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An Entomologist’S Love Letter To The Universe, Jona L. Pedersen

Floodwall Magazine

No abstract provided.

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Mycelium I, Kai Szulborski

Floodwall Magazine

No abstract provided.

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A Period Of Self-Reflection, Elise Unterseher

Floodwall Magazine

No abstract provided.

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Apologist, Elise Unterseher

Floodwall Magazine

No abstract provided.

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Q&A With Emily Hollowell (Bfa Imaging Arts), Emily Hollowell

Q & A Interviews with Art Students

No abstract provided.

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Q&A With Angel Morgan (Bfa Imaging Arts), Angel Morgan

Q & A Interviews with Art Students

No abstract provided.

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Zephyr: The Twenty-Fourth Issue, Zephyr Faculty Advisor, Thomas Garcia, Faye Botelho, Aliyah Walker-Pasko, Paige-Marie Merrill, Madelyn Asher, Autumn Brophy, Jasmin Y. Townsend Ng

Zephyr

This is the twenty-fourth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

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Photography, Architecture, And Environment: An Architectural Analysis Of Edward Ruscha’S 26 Gasoline Stations, Rebecca Tonguis

[Archive] Belmont University Research Symposium (BURS)

This presentation explores Edward Ruscha’s photobook 26 Gasoline Stations through an architectural lens. Specifically, it treats Ruscha’s work as historic evidence of how consumption, industry, and commodity have infiltrated all kinds of environmental contexts through architectural manifestations. Known for being the first artist’s book, 26 Gasoline Stations ambiguously exists as both fine art and documentation of everyday conditions, with the overall graphic character highlighting its perceived focus on overarching narrative. Since gasoline stations are the primary subject of each of the 26 photographs, the subject of this work is arguably architecture, suggesting that the historic relationship between mass gas consumption—or …

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