Television Commons^™

Roberto Bolaño’S 2666, The Funneling Effect Of Capitalism, And The Production, Consumption, And Proliferation Of Violence For Profit, John Timlin

Dissertations and Theses

Roberto Bolaño's novel 2666 is a realist text, one that reflects the simple fact that in contemporary capitalism, the physical destruction of female bodies is a profitable enterprise; one that forces its readers to confront their complicity or outright participation in violence against women; and one that relates directly to violence against women as consumable entertainment in American mass culture.

Rednecks, Hillbillies, And White Trash In The Living Room: A Rhetorical Analysis Of Reality Television's Construction Of Appalachian Regional Identity, Bradlee Elizabeth Hartman

Senior Independent Study Theses

Reality television is one of America’s guiltiest pleasures because it lets us peer into the lives of people who are both similar to and different from us. However, the narratives we see on the small screen are far from innocent; in fact, reality television plays a large role in directing how we make sense of the world and our place within it. To that end, this study examines how MTV’s reality television series, Buckwild, constructs a particular view of Appalachian regional identity. This study utilizes ideological criticism to uncover how MTV engages in continued stereotyping of Appalachian people. Specifically, my …

The Apprentice Africa Tv Format: Local Culture, Global Model, And Informalized Production Practices In The Nigerian Media Industry, Kosidichimma Anyanwu

Doctoral

In 2008, the hugely popular American global television format programme, The Apprentice, debuted its Africa wide version, The Apprentice Africa, in the African market. This became the first entrepreneurship format programme to be produced in Nigeria and Africa. First, the show was broadcast on three Nigerian channels, then moved to broadcasters in Ghana, Kenya, Uganda, and Tanzania. The Apprentice Africa reality TV show is a strategic research site for investigating the conditions of television format production in Nigeria, considering the programme’s interaction with multiple economic sectors of the country.

This study is set against the backdrop of the …

Agnew, Abc, And Richard Nixon's War On Television, Dale L. Cressman Phd

Faculty Publications

Less than a year into the presidency of Richard Nixon, Vice President Spiro Agnew launched a series of attacks on television journalists, accusing them of being biased and having too much power to determine what news millions of Americans watched on their televisions. Because the government licensed and regulated their stations, the networks considered Agnew's statements, and other White House criticisms, to be threats. As the smallest, most vulnerable network, ABC found itself at a confluence of relationships with the administration: It employed both Nixon's favorite and least favorite anchors, as well as a highly placed executive who lent sympathy …

Print Culture, Digital Culture, Poetics And Hermeneutics: Discussion With J. Hillis Miller, Liyuan Zhu

CLCWeb: Comparative Literature and Culture

This paper is a response to Hillis Miller’s query on the author’s essay “Hillis Miller on the End of Literature.” The author basically agrees with Miller’s view on the shift from print culture to digital culture, explaining the special cultural context under which Chinese scholars emphasize the visual turn. Based on the rapid development of Chinese online literature, the author points out that print culture does not rival but coexists with digital culture. On the other hand, drawing on Aristotle’s Poetics and insights of several leading figures of contemporary hermeneutics, the author contends that Miller’s dichotomy of poetics (form) and …

China Question Of Us-American Imagism, Qingben Li

CLCWeb: Comparative Literature and Culture

This paper investigates first the influences of ancient Chinese culture on Ezra Pound, and then Pound’s influence on the New Culture Movement of modern China (1917). It is a kind of circular journey of literary texts and theories from ancient China to the West and then back to China. This journey, or “circle model,” involves textual appropriation, variation, transformation and misunderstanding in every stage.

Western Theory And Historical Studies Of Chinese Literary Criticism, Zhirong Zhu

CLCWeb: Comparative Literature and Culture

This paper examines the formation of modern historical studies of classical Chinese literary criticism in terms of its interaction with and transformation of western theory. The discipline emerged during the eastward movement of Western ideas in the early twentieth century, promoting the “scientific study” of classical Chinese learning, and instituting curriculum and textbooks in Chinese universities. The reception of Western concepts of “literature” and “literary criticism” in the early twentieth century, largely through Japan, laid the very foundation of historical studies of classical Chinese literary criticism as an independent subject of study. This paper argues that when adopting Western methods …

The Chuanyue (Traversing) Of Western Cultural Industry Theories In China, Hui Li, Naihai Zhai

CLCWeb: Comparative Literature and Culture

This paper discusses the reception and transformation of western theories of Culture Industry in China during the Reform Era (1978-present). It proposes the term 穿越 (chuanyue, traverse), rather than communication or traveling theory, in order to probe into the complexity of the interaction, modification and transformation of western theories of Culture Industry and creative industries in China. The paper focuses on 1) issues of time lag or disjunction, in that it took more than half a century for the critique of Culture Industry to enter China; 2) divergent interpretations of Culture Industry with a strong critical edge of …

Cinematic Representation Of Ethnic Minorities In Prc And Postcolonialism, Xinyu Lu

CLCWeb: Comparative Literature and Culture

This paper explores the notions of “Sinophone” and “Chinese-language cinema” under the rubrics of postcolonialism in Chinese film studies both in China and elsewhere around the world. The paper argues that these postcolonial-inspired notions misconstrue Chinese national identity building as imperialist/colonialist endeavours, and dichotomize Han and Chinese ethnic minorities. The paper offers its counterargument by examining cinematic practices of people’s cinema, minority nationality films and native-language films in the PRC.

“Western Marxism” In Mao’S China, Jun Zeng, Yichen Wang

CLCWeb: Comparative Literature and Culture

China’s reception of “Western Marxism” is a critical part of the global history of Marxism. This paper examines three aspects of the reception of Western Marxism in literary and art criticism during the early years of Mao’s China (1949-65): the Western Marxist critique of surrealism, debates over Marx’s Economic and Philosophical Manuscripts of 1844, and Sartrean existentialism and Western Marxism. The impacts of Western Marxist literary thought upon Chinese literary studies during the early years of the PRC are discussed, along with the extensive influx of Western Marxism that began in the reform era of post-Mao China (1978- ) …

Cvc's Plans For Spring 2021

St. Norbert Times

News

• CVC’s Plans for Spring 2021
• Coffee, Crafts and Conversation
• Managing Difficult Talks at Home

Opinion

• Is Good Enough Good?
• My Prediction for 2021

Features

• Circle K Club
• A Published Alum: Jasmine Babineaux

Entertainment

• Student Spotlight: Kodee Zarnkee
• Music Review: My Chemical Romance
• Higurashi When They Cry
• Coming Soon to Netflix
• Most Anticipated December Book Releases
• Junk Drawer: Most Looking Forward to Over Break

Sports

• Delayed: College Hockey
• The Olympics Are Still On
• Common Ice Skating Injuries
• Implications of College Sports Cancellations

Efter Jobbet: En Inledande Diskussion Om Studiet Av Fritid, Leif Stenberg, Anders Ackfeldt

Faculty & Staff Publications

No abstract provided.

War, Media, And Memory: American Television News Coverage Of The Vietnam War, Brock J. Vaughan

Bridges: An Undergraduate Journal of Contemporary Connections

Social and political impacts of television news coverage of the Vietnam War are often glorified and grossly overestimated. This paper argues that the role of the American media during the war did not directly affect public support for the war, nor did it profoundly impact American nationalism and military policy. Television news coverage did, however, influence how events were perceived and remembered. The commonly held belief that the American news media was directly responsible for the decline of public confidence in the U.S. government, ultimately contributing to the public’s distaste for any further involvement in Vietnam, is a narrow viewpoint …

Mental Health During Winter

St. Norbert Times

News

• Mental Health During Winter
• A Conversation with Heather Bruegl
• The Girl Child Art Foundation
• Maria Sherman Talks Feminism, Boy Bands

Opinion

• The Lasting Effects of the Trump Presidency
• Learning In School
• Being Thankful in 2020 is Possible
• Issue With Modern-Day Feminism

Features

• Knight Theatre Goes Virtual
• New Club: Green Knight Donations
• Tribute for Dr. Ray Zurawaski

Entertainment

• Student Spotlight
• Weekly Review of “The Bachelorette:” Episode 3
• Four of the Most Anticipated November Book Releases
• Weeb Corner: Jujutsu Kaisen
• Coming Soon to Netflix
• Junk Drawer: The Last Show We Binge-Watched

Sports

• College Football and COVID
• NFL Proposes New Affirmative Action …

Late Postmodernism, Nicholas Brown

CLCWeb: Comparative Literature and Culture

No abstract provided.

Sedimented Forms: Coming Back To Autonomy, Marina Vishmidt

CLCWeb: Comparative Literature and Culture

No abstract provided.

The Minimal Politics Of Autonomy, Myka Tucker-Abramson

CLCWeb: Comparative Literature and Culture

No abstract provided.

Immanuel Kant’S Manifesto For Dad Rock, Christian Thorne

CLCWeb: Comparative Literature and Culture

No abstract provided.

Genre’S Autonomy, Autonomy’S Genre, Tim Lanzendörfer

CLCWeb: Comparative Literature and Culture

No abstract provided.

Admiring Autonomy, Fabio Akcelrud Durão

CLCWeb: Comparative Literature and Culture

No abstract provided.