Photography Commons^™

Rock, Miriam Sullivan

Intertidal

No abstract provided.

Summer Solstice, Caroline Horn

Intertidal

No abstract provided.

Nothing Ever Happened To Nora, Emeline Robbins

Intertidal

No abstract provided.

Brambles, Bailee Isackson

Intertidal

No abstract provided.

Chiral Centurion, Ian Pines

Intertidal

No abstract provided.

My Rat King, Clara Dulay

Intertidal

No abstract provided.

The Unraveling, Arabella Staufenberg

Intertidal

No abstract provided.

Untitled, Neil Hudson

Intertidal

No abstract provided.

Scout Chair, Tony Gudkov

Intertidal

No abstract provided.

Venn, Joie Rahn

Intertidal

No abstract provided.

Arms Race, Julia Neils

Intertidal

No abstract provided.

Lost Iv, Kris Graves, Special Collections, Fleet Library

Photography

10 volumes (560 pages) : chiefly illustrations (some color). "Parallel text in English and French. Title and statement of responsibility from slipcase. ""Published in conjunction with the exhibition ... from May 5th to July 26th 2009 at the Fondation Henri Cartier-Bresson, Paris""--Colophon."

Photo Series: Creation, Jacqueline Leiter Osb

Obsculta

These five photos, and their associated texts, by Sister Jacqueline Leiter, OSB are reflections on key aspects of Christian living. Dispersed throughout this volume of the journal, they offer moments of pause between the other articles.

“We Are All Sort Of Figuring It Out Together”: A Case Study On How An Experiential Learning Course Shapes Career Readiness For Photography Students, Rebecca Reuland

Dissertations of Practice

The purpose of this qualitative case study was to understand how participation in an experiential learning course fosters career readiness for photography majors. Data was collected through observations, semi-structured interviews, and document analysis of course-assigned reflection papers. Using a conceptual framework of NACE’s (National Association of Colleges and Employers) career readiness competencies, this study investigated how the course structure and working with models and peers fostered career readiness. This study also explored how students described their career readiness. Overall, three findings surfaced from the data that showcased that experiential learning courses can: foster interpersonal communication skills, foster collaboration, and confidence …

Parnassus 2024: Thresholds

Parnassus

No abstract provided.

Dedication

PULSE: A Student Publication of Literary & Artistic Works

No abstract provided.

Behind The Lens, Jolie M. Adams Miss

[Archive] Belmont University Research Symposium (BURS)

What Fuels Me as a Photographer?

Many photographers don’t realize their ability and opportunity to give back and make a difference. I believe photography extends beyond taking a series of photographs. For me, it is my way of serving others, connecting with people, and sharing their stories. I believe photography is a powerful tool to inspire change in communities—especially in those that are underserved. Photos are visual statements of humanity: an abstract of our failures, ignorance, arrogance, compassion, resilience, progress, and so much more. I want my photography to go beyond a small circle of influence. All of us have …

Ua1c11/125 Arndt Stickles Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from Arndt Stickles personal papers.

Ua1c11/128 Lucian Flora Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs and postcards removed from Lucian Flora's World War II scrapbook.

Robert Adelman Civil Rights And Black Life Photograph Collection, Jaclynn Martin, Meaghan Alston

Prints and Photographs Department

The Bob Adelman Photographs contain roughly 600 black and white photographs documenting leaders and events of the American Civil Rights Movement from the early to late 1960s. Featured prominently in the collection are images depicting James Farmer and C.O.R.E., Martin Luther King Jr., and Malcolm X. The collection also consists of portraits of celebrities such as James Baldwin, Amira Baraka, Sidney Poitier, and Lilian Smith. Additional images depict scenes of African Americans in urban and rural scenes during the 1970s and 1980s.