Photography Commons^™

Blue Waters Of The Atlantic, Watch Hill, Ri, July 2008, Jeffrey P. Regan

Obsculta

No abstract provided.

Marshall University Special Collections Photo Preservation Workshop, Caitlin Noelle Walker, Nat Debruin

Librarian Research

Workshop presented at the West Virginia Library Conference in Flatwoods, WV on April 2, 2014. The workshop focused on the history of photography with an emphasis on identifying different types of photographic processes and images. The second half of the workshop provided the participants with knowledge about the environmental and chemical challenges to preserving photographic images and possible solutions to solving problems in their institution's collections.

Métissage Culturelle: Identity, Aesthetics, And The Social Roles Of Portraiture In Saint Louis Du Sénégal, Shailee Wilson

Independent Study Project (ISP) Collection

With so clear a history, geography, and memory located in the colonial area, this study explores how contemporary St.Louis, du Sénégal expresses a synthesis of two identities. Métissage culturelle, defined as Franco-African mixed cultural heritage, is rooted in both the public and imaginative identities of St.Louisans creative, artistic, and political force, was heavily influenced by social upheaval and transformation post Independence. This essay argues that nineteenth century portrait photography was an outlet for Sénégalais to create their alternative, self-defined identities in response to changes within their social and cultural environment. Portrait photography is discussed through two frameworks, the social role …

Zephyr: The Fifteenth Issue, Zephyr Faculty Advisor, Katie Labbe, Sarah Fleischmann, Megan Totten, Cassidy Bayen, Hillary Cusack, Alexandria Makucewicz, Paige Massingale, Nikita Naumowicz, Alanna Sachse

Zephyr

This is the fifteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.

Taking In: The Best Of Undergraduate Photography 2014, Lucad Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the college of art and design. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication and a website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston Art Community to represent the best of undergraduate in 2014. The book in your hands is the end result of a collective effort by those in the class.

Images For A Nation: The Role Of Conservation Photography In American Environmentalism, Nathaniel W. Yale

Pomona Senior Theses

Photographs have long been integral in revealing American values, ideals, and identity. Accordingly, a study of environmental, or "conservation," imagery offers insight into America’s relationship with the natural world. In an examination of key figures and their conservation photography work, this thesis explores how the national conservation dialogue has been shaped by powerful images that, in some cases, even led to crucial acts of federal conservation. The first section highlights four photographers and their context and influence in this dialogue: W.H. Jackson’s photographs from Hayden’s 1871 survey of Yellowstone, Carleton Watkins’ work at Yosemite and Mariposa Grove in the 1860s, …

Volume 9, Issue 2: Full Issue

Manuscripts

Full issue of the January 1942 issue of Manuscripts. Includes work by: Joan Fuller, Jack Kilgore, Fred W. Michel, Betty Murnan, Isadore Camhi, Mary Wiley, Jeanne Gass, Alfred Brown, Ione Colligan, Jack Retherford, Catherine Cunningham, R. Gordon Moores, Alice J. Fisher, Norma Jackson, Thelma De Boer, Betty Lee Snyder, John Gumerson, Richard Jowitt, William Hickson, Bob Harris, Rachel Whelan, Edward N. Redfield, Anshelm Schultzberg, Willard L. Metcalf, and John Bundy.

Excerpts

Manuscripts

Excerpts of unknown authorship.

Dictator, Rachel Whelan

Manuscripts

We stood between the giant columns of the mighty triumphal arch high above the riotous crowd of rejoicing people. Three of us, the spokesman, Comrade Jones, and I, stood on the decorated platform waiting for the cheering to cease, for the bands to stop playing, for some semblance of order so that the ceremony might begin.

Soliloquy At Dusk, Bob Harris

Manuscripts

Turn low the lights

Half shut the shutters

Seek out the comfort

Of your favorite easy chair

And there

In the intermingled mists

Of lights and shadows

I shall relate to you

The Story

Of Robert Lee

Pity The Poor Artists, William E. Hickson

Manuscripts

Sometime, when I have a few years to spare, I am going to run down the fable that has grown up around artists. I always wondered just when and where the idea started that artists were a people set apart, not just a section of our race in general. Being an artist myself, I resent both the idealism and the degradation that the world has endowed upon this simple everyday man who has chosen art as a profession.

Flames Along The Thames, Richard H. Jowitt

Manuscripts

A thousand flames ascend on high;

A thousand voices shouting cry,

"Oh, God, why must you now deny

our homes!"

Memory Picture, John Gumerson

Manuscripts

It is a delicate, fragile picture - that first memory. It must be handled carefully like an important aged document lest it crumble to dust. Swiftly, silently it must be viewed, for too much revealing of it fades into an obscure mist which defies definite outline. Yet transparent it stands - that Christmas of my fourth year.

The Life Of A Pledge, Betty Lee Snyder

Manuscripts

Rush week, came, and after the whirl

I emerged a sorority girl

(Oh no-I mean a potential one--

My year as a pledge has just begun).

Lights Out, Thelma De Boer

Manuscripts

One night two lightning bugs were resting on the same twig. The first lightning bug introduced himself and started the conversation.

The Feel Of The Soil, Norma Jackson

Manuscripts

When we arose, the sun had not yet begun to send its warmth through the rich brown earth of this southern Indiana farm. However, we were to plant potatoes and had a big day ahead. Soon the equipment was ready, and off I ran beside the horses, loving every particle of soft, red dust that played between the toes of my bare, brown feet. The road to the field was covered with this powdery, fine dust. It was my childhood obsession to make footprints, handprints, and pictures in it.

Woodland, Northern Michigan, John Bundy

Manuscripts

Illustration by John Bundy courtesy of the John Herron Art Museum.

Landscape, Willard L. Metcalf

Manuscripts

Illustration by Willard L. Metcalf courtesy of the John Herron Art Museum.

Rhapsodically Speaking, Alice Jean Fisher

Manuscripts

Like timid pizzicatos riding a sustained legato, the cricket sounds outside my window are cradling themselves in the fused night noises. Rising in gentle crescendos above them are waves of wind; now they waken the leaves; soft bits of breeze sift through screen and curtain to move a curl across my cheek - shyly, like a child fearfully touching a dog; and shyly too, retire till the now tremulous vibrato of the crickets plays the nocturnal solo once more. The wind mounts again. It throbs against these brick walls; rudely musses my hair, disturbing my thoughts; the sleeper on the …

Gardenia Memories, R. Gordon Moores

Manuscripts

A dazzling stream of golden morning sunlight slants between claret coloured drapes to touch three gardenias on a mahogany dressing table.