Art Practice Commons^™

Some Things Askew: Cautionary Quips And Satirical Scenarios, David C. Clark

Electronic Theses and Dissertations

Some Things Askew: Cautionary Quips and Satirical Scenarios is a collection of sculptures and drawings that depict objects from a dreamlike, dystopian world. Each piece contributes to a larger narrative that illustrates the presumed inhabitants of this skewed landscape, chronicling their journeys, interactions, and existence within it. Faux paint treatments conceal the diverse materials employed in the creation of these works. This self-reflective story conveys themes of perseverance and hope as the characters strive to survive—and even flourish—amidst the dark and unusual circumstances they face. A hint of sarcastic humor and whimsy permeates the collection, offering comic relief and emphasizing …

Deconstructing Ancient Allegories: Eleanor Antin’S 'Historical Takes' On Subverting Classical Motifs And Typologies, Lainey Tomasoski

Undergraduate Theses in Art History

The New York-born artist Eleanor Antin erupted into the male-dominated American conceptual photography art scene in the 1960s and 70s with feminist works that reimagined the female body in terms of representation and history. In congruence with the feminist and civil rights movements, conceptual photography represented a shift in how art was utilized to criticize the social and political institutions in which it is rooted. Antin and other feminist artists engaging in conceptual photography and video played with the embodiment of characters, performance of the body, and an intrinsic “self-reflexivity” of subject, viewer, and artist. However, Antin pivoted her work …

Death Is Not The End, Marianne Koleng

be Still

In this piece, Death is Not the End, the juxtaposition of maintaining a connection with those lost, while simultaneously adjusting to life without them is explored. The use of mixed media to convey a spectrum of emotions surrounding death along with the use of both a skeleton, to represent death, and "normal" hands and body contours to represent life, highlight the importance that proper healing play in both mourning and celebrating life.

For The Birds, Charlotte L. Middleton

School of Art, Art History, and Design: Theses and Student Creative Work

For the Birds is a homogenous material exhibition of porcelain pottery that explores the relationships between, expectations of, and roles placed upon women and pottery. Using traditional craft processes, still life imagery, and the language and limits of porcelain, I create arrangements that expose the viewers assumptions of both subjects. Pottery- pitchers, cups, and vases—is a product of anthropocentrism and anthropomorphism and can be entirely taken for granted- their role is assumed and unquestionable—to serve. The language and expectations of these objects are the medium I build with.

The title of the show, For the Birds, is both a …

Delirium And Derangement: Futurities Of Climatic And Islandic Relationality In Philippine Artistic Practice, Isa Lacuna

Akda: The Asian Journal of Literature, Culture, Performance

The Philippines as locus of both specific experience and shared sympathy with regard to climate change allows for an investigation of the complex factors that describe a realm of experience unique to this present age: catastrophic weather in both its scorching and diluvian iterations. In this paper, I argue that the atmospheric delusions in the artistic practices of Mark Orozco Justiniani’s Arkipelago and the Vargas Museum’s Fever Dream point to a more expansive relationality with climate that forces us to re-evaluate precisely what ecocritical scholars have called the derangements of everyday modern life. The experience of exceptional heat and rain, …

A Canvas Decolonized: An Exploration Of Haiti’S Colonial History Through Haitian Artists Philemon Obin, Jean Appolon, Sheilby Mecena, Flex Morisseau–Leroy, And Claes Gabriel, Dominique Dempsey

Graduate Research Conference (GSIS)

A Canvas Decolonized examines the complex realities faced by Haiti through the lens of its vibrant artistic heritage, highlighting the role of art in interpreting, preserving, and challenging narratives about the nation's history and identity. By exploring the works of Haitian muralists, photographers, painters, and poets including Jean Appolon, Flex Morisseau Leroy, Claes Gabriel, and Edwidge Danticat this study illuminates how these artists engage with themes of colonization, immigration, generational trauma, and cultural displacement. Grounded in the theoretical frameworks of Frantz Fanon and Benedict Anderson, the paper argues that Haitian art provides a powerful medium to analyze and contextualize the …

Exploring Homogeneity In Today's Cultural Expression, Roderick Hunt

Digital Laboratory: Publisher of Internet Journal

This article examines the increasing cultural homogeneity driven by the internet's global reach and accessibility. Roderick Hunt—an educator, brand expert, and fashion designer—integrates writing into his creative practice and brand ethos. Through his label, Uniform Journal, he merges ideas and products, emphasizing both form and function. In a Q&A discussion, Hunt explores how the internet has influenced contemporary cultural practices and challenges the notion of originality in an era of digital interconnectedness.

The Impact Of Visual Brand Identity On Consumer Response In Rebranding: A Case Study Of Burger King, Andressa De Ungaro Dos Santos

USF Tampa Graduate Theses and Dissertations

This case study investigates consumer perceptions of rebranding through the lens of visual brand identity (VBI) and brand associations, focusing on Burger King’s recent rebranding. Using the Aaker Model as the theoretical framework, the study analyzes how brand awareness and associations influence consumer responses to visual identity changes. The research involves two focal areas in which comparative study will be applied by: (1) analyzing rebranding awareness by evaluating media coverage of Burger King’s new branding; (2) examining consumer-brand relationships through social media interactions to understand responses to the rebranding and to measure emotional and associative responses to visual elements. Through …

A Conversation With Loe Gino, Loe Gino, Seb Taylor

Digital Laboratory: Publisher of Internet Journal

LOE Gino is a Bay Area native from Berkeley, California and an independent artist. He has been a pioneer in the music industry for new age artistry. His ability to be a voice for independent artists parallels his wordsmith-skills as a rapper. As a part of the Bay Area cultural scene, he is a real life example of how to set a vision and build it as you go. Every aspect of his creative vision is thought out and executed with the accuracy of a freestyle. LOE Gino stands as an example of what it means to never conform to …

Cripistemology And Creative Practice: Disability, Aesthetics, Digital Art, Generative Ai, Talan Memmott Phd

CLASP Lecture Series

Dr. Memmott’s presentation will showcase “Introducing Lary”—an ongoing AI project that explores the re-invention of the self following life-changing cancer surgery and treatment. This talk profiles the artist’s experience with a laryngeal cancer diagnosis and the medical interventions that follow. Utilizing a variety of AI platforms for both video and image production along with journal entries and medical reports as text prompts, the resulting work is a set of distinctive media that range, in Dr. Memmott’s words, “from the mythic to the horrific; the historical to the speculative.” Though at times the resulting media may emphasize the emergent body horror …

An Essay Of Images From Playlab Inc., Playlab Inc., Archie Lee Coates Iv

Digital Laboratory: Publisher of Internet Journal

A series of images depicting the illustrious Playlab Inc. as a collection of projects in different mediums. The LA-based design studio has contributed to fashion, art, and urban culture through collaborations with major institutions and emerging artists. The photo essay highlights Playlab Inc.’s diverse projects and installations, embodying its core philosophy: no focus. This principle guides the studio to the cutting-edge of contemporary culture, where innovation meets execution. The creative powerhouse has demonstrated a capacity to engage with contemporary cultural movements through its projects. For instance, in the OTW Vans project, the firm acquired images from notable skate photographers Atiba …

Museum Funding As Critical Practice, Camille-Mary Sharp, Samantha Summers

Visual Arts Publications

While museums face an unprecedented amount of public backlash over their financial partnerships with donors and sponsors from harmful industries, the administrative practices of funding and fundraising remain understudied in museum scholarship. Responding to growing polarization between museums and stakeholder groups like artists, activists, and cultural workers, this article highlights findings from recent interviews with museum professionals about their funding-related practices to explore how professional perspectives can enrich current debates over ethical funding. Despite the structural difficulties posed by neoliberal museum models and government austerity, we argue that museum studies can work towards improving the field’s financial challenges by considering …

Mining Waste In The Himalayas, Leslie Leong

The Goose

Materiality is a key aspect of the fourteen artworks I created over one month as Artist-in-Residence at Sagarmatha Next, the experience centre for sustainable tourism in the Khumbu region of Nepal. My intention with the residency is to create work from the human discards that accumulate in the area around Mount Everest, known as Sagarmatha in Nepali. The artwork I created during this residency are deeply rooted in the materiality of their components and serve as powerful commentaries on environmental issues, the passage of time, and the potential for transformation inherent in discarded materials. Through the deliberate use of waste, …

My Art Is Garbage, Beth Shepherd

The Goose

In “My Art is Garbage,” I describe three recent art projects where garbage is both a theme and an artistic medium used to critique the overuse of and inability to reuse or safely dispose of plastics we use every day. The first work, Untitled (Plastic Film Balls), uses non-recyclable single-use household plastic made to form an installation of shimmering balls and alludes to the environmental footprint of the artworld. Plastic Shores, a series of monotype prints, reminds us that plastics in the environment are deleterious to species that we see every day. Finally Plastic Pests, a series …

Beach Finds, Gina M. Granter

The Goose

This photo series, Beach Finds, is all from the beach of my hometown in Rocky Harbour, Newfoundland, from walks I took in the early spring of 2021. Particularly after storms, there would be an abundance of garbage washed ashore. I found a stick from a Buried Treasure ice cream treat that I had not seen since the 1980s; fabric flowers that had blown from the town’s seaside cemeteries into the water and back to land; hand-woven fishing nets that were now grounded; a tampon applicator that reminded me of the first one I ever saw as a child, on …

Fostering Inclusivity Through Community Arts Programs, Courtney Mayberry

CAFE Symposium 2025

The utilization of community arts projects to build diverse and prosperous communities is vital in fostering inclusion rather than isolation within participating communities. Community arts projects can be built to offer individuals a means to connect with their community through self-expression and the celebration of their individuality. This is especially important in giving marginalized groups a voice, such as people with disabilities.

Navigating Climate Action: The River As Teacher For Eco-Literacy, Educational Regeneration And Creative Participation, Bibi (Silvina) Calderaro

Dissertations, Theses, and Capstone Projects

Cultures' engagements with land and its more-than-human elements reveal their attitudes toward these dimensions, spanning a spectrum from reciprocal to transactional practices. In time, these engagements form a body of knowledges that nurtures the culture and its land, or arrests their vital and diverse qualities. This research project aims to bring to light how the different ways of engaging with and relating to land are embedded in knowledge production, distribution and communication—in short, in general educational endeavors and their philosophies—to promote a better understanding of the principles of eco-literacy. Additionally, a purpose of this project is to provide insights into …

Sandy Soil Stabilization Using Paper Waste Ash As A Supplementary Cement Material, Noor H Jaber, Muna Al- Al-Kafaji, Manar Ghaleb Abbas, Shakir Al-Busaltan, Mustafa Amoori Kadhim

Al-Bahir

Soil stabilization is one of the processes that have used widely to enhance pavement structure. Using natural and man-made resources as efficiently as possible while inflicting little environmental harm is known as sustainable roadway building. Reducing energy consumption during construction and making optimal use of materials to reduce waste are two approaches to make roads more sustainable. This project work is concern in chemical soil stabilization with a waste or by-product material. The experiential work included improve sandy soil by using Paper Waste Ash (PWA) and ordinary Portland cement (OPC). laboratory tests included sieve analysis, standard proctor compaction test, California …

Visual Mindful Autoethnography In Practice: Integrating Visual Expressive Art And Self-Compassion Into The Research Process, Jennifer Bentley

Mindfulness Studies Theses

This thesis introduces the framework of Visual Mindful Autoethnography (VmAE) which integrates mindfulness, self-compassion, and creative visual expression as tools for reflexive self-inquiry within the research process. Grounded in the principles of autoethnography and mindfulness, VmAE fosters a deep engagement with personal narratives, biases, and cultural contexts while encouraging emotional resilience, self-awareness, and ethical integrity. By utilizing techniques such as expressive art and visual process journalling, this approach re-presents the inner emotional landscape while facilitating a balanced exploration of subjective experience. The framework is supported by the “P.A.C.E. Research with C.A.R.E.” model, which establishes mindfulness and self-compassion as foundational principles …

Mindful Art Curriculum: Teaching Towards Transformational Change, Ashley Riemann

Mindfulness Studies Theses

With the recent influx of American public school diversity, art educators must establish an art curriculum that nurtures students' cultural awareness and creates a more equitable and inclusive learning environment. This paper responds to the increasingly diverse classroom and proposes the need for the implimentation of a mindful, culturally responsive art curriculum. Mindfulness paired with culturally responsive teaching is a transformative tool for art educators. These teaching techniques unite and create an inclusive and inquisitive learning environment. Through mindful exploration students learn to cultivate awareness and focus, forming a deeper connection with art and one another. As Jon Kabat-Zinn expressed, …