Rebeldia Radio,
2020
City University of New York (CUNY)
Rebeldia Radio, Ariel Goodman
Capstones
For five years, Tadii Angeles has broadcast a weekly radio show from a homemade studio in her apartment in New Jersey to uplift the stories and struggles of indigenous and undocumented people like herself. After the Coronavirus pandemic ravaged the immigrant community in the tri-state area, she became a lifeline connecting her listeners with resources, food, and vital information all the while navigating new realities and the pandemic’s implications on her own life. This short film follows her journey as she navigates loss both in the US and Mexico while fighting for her and her community’s voices to not be …
Koam Collection, 1936,
2020
Pittsburg State University
Koam Collection, 1936, Special Collections, Leonard H. Axe Library
Finding Aids
Court proceedings in Washington, D.C. on March 9 and 10 of 1936 on the application for a construction permit, frequency request, and power request for a radio station in Pittsburg, Kansas by the Pittsburg Broadcasting Co. The proceedings discuss the logistics of building a station and tower, the range and possible interference from other stations, positions and duties of the people involved, and the broadcasting situation.
Quincy: A Documentary Review,
2020
University of the Pacific
Quincy: A Documentary Review, Analy Cruz
Backstage Pass
This is a film review of the 2018 documentary film on the life and music of legendary producer, Quincy Jones.
Amy: A Film Review,
2020
University of the Pacific
Amy: A Film Review, Lucas Dehner
Backstage Pass
A review of the 2015 documentary film, Amy.
Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera,
2020
University of the Pacific
Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera, Darla Testino
Backstage Pass
No abstract provided.
Bohemian Rhapsody: A Film Review,
2020
University of the Pacific
Bohemian Rhapsody: A Film Review, Ailey Butler
Backstage Pass
This is a review of the 2018 Queen bio-pic, Bohemian Rhapsody.
Metallica: Some Kind Of Monster Film Review,
2020
University of the Pacific
Metallica: Some Kind Of Monster Film Review, Ceara J. Costa
Backstage Pass
This is a film review of the 2004 documentary, Some Kind of Monster, which provides an in-depth portrait of the heavy metal band, Metallica, during the making of their St. Anger album. It addresses issues of mental health, depression, group dynamics and the pressures that successful artists face in maintaining their internal and external relationships while still trying to create new music.
A 70'S Dream Queen: Carole King's Tapestry,
2020
University of the Pacific
A 70'S Dream Queen: Carole King's Tapestry, Kortney Burton
Backstage Pass
The essay critiques the 1971 best-selling album, Tapestry, written and performed by Carole King.
Rock Of Ages Film Review,
2020
University of the Pacific
Rock Of Ages Film Review, Sarah Werth
Backstage Pass
This is a critique of the 2012 musical film, Rock of Ages.
Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album,
2020
University of the Pacific
Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album, Mike Camfield
Backstage Pass
This is a critique of the 1969 sophomore album, Bayou Country, by Creedence Clearwater Revival.
Me Too: The Effects Of Sexual Harassment And Assault In The Entertainment Industry,
2020
University of the Pacific
Me Too: The Effects Of Sexual Harassment And Assault In The Entertainment Industry, Cassandra M. Gaal
Backstage Pass
This paper gives insight to the growing issue of sexual harassment and assault in the entertainment industry. The paper provides information on the impact technology and social media have on sexual harassment and how women in particular are viewed in the entertainment industry. The paper also discusses how different genres of music and other forms of entertainment had oversexualized women, and how movies and TV shows have created this idea that someone being romantic is someone who is aggressive and forceful towards their partner.
The Big Payback Book Analysis,
2020
University of The Pacific
The Big Payback Book Analysis, Isaiah Smith
Backstage Pass
This paper is an analysis of the book, The Big Payback: The History of the Business of Hip-Hop.
The Next Frontier: Blockchain In The Music Industry,
2020
University of The Pacific
The Next Frontier: Blockchain In The Music Industry, Manuel J. Manriquez Jr
Backstage Pass
This Research Paper takes a look at how Blockchain technology can potentially change the music industry as we know it!
Streaming Services Insist On Buying Out Composers’ Music Rights,
2020
University of the Pacific
Streaming Services Insist On Buying Out Composers’ Music Rights, Kendra Sananikone
Backstage Pass
No abstract provided.
From Penny Lane To Stranger Things: Technology’S Influence On Music Production,
2020
University of the Pacific
From Penny Lane To Stranger Things: Technology’S Influence On Music Production, Sami Fong
Backstage Pass
No abstract provided.
Spotify Vs. Apple Music,
2020
University of the Pacific
Spotify Vs. Apple Music, Lexi Gerbino
Backstage Pass
A quick look at the differences of the two biggest music streaming services, Spotify and Apple Music.
Female Representation In U.S. Music Festivals,
2020
University of the Pacific
Female Representation In U.S. Music Festivals, Kortney Burton
Backstage Pass
No abstract provided.
Interview With Sarah Jones, Music Industry Media Specialist,
2020
University of the Pacific
Interview With Sarah Jones, Music Industry Media Specialist, Jennifer Morrow
Backstage Pass
No abstract provided.
Letter From The Editor,
2020
University of the Pacific
Applying International Law To The Regulation Of Media Incited Genocide: Rwanda And Myanmar,
2020
University of Mississippi
Applying International Law To The Regulation Of Media Incited Genocide: Rwanda And Myanmar, Savannah Whittemore
Honors Theses
The goal of this thesis is to demonstrate the connection between word and action in relation to the media incited genocide. By employing the operational definitions of intent, incitement, genocide, and hate speech from legal texts such as the Genocide Convention and the International Covenant on Civil and Political Rights, this thesis shows that there is suitable jurisprudence on the crime of direct and public incitement to genocide with the legal bodies statute mirrors the language of the Genocide Convention. This in conjunction with the language gradient on the changing role of messages before and during genocide shows that regulation …
