Ghost Ablaze,
2015
Nova Southeastern University
Ghost Ablaze, Alyssa Bonchick
Hieroglyphics: the NSU University School Literary Magazine
No abstract provided.
Bringing The Darkroom To Light: A Heuristic Study In Photographic Art Therapy Processes,
2015
Eastern Virginia Medical School
Bringing The Darkroom To Light: A Heuristic Study In Photographic Art Therapy Processes, Maria Papa
EVMS School of Health Professions Master's Level Capstones, Projects and Papers
The process of analogue photography can be complex and rewarding for the field of art therapy, though current photographic techniques and research utilized in art therapy focus mainly on the product and not the process. This qualitative heuristic study focuses on my own eight-‐week experience of shooting photographs and developing prints in a darkroom. The aim was to understand potential benefits and challenges analogue photography could provide for art therapy practice through a connection with the Expressive Therapies Continuum (ETC). My reflections on my experience allowed me to extract the major steps of the analogue photography process and identify challenges …
Enduring Peripheries,
2015
Lesley University
Enduring Peripheries, Anna Yeroshenko
MFA in Photography and Integrated Media Theses
In the 80s when Russian state-sanctioned architectural production consisted of standardized buildings that deplored any unnecessary ornament or decoration, an architect functioned only as an interpreter of numerous limiting factors. As an act of protest against the stagnation in architecture, a group of young architects began to create projects that existed only on paper. For them ‘Paper Architecture‘ became a way of bypassing restrictions and dissenting, a way to critique the dehumanizing nature of the architectural style that prevailed at that time. Spatial compositions, which were hard to comprehend visually, elements of inverse perspective, and impractical, idealistic environments depicted a …
Tales From The Fells,
2015
Lesley University
Tales From The Fells, Anne Elder
MFA in Photography and Integrated Media Theses
Our relationship with the natural world is complicated and under scrutiny as we make irrevocable changes to the earth. We enter the woods to get lost, and to find ourselves. We walk there to find thrills, peace, inspiration; to hear ourselves think, to be surprised, to make profit. Our childish fears may have changed from bears, monsters and getting lost, replaced by adult fears (bears, unsavory humans, getting lost). The woods may frighten us or be a place of comfort, but it is rarely a neutral experience. When we lose access to these spaces, it affects our ability to find …
2015 Forces,
2015
Collin College
Steel Wool Crossing // Tree Trails,
2015
SUNY Fredonia
Steel Wool Crossing // Tree Trails, Jason Zimmermann
Gandy Dancer Archives
No abstract provided.
Nevermore // Glow,
2015
SUNY Geneseo
Effervescent,
2015
SUNY Geneseo
Pompidou,
2015
SUNY Geneseo
Folded,
2015
SUNY Geneseo
Irradicable,
2015
Utah State University
Irradicable, Katharina Erika Marchant
All Graduate Plan B and other Reports, Spring 1920 to Spring 2023
Katherina Marchant MFA Creative Project
By The Sea,
2015
SUNY Polytechnic Institute
The Fall // Jodi,
2015
SUNY Geneseo
Reinventing The Wheel,
2015
SUNY Geneseo
The Evidence,
2015
SUNY Fredonia
Seeds,
2015
SUNY Plattsburgh
Bridges,
2015
SUNY Geneseo
Volume 17, Issue 2: Full Issue,
2015
Butler University
About "An Apology For Idlers",
2015
Butler University
About "An Apology For Idlers", Barbara J. Fisher
Manuscripts
I am in complete argument with Robert Louis Stevenson in his essay An Apology for Idlers. However, I cannot help wishing he were here today, so that he could tell me how to accomplish the nearly insurmountable task of being a successful idler...
A Characterization Of Amarantha,
2015
Butler University
A Characterization Of Amarantha, Robert Malsberry
Manuscripts
Any attempt to characterize the heroine, Arnarantha, must first reveal her environment. One of the most backward sections in North Carolina is the setting, and the reader is made vividly aware of this' typical "Tobacco Road" backdrop. Amarantha is a farm girl-used to farm life and used to handling animals. The simplification of her name to the harsh and ugly "Mare" fully illustrates the crudeness and coarseness she is exposed to from birth. The author emphasizes Amarantha's faulty speech traits, but the reader feels no contempt for her-s-only pity for her lack of a normal educational background. Along with the …
