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12,236 full-text articles. Page 218 of 462.

Fire, Emily Matthews 2017 Furman University

Fire, Emily Matthews

The Echo

No abstract provided.


Fallen Sparrow, Paul Bryant 2017 Furman University

Fallen Sparrow, Paul Bryant

The Echo

No abstract provided.


The Day I Chose Buddhism Over Baseball, Jared Buchholz 2017 Furman University

The Day I Chose Buddhism Over Baseball, Jared Buchholz

The Echo

No abstract provided.


Clutch Of The Sea, Reilly Mahan 2017 Furman University

Clutch Of The Sea, Reilly Mahan

The Echo

No abstract provided.


This Isn't The Ball Cinderella, Ben Gamble 2017 Furman University

This Isn't The Ball Cinderella, Ben Gamble

The Echo

No abstract provided.


Questions I Have About Baby Corn (Yes, The Prematurely Plucked Vegetable), Eleanor Hewett 2017 Furman University

Questions I Have About Baby Corn (Yes, The Prematurely Plucked Vegetable), Eleanor Hewett

The Echo

No abstract provided.


Big Brother, Meg Gillogly 2017 Furman University

Big Brother, Meg Gillogly

The Echo

No abstract provided.


Preface & Table Of Contents, 2017 Furman University

Preface & Table Of Contents

The Echo

No abstract provided.


Cover, 2017 Furman University

Cover

The Echo

No abstract provided.


Echo 2017 - Complete Issue, 2017 Furman University

Echo 2017 - Complete Issue

The Echo

No abstract provided.


Alternative Process Photography: Beyond Digital And Film, Laura Michaud 2017 University of Rhode Island

Alternative Process Photography: Beyond Digital And Film, Laura Michaud

Senior Honors Projects

The first permanent photograph was created in 1826 by Joseph Nicéphore Niépce. To do this, he coated light sensitive chemicals on a metal plate and exposed it in a camera obscura (a box with a small hole; a “pinhole camera”). Once the plate was properly exposed to light, he used more chemicals to stop the plate from being light sensitive and make the image permanent on the plate. Throughout the years, many photographers and chemists used many different chemicals, materials, and procedures to create permanent and beautiful images (i.e. Daguerreotypes, Calotypes, Heliographs, etc). With each new process, the previous processes …


Zephyr: The Eighteenth Issue, Zephyr Faculty Advisor, Melissa DeStefano, Alanna Sachse 2017 University of New England

Zephyr: The Eighteenth Issue, Zephyr Faculty Advisor, Melissa Destefano, Alanna Sachse

Zephyr

This is the eighteenth issue of Zephyr, the University of New England's journal of creative expression. Since 2000, Zephyr has published original drawings, paintings, photography, prose, and verse created by current and former members of the University community. Zephyr's Editorial Board is made up exclusively of matriculating students.


'You Become A Rock': Conceptions Of Motherhood And Lessons Of Race As Told And Photographed By Four Mothers From Cape Town, South Africa, Kaitlin Abrams 2017 SIT Study Abroad

'You Become A Rock': Conceptions Of Motherhood And Lessons Of Race As Told And Photographed By Four Mothers From Cape Town, South Africa, Kaitlin Abrams

Independent Study Project (ISP) Collection

This study will discuss conceptions of motherhood and lessons of racial identity through the lens of four women from Cape Town, South Africa. Utilizing both semi-structured interviews and photovoice, stories of motherhood are told as a journey from childhood to adulthood, in which one’s experience of being mothered influences decisions in current motherhood. In interviews, mothers pinpoint conceptions of good motherhood that encompass both financial support for one’s children and attentiveness, informed mostly by one’s race and class background. Additionally, experiences surrounding discrimination and silencing in childhood differ between races, later informing the way that mothers chose to share lessons …


How Photographs Infringe, Terry S. Kogan 2017 S.J. Quinney College of Law

How Photographs Infringe, Terry S. Kogan

Utah Law Faculty Scholarship

Courts and commentators have lavished attention on the question of what makes a photograph original and entitled to copyright protection. Far less attention has been devoted to the issue of how photographs infringe. This is the first Article to systematically explore the different ways in which a photograph can steal intellectual property. Photographs can infringe in two ways: by replication and by imitation. A photograph infringes by replication when, without permission, a photographer points her camera directly at a copyright-protected work—a sculpture, a painting, another photograph—and clicks the shutter. A photograph can also infringe by imitation. In such cases, the …


Rowena's Best, Sean Hilken 2017 University of the Pacific

Rowena's Best, Sean Hilken

Calliope

No abstract provided.


Orpheus, Spring 2017, University of Dayton 2017 University of Dayton

Orpheus, Spring 2017, University Of Dayton

Orpheus: UD's Literary and Artistic Magazine

No abstract provided.


Shadows, Rose Ross 2017 University of the Pacific

Shadows, Rose Ross

Calliope

No abstract provided.


Journey's Over Destinations, Sean Hilken 2017 University of the Pacific

Journey's Over Destinations, Sean Hilken

Calliope

No abstract provided.


Metamorphosis Diptych, Barbara Becerra 2017 Humboldt State University

Metamorphosis Diptych, Barbara Becerra

Toyon: Multilingual Literary Magazine

No abstract provided.


Jon Yamashiro Interview, Ciera Stokes 2017 DePaul University

Jon Yamashiro Interview, Ciera Stokes

Asian American Art Oral History Project

BIO: Jon Masuo Yamashiro was born the oldest son and raised as a third-generation Okinawan American in the “cultural pastiche” of Honolulu, HI. He traveled from the islands to study at Washington University in St. Louis and received his BFA in 1985, then went on to earn an MFA in photography from Indiana University in 1991. Since the fall of 1993, he has had the privilege of teaching photography to college students at Miami University. Jon lives in Liberty, Indiana, with his wife Jennifer and their daughter Lydia and son Luke. http://yamashirophoto.com/


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