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Pirate Radio Proves Invaluable To Immigrant Communities During The Pandemic — But The Fcc Isn’T Having It, May Olvera 2020 Craig Newmark Graduate School of Journalism

Pirate Radio Proves Invaluable To Immigrant Communities During The Pandemic — But The Fcc Isn’T Having It, May Olvera

Capstones

In January 2020, congress passed the PIRATE Act into law, expanding the legal consequences for operating pirate radio tenfold. Although the FCC claims that the reason they are cracking down on pirate stations — that is, stations broadcasting on regulated airwaves without an FCC license — is that they could interfere with emergency messaging, the pandemic has proven otherwise; there is no evidence of pirates interfering with official safety warnings. In fact, most pirate stations are run by immigrants speaking in their native tongue and they have been able to provide vulnerable and underserved communities with the information they need …


Koam Collection, 1936, Special Collections, Leonard H. Axe Library 2020 Pittsburg State University

Koam Collection, 1936, Special Collections, Leonard H. Axe Library

Finding Aids

Court proceedings in Washington, D.C. on March 9 and 10 of 1936 on the application for a construction permit, frequency request, and power request for a radio station in Pittsburg, Kansas by the Pittsburg Broadcasting Co. The proceedings discuss the logistics of building a station and tower, the range and possible interference from other stations, positions and duties of the people involved, and the broadcasting situation.


Quincy: A Documentary Review, Analy Cruz 2020 University of the Pacific

Quincy: A Documentary Review, Analy Cruz

Backstage Pass

This is a film review of the 2018 documentary film on the life and music of legendary producer, Quincy Jones.


Amy: A Film Review, Lucas Dehner 2020 University of the Pacific

Amy: A Film Review, Lucas Dehner

Backstage Pass

A review of the 2015 documentary film, Amy.


Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera, Darla Testino 2020 University of the Pacific

Tearing Down The Wall: An Analysis Of Pink Floyd’S 1979 Rock Opera, Darla Testino

Backstage Pass

No abstract provided.


Bohemian Rhapsody: A Film Review, Ailey Butler 2020 University of the Pacific

Bohemian Rhapsody: A Film Review, Ailey Butler

Backstage Pass

This is a review of the 2018 Queen bio-pic, Bohemian Rhapsody.


Metallica: Some Kind Of Monster Film Review, Ceara J. Costa 2020 University of the Pacific

Metallica: Some Kind Of Monster Film Review, Ceara J. Costa

Backstage Pass

This is a film review of the 2004 documentary, Some Kind of Monster, which provides an in-depth portrait of the heavy metal band, Metallica, during the making of their St. Anger album. It addresses issues of mental health, depression, group dynamics and the pressures that successful artists face in maintaining their internal and external relationships while still trying to create new music.


A 70'S Dream Queen: Carole King's Tapestry, Kortney Burton 2020 University of the Pacific

A 70'S Dream Queen: Carole King's Tapestry, Kortney Burton

Backstage Pass

The essay critiques the 1971 best-selling album, Tapestry, written and performed by Carole King.


Rock Of Ages Film Review, Sarah Werth 2020 University of the Pacific

Rock Of Ages Film Review, Sarah Werth

Backstage Pass

This is a critique of the 2012 musical film, Rock of Ages.


Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album, Mike Camfield 2020 University of the Pacific

Re-Born On The Bayou: Creedence Clearwater Revival's Sophomore Album, Mike Camfield

Backstage Pass

This is a critique of the 1969 sophomore album, Bayou Country, by Creedence Clearwater Revival.


Me Too: The Effects Of Sexual Harassment And Assault In The Entertainment Industry, Cassandra M. Gaal 2020 University of the Pacific

Me Too: The Effects Of Sexual Harassment And Assault In The Entertainment Industry, Cassandra M. Gaal

Backstage Pass

This paper gives insight to the growing issue of sexual harassment and assault in the entertainment industry. The paper provides information on the impact technology and social media have on sexual harassment and how women in particular are viewed in the entertainment industry. The paper also discusses how different genres of music and other forms of entertainment had oversexualized women, and how movies and TV shows have created this idea that someone being romantic is someone who is aggressive and forceful towards their partner.


The Big Payback Book Analysis, Isaiah Smith 2020 University of The Pacific

The Big Payback Book Analysis, Isaiah Smith

Backstage Pass

This paper is an analysis of the book, The Big Payback: The History of the Business of Hip-Hop.


The Next Frontier: Blockchain In The Music Industry, Manuel J. Manriquez Jr 2020 University of The Pacific

The Next Frontier: Blockchain In The Music Industry, Manuel J. Manriquez Jr

Backstage Pass

This Research Paper takes a look at how Blockchain technology can potentially change the music industry as we know it!


Streaming Services Insist On Buying Out Composers’ Music Rights, Kendra Sananikone 2020 University of the Pacific

Streaming Services Insist On Buying Out Composers’ Music Rights, Kendra Sananikone

Backstage Pass

No abstract provided.


From Penny Lane To Stranger Things: Technology’S Influence On Music Production, Sami Fong 2020 University of the Pacific

From Penny Lane To Stranger Things: Technology’S Influence On Music Production, Sami Fong

Backstage Pass

No abstract provided.


Spotify Vs. Apple Music, Lexi Gerbino 2020 University of the Pacific

Spotify Vs. Apple Music, Lexi Gerbino

Backstage Pass

A quick look at the differences of the two biggest music streaming services, Spotify and Apple Music.


Female Representation In U.S. Music Festivals, Kortney Burton 2020 University of the Pacific

Female Representation In U.S. Music Festivals, Kortney Burton

Backstage Pass

No abstract provided.


Interview With Sarah Jones, Music Industry Media Specialist, Jennifer Morrow 2020 University of the Pacific

Interview With Sarah Jones, Music Industry Media Specialist, Jennifer Morrow

Backstage Pass

No abstract provided.


Letter From The Editor, Keith Hatschek 2020 University of the Pacific

Letter From The Editor, Keith Hatschek

Backstage Pass

No abstract provided.


Dixieland Crusaders: Mass Media, The Ku Klux Klan, And The Optics Of Populism, 1970-1979., Olivia E. Raymond 2020 University of Louisville

Dixieland Crusaders: Mass Media, The Ku Klux Klan, And The Optics Of Populism, 1970-1979., Olivia E. Raymond

Electronic Theses and Dissertations

The 1970s in the United States of America ushered in transformative policies that reshaped the nation. In her landmark essay, “The Long Civil Rights Movement and the Political Uses of the Past” (2005), Dr. Jacquelyn Dowd Hall reveals how Black activists inspired “a long movement of movements.” However, often forgotten in narratives of new activism from this era is the resurgence of white reactionary social movements. This thesis argues that mass media is central to mainstreaming radical far-right ideology to a national audience. It explores the political ramifications of sensationalist coverage of the Ku Klux Klan in mass media, specifically …


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