Photography Commons^™

Two Photographs, Andrea Angeli

disClosure: A Journal of Social Theory

No abstract provided.

Taking In: The Best Of Aib Photography 2011, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication. and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community to represent the best of AIB Photography in 2011. The book in your hands is the end result of a collective effort by those in the class.

Krause & Spellmann: Scenes From Lost America, Jo Neace Krause, Charles Spellman, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2011 Kentucky Folk Art Center exhibition catalog of artists Jo Neace Krause and Charles Spellman.

Robert Morgan: The Age Of Discovery, Robert Morgan, Kentucky Folk Art Center

Kentucky Folk Art Center Exhibition Catalogs

2011 Kentucky Folk Art Center exhibition catalog of artist Robert Morgan.

The Feathered Hand: Installation, Drawings, Prints By Alison Derby Hildreth, University Of New England Art Gallery

Exhibition Catalogues

The Feathered Hand: Installation, Drawings, Prints is the catalogue from the University of New England Art Gallery’s January 5 –April 3, 2011 exhibition of work by Alison Hildreth.

Hildreth described the work as: “… an installation and a group of drawings and prints that I have been working on over the past 2 years. The drawings and prints I think of as walks through a changing landscape of associative ideas; each carries something from the previous image but moves on to a new interpretation. They continue end to end: divided cities, natural and manmade terrains, maps of investigations inspired as …

Parnassus 2011

Parnassus

The 2011 edition of the student literary journal, Parnassus, published by Taylor University in Upland, Indiana.

Blazing The Real: Writing By Indiana Children, Susan C. Adamson, Julie Patterson

Anthologies

I got my first camera when I was in third grade—a Brownie Hawkeye flash model with a snazzy little camera case. The instruction manual provided six simple steps for taking successful pictures.

Hold the camera steady, supporting it underneath. Then, with the sun behind your back or over your shoulder, locate the subject in the finder. At the instant of exposure, hold your breath and press the shutter release with a gentle squeezing action (Brownie Hawkeye Instruction Manual).

The camera came with two rolls of film, each with16 frames. I eagerly used them up and sent the exposed film off …

Ua1c11/38 Phi Delta Chi Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs created by members of Phi Delta Chi removed from various scrapbooks.

Ua1c11/28 Goldia Curd Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from album and school memory book created by Goldia McKeel Dunn Curd during the period 1921-1925. Includes images of Western Kentucky University buildings, students and faculty, Fisher boarding house residents, Cave City and Russell Springs where Curd taught school.

Ua61/1 Wku Nursing Class 2011, Wku Nursing

WKU Administration Documents

Members of the 2011 nursing class: Tamra Atwood, Shelly Davis, Connie Dickson, Traci Gentry, Marita Hockstedler, Josie Kroeger, Wendy Lai, Levita Larson, Nicole Loy, Allison McCutchen, Jackie Pardue, Jennifer Parrott, Kellye Rone, Annette Ploeg, Thomas Vogler, Louise Webb, Brandi White, Annie Wilson and Katrina Wood.

Ua1c11/27 Alpha Phi Omega Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs created by members of Alpha Phi Omega removed from various scrapbooks.

Ua1c11/37 Phi Delta Theta Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs created by members of Phi Delta Theta removed from various scrapbooks.

Ua60/5 Wku Dental Hygiene Class Of 2011, Wku Dental Hygiene

WKU Administration Documents

Members of the 2011 dental hygiene class: Eiman Al Eissa, historian; Johanna Higdon, vice president; Mandy Lowry, president; Kristina Marshall, treasurer; Leslie West, historian; Audrey Bateman, SDHA representative; Samantha Sarisky, secretary; Elizabeth Brussell, SDHA representative; Stacy Allen, Tabitha Allen, Alyssa Bishop, Kenya Brown, Kristi Bunting, Svetlana Deffin, Sarah Dudak, Jessica Durrant, Megan Elsenboss, Elizabeth Henry, Nicole Hopper, Heather Hunt, Angela Jaworsky, Catherine Morgan, Laura Newton, Thao Nguyen, Julie Swearingen, Brittany Wade, Kate Wakeling, Brittany Warner and Amanda White.

Air War And Dream: Photographing The London Blitz, Sharon Sliwinski

Data and Test Instruments

This paper treats Lee Miller's photographs of the London Blitz as a species of dream, which is to say, the Surrealist's images are regarded as a special form of thinking in which the conflicts and horrors of the times are represented in an effort to discharge their destructive force. This treatment calls upon Freud's discussion of dream-work, but also upon Didier Anzieu and Wilfred Bion's later writings, which consider the defensive and protective qualities of oneiric life. Miller's photography, like dream, provides a glimpse into the interior dimension of human existence. The essay argues that this interior dimension provides protection …

Icarus Returned: The Falling Man And The Survival Of Antiquity, Sharon Sliwinski

Data and Test Instruments

This chapter examines the so-called "Falling Man" photograph: Richard Drew's infamous image of an anonymous man in free fall, following his jump from the World Trade Center on September 11, 2001. Using Aby Warburg's iconographical method, I read this figure as a latter-day Icarus, putting Drew's photograph in dialogue with other representations of Icarus as a way to explore the image's unconscious force.

Colonial Photography Across Empires And Islands, Mark Rice

American Studies Faculty/Staff Publications

When the US acquired its colonies of Puerto Rico and the Philippines in the aftermath of the 1898 war with Spain, those colonies had to be made known to American citizens. Lanny Thompson has described what he calls the “principle narratives” of the different colonies, and the ways that those narratives helped shape political debates about those colonies. Thompson notes that photography played an instrumental role in developing and representing those narratives. “Colonial Photography Across Empires and Islands” discusses the specific uses of photography in the US colonial regimes in the Philippines and Puerto Rico, the two colonies most frequently …

The Mercury 2011

The Mercury

No abstract provided.

Ganga Ma, Sara W. Tower

The Mercury

No abstract provided.

Self-Portrait, Rebecca H. Fisher

The Mercury

No abstract provided.

Wyschogrod’S Hand: Saints, Animality, And The Labor Of Love, Virginia Burrus

Religion - All Scholarship

That the lives of saints constitute an unmediated appeal suggests both a call to imitate what cannot be imitated (thus can result in no mimesis of sameness) and a call to respond to the extremity of the saint's vulnerability; and I would suggest that the two calls turn out to be the same. Because the saint is radically open to the need of others, she is endlessly vulnerable to need herself (she will give everything, again and again); and because she is endlessly vulnerable to need herself, she is radically open to the need of others.