical bodies and identity. I investigate value systems that are embedded into America’s visual language. Often morphing into ruins and relics of an old world while simultaneously being grafted onto contemporary culture. Through large scale textile sculpture, I explore one of my main themes: melding classical architectural motifs that America has adopted, with contemporary textile techniques and material …

Retrospective Awards Section, Sally Brown, Stephanie House-Niamke, Chansotheary Dang, Qazi Arka Rahman, Lara Farina, Colleen Moretz

Art in the Libraries Retrospective: 2015-2024

This section of the WVU Art in the Libraries Retrospective (2015-2024) includes a summary of awards given by the program to students, faculty and staff.

Making The Pluriverse Visible: World-Making On The Saugeen (Bruce) Peninsula, Lauren Judge

Theses and Dissertations (Comprehensive)

This dissertation argues that visual artists who live and work on the Saugeen (Bruce) Peninsula, in Ontario, Canada, are co-creating artworks with non-humans, which is evidence of more-than-human world-making. Such co-creative experiences are the result of, and catalysts for the kinds of enchantment our human worlds need to form meaningful and holistic connections with non-humans, effectively creating a more inclusive pluriverse. After reviewing interdisciplinary literature in posthuman studies, creative geography, arts-based practices, environmental humanities, Indigenous knowledges, and political ontology, I designed my research to include a combination of qualitative methodologies and methods, including autoethnography and research-creation, to investigate fourteen visual …

Art Inquries Vol Xviii No 4 2023 Front Matter, Mysoon Rizk

Art Inquiries

No abstract provided.

Images Of Maps And Connotative Tendencies In Early Republican America, Kerr Houston

Art Inquiries

No abstract provided.

Medieval Bologna: Art For A University City, Ashley Elston

Art Inquiries

No abstract provided.

An Interview With Brianna Harlan, Mysoon Rizk, Brianna Harlan

Art Inquiries

No abstract provided.

Jamie Robertson: Make For Higher Ground, Elizabeth S. Hawley

Art Inquiries

No abstract provided.

The Date Of The Allegory Of Mercy At The Misericordia In Florence...Again: Some Clarifications Regarding The Historical Setting, William R. Levin

Art Inquiries

No abstract provided.

Jacqueline Jung, Eloquent Bodies: Movement, Expression, And The Human Figure In Gothic Sculpture, Kerr Houston

Art Inquiries

No abstract provided.

Hear Me Now: The Black Potters Of Old Edgefield, South Carolina, Cynthia Fowler

Art Inquiries

No abstract provided.

Diana S. Greenwald, Painting By Numbers: Data-Driven Histories Of Nineteenth-Century Art, Sara Woodbury

Art Inquiries

No abstract provided.

An Interview With Jennida Chase, Sunny Spillane, Jennida Chase

Art Inquiries

No abstract provided.

Suzanne Valadon: Model, Painter, Rebel; And Modigliani Up Close, K. A. Mcfadden

Art Inquiries

No abstract provided.

Troy Thomas, Poussin’S Women: Sex And Gender In The Artist’S Works, James R. Jewitt

Art Inquiries

No abstract provided.

Laurie Anderson: The Weather, Annie Dell'aria

Art Inquiries

No abstract provided.