Photography Commons^™

Pipo Nguyen-Duy Interview, Emily Flanagan

Asian American Art Oral History Project

Artist Bio:

Pipo Nguyen-duy was born in Hue, Vietnam. Growing up within thirty kilometers of the demilitarized zone of the 18th Parallel, he describes hearing gunfire every day of his early life He immigrated to the United States as a political refugee.

Pipo has taken on many things in life in pursuit of his diverse interests. As a teenager in Vietnam, he competed as a national athlete in table tennis. He also spent some time living as a Buddhist monk in Northern India. He earned a Bachelor of Arts degree in economics at Carleton College. He then moved to New …

Camera Obscura (Image Of Havanah Looking Southeast In Room With Ladder, Risd Museum, Abelardo Morell

Channel

This photograph holds special significance for Cuban-born artist Abelardo Morell, as it was created during the first trip he had taken to his homeland since he fled Castro’s regime with his family in 1962. To make this image, Morell transformed a room into a camera obscura, an optical device that preceded the modern camera which projects its surroundings onto its interior walls. In this room-sized version, the landscape outdoors is projected, upside down, on the interior. 2002

60, Casey Cullen

Art Journal

Through my body of work, 60, I aim to convey my confusion of learning a new style of photography along with the uncertainty of identity. The confusion of what is going on in the photograph coincides with the unfamiliarity of the camera and the more general disorientation of everyday life. My photographs question different methods of photography through the use of an old process while also questioning the term “portrait.” Working with a camera that has been surpassed and forgotten about has allowed me to keep the process alive. A large format camera enables me to have more freedom in …

Solitaire, Dominic Channon

Art Journal

Commencing with the characteristics of my self as an only child, a distance runner, and an heir to my father's nomadic behavior, I have become interested in developing a further concept of self based on our capability to form our knowledge and interpretation of the world to our being. The experimentation with time and perception through the use of the camera has become my obsession. I want to create balance and repose through my work, challenging the perception of what it is that we know. My challenge is to create work that maintains these consistencies yet renders subject matter in …

Tranformations And Disappearances: The Presence Of The Artist In The Work Of Francesca Woodman, Michael Rose

Art Journal

No abstract provided.

Triptych

Hieroglyphics: the NSU University School Literary Magazine

No abstract provided.

Thinking Through The Photographic Encounter: Engaging With The Camera As Nomadic Weapon, Cala Coats

Faculty Publications

This paper considers the photographic act as an affective and affirmative encounter--a reflexive, embodied, and relational community engagement that may produce a rupture in our habitual modes of thinking. The author uses the Deleuzo-Guattarian concept of the nomadic weapon to consider how the camera may become an affective trigger for self-reflexivity, catalyzing the potential of nomadic thinking in a participatory frame. By transposing uses of photography as visual research method across cultural geography, visual anthropology, sociology, and arts-based educational research, the author discusses shifts in the function of photography from a practice emphasizing image production to an embodied and performative …

A Field Guide To Snow And Ice, Paula Mccartney, Special Collections, Fleet Library

Photography

[48] pages : chiefly illustrations . Includes 48 black and white and full color plates printed with UV inks on uncoated paper. Leporello binding with multiple panel widths and stiff front and back covers. Spine closure printed on synthetic paper. With the spine detached from the front cover, the book becomes an installation piece approximately 34 feet in length. 34 ft = 1036.3 cm. With an essay by Mark Alice Durant. Designed by Paula McCartney. Printed by The Avery Group at Shapco Printing, Minneapolis, MN.

The End(S) Of Art: Faith-Learning Integration Statement, Lex Thompson

Faith Learning Integration Papers

This essay demands something that is a little bit theology and a little bit art, and can only address a little bit of each. The material that follows does not presume to speak universally or systematically for either. Not only would such a thing be folly, but it would also be impossible. Systematic theology and systematic aesthetics are always a mess. Multiple volumes are written trying to sort out impossible situations gotten into by trying to systematize God, humanity, the world, the imagination, images and the complex of relationships that exist between them. We need to hold onto some of …

Ua60/5 Wku Dental Hygiene Class Of 2014, Wku Dental Hygiene

WKU Administration Documents

Members of the 2014 dental hygiene class: Whitney Frey, SADHA representative, Amy Broadrick, historian; Julie Howard, secretary; Holly Bond, president; Maggie Day vice president; Kristin Mudd, treasurer; Brooke McNeal, historian; Samantha Miller, SADHA representative; Holly Doss, class representative; Caitlin Stephens class representative; Carrie Arnold, Tiffani Bennett, Morgan Browning, Angelia Calvo, Whiteny Elmore, Adela Granulo, Tina Keown, Sarah McDermott, Allison Miller, Jenna Partin, Paige Phillips, Lindsey Saling, Carolyn Smith, Tracy Smith, Jennifer St. John and Bridget Whitsitt.

Ua1c11/57 Sigma Theta Tau Photos, Wku Nursing

WKU Administration Documents

Unidentified Sigma Theta Tau photos.

Constellating Technology: Heidegger’S Die Gefahr/The Danger, Babette Babich

Research Resources

Heidegger’s question concerning technology was originally posed in lectures to the Club of Bremen. This essay considers the totalizing role of technology in Heidegger’s day and our own, including a discussion of radio and calling for a greater integration of Heidegger’s thinking and critical theory. Today’s media context and the increasing ecological pressures of our time may provide a way to think, once again, the related notions of event [ Ereignis] and ownedness [ Eigentlichkeit ].

Ua1c11/30 Ivan Wilson Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs removed from MSS 356 Ivan Wilson Papers.

Ua1c11/41 June Garrott Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs of June Rose Garrott.

Ua1c11/39 Steely Veach Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs created by and of Steely Veach.

Ua1c11/67 Randall Capps Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs and negatives of WKU Forensics Teams and unidentified theater productions.

Ua1c11/34 Julian Harper Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs donated by Julian Harper.

Entre Entree, Stephen Keppel, Hans Gremmen, Special Collections, Fleet Library

Photography

[200] pages : all illustrations. "Edition: 500 copies. Includes a print (30 x 21 cm) signed by the Keppel, housed in a black paper folder. Includes a 7"" vinyl record in paper sleeve. Record has title: ""Auto Danse"" (4:03), b-side has title: Périphérique (4:36). ""'Auto Danse' is a project by Neeltje ten Westenend and Stephan Keppel, Paris, 2014. Composition and performance by Harry de Wit.""--record label. For the creation of 'Entre Entree', Stephan Keppel spent one year in Paris and it's suburbs. By reproducing the endless variations of the city's surfaces - with his set of printers, camera's and partly …

Ua1c11/40 Thomas Tichenor Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs and negatives created by and of Thomas Cherry Tichenor.

Ua1c11/36 Robert Johnston Photo Collection, Wku Archives

WKU Archives Collection Inventories

Photographs donated by Robert Johnston.