Virginia Thoren: Chasing Beauty - New York And Paris,
2011
Central Washington University
Virginia Thoren: Chasing Beauty - New York And Paris, Patricia Cutright
Library Scholarship
This exhibition catalog describes the life, education, career and achievements of photographer Virginia Thoren. It includes 15 full-color plates of her fashion photography from the Virginia Thoren collection of the Pratt Institute Libraries.
Blazing The Real: Writing By Indiana Children,
2011
Butler University
Blazing The Real: Writing By Indiana Children, Susan C. Adamson, Julie Patterson
Anthologies
I got my first camera when I was in third grade—a Brownie Hawkeye flash model with a snazzy little camera case. The instruction manual provided six simple steps for taking successful pictures.
Hold the camera steady, supporting it underneath. Then, with the sun behind your back or over your shoulder, locate the subject in the finder. At the instant of exposure, hold your breath and press the shutter release with a gentle squeezing action (Brownie Hawkeye Instruction Manual).
The camera came with two rolls of film, each with16 frames. I eagerly used them up and sent the exposed film off …
Ua1c11/38 Phi Delta Chi Photo Collection,
2011
Western Kentucky University
Ua1c11/38 Phi Delta Chi Photo Collection, Wku Archives
WKU Archives Collection Inventories
Photographs created by members of Phi Delta Chi removed from various scrapbooks.
Ua1c11/28 Goldia Curd Photo Collection,
2011
Western Kentucky University
Ua1c11/28 Goldia Curd Photo Collection, Wku Archives
WKU Archives Collection Inventories
Photographs removed from album and school memory book created by Goldia McKeel Dunn Curd during the period 1921-1925. Includes images of Western Kentucky University buildings, students and faculty, Fisher boarding house residents, Cave City and Russell Springs where Curd taught school.
Ua61/1 Wku Nursing Class 2011,
2011
Western Kentucky University
Ua61/1 Wku Nursing Class 2011, Wku Nursing
WKU Administration Documents
Members of the 2011 nursing class: Tamra Atwood, Shelly Davis, Connie Dickson, Traci Gentry, Marita Hockstedler, Josie Kroeger, Wendy Lai, Levita Larson, Nicole Loy, Allison McCutchen, Jackie Pardue, Jennifer Parrott, Kellye Rone, Annette Ploeg, Thomas Vogler, Louise Webb, Brandi White, Annie Wilson and Katrina Wood.
Ua1c11/27 Alpha Phi Omega Photo Collection,
2011
Western Kentucky University
Ua1c11/27 Alpha Phi Omega Photo Collection, Wku Archives
WKU Archives Collection Inventories
Photographs created by members of Alpha Phi Omega removed from various scrapbooks.
The Mercury 2011,
2011
Gettysburg College
Ua1c11/37 Phi Delta Theta Photo Collection,
2011
Western Kentucky University
Ua1c11/37 Phi Delta Theta Photo Collection, Wku Archives
WKU Archives Collection Inventories
Photographs created by members of Phi Delta Theta removed from various scrapbooks.
Ua60/5 Wku Dental Hygiene Class Of 2011,
2011
Western Kentucky University
Ua60/5 Wku Dental Hygiene Class Of 2011, Wku Dental Hygiene
WKU Administration Documents
Members of the 2011 dental hygiene class: Eiman Al Eissa, historian; Johanna Higdon, vice president; Mandy Lowry, president; Kristina Marshall, treasurer; Leslie West, historian; Audrey Bateman, SDHA representative; Samantha Sarisky, secretary; Elizabeth Brussell, SDHA representative; Stacy Allen, Tabitha Allen, Alyssa Bishop, Kenya Brown, Kristi Bunting, Svetlana Deffin, Sarah Dudak, Jessica Durrant, Megan Elsenboss, Elizabeth Henry, Nicole Hopper, Heather Hunt, Angela Jaworsky, Catherine Morgan, Laura Newton, Thao Nguyen, Julie Swearingen, Brittany Wade, Kate Wakeling, Brittany Warner and Amanda White.
Air War And Dream: Photographing The London Blitz,
2011
Western University
Air War And Dream: Photographing The London Blitz, Sharon Sliwinski
Data and Test Instruments
This paper treats Lee Miller's photographs of the London Blitz as a species of dream, which is to say, the Surrealist's images are regarded as a special form of thinking in which the conflicts and horrors of the times are represented in an effort to discharge their destructive force. This treatment calls upon Freud's discussion of dream-work, but also upon Didier Anzieu and Wilfred Bion's later writings, which consider the defensive and protective qualities of oneiric life. Miller's photography, like dream, provides a glimpse into the interior dimension of human existence. The essay argues that this interior dimension provides protection …
Icarus Returned: The Falling Man And The Survival Of Antiquity,
2011
Western University
Icarus Returned: The Falling Man And The Survival Of Antiquity, Sharon Sliwinski
Data and Test Instruments
This chapter examines the so-called "Falling Man" photograph: Richard Drew's infamous image of an anonymous man in free fall, following his jump from the World Trade Center on September 11, 2001. Using Aby Warburg's iconographical method, I read this figure as a latter-day Icarus, putting Drew's photograph in dialogue with other representations of Icarus as a way to explore the image's unconscious force.
Colonial Photography Across Empires And Islands,
2011
St. John Fisher University
Colonial Photography Across Empires And Islands, Mark Rice
American Studies Faculty/Staff Publications
When the US acquired its colonies of Puerto Rico and the Philippines in the aftermath of the 1898 war with Spain, those colonies had to be made known to American citizens. Lanny Thompson has described what he calls the “principle narratives” of the different colonies, and the ways that those narratives helped shape political debates about those colonies. Thompson notes that photography played an instrumental role in developing and representing those narratives. “Colonial Photography Across Empires and Islands” discusses the specific uses of photography in the US colonial regimes in the Philippines and Puerto Rico, the two colonies most frequently …
Wyschogrod’S Hand: Saints, Animality, And The Labor Of Love,
2011
Syracuse University
Wyschogrod’S Hand: Saints, Animality, And The Labor Of Love, Virginia Burrus
Religion - All Scholarship
That the lives of saints constitute an unmediated appeal suggests both a call to imitate what cannot be imitated (thus can result in no mimesis of sameness) and a call to respond to the extremity of the saint's vulnerability; and I would suggest that the two calls turn out to be the same. Because the saint is radically open to the need of others, she is endlessly vulnerable to need herself (she will give everything, again and again); and because she is endlessly vulnerable to need herself, she is radically open to the need of others.
Beyond His Years,
2011
University of Richmond
London Nights,
2011
University of Richmond
Untitled I,
2011
University of Richmond
Chamber Of Secrets,
2011
University of Richmond
The Messenger, 2011,
2011
University of Richmond
Untitled,
2011
University of Richmond
Untitled I,
2011
University of Richmond
