Photography Commons^™

Familiar Wounded Birds, Tracy S. Youngblom

Westview

Jesus Christ. I’m at my kitchen table perusing the paper Saturday morning when there is a tremendous crash.

The Red White And Blue Pony, Dennis Ross

Westview

always disappeared behind a barn

Flying Woman, Dennis Ross

Westview

The horses stand asleep in the pasture,

Riding To Devil’S Kitchen, Donna L. Emerson

Westview

I ride Moose today,

A Nice Boy, Austin Watford

Westview

Across the street lives a very nice boy with brown eyes like muddied brick and teeth like tiny fence posts.

Asylum, Lauro Palomba

Westview

The Hospital for Idiots and Imbeciles

Gazebo In The Park, Dennis Ross

Westview

Walnut shells are centered

Drought, Richard Luftig

Westview

Out in the back of farms,

Last Day, Richard Dinges Jr.

Westview

Gray hair and bald

Feminist Typology-- I Am A Feminist

AWE (A Woman’s Experience)

No abstract provided.

Fashionable Child Labor (Artwork), Lupita Herrera

AWE (A Woman’s Experience)

photography

Cada Día Por Dios (Every Day For God): A Look Inside La Luz Del Mundo And The Expansion Of Hispanic Evangelicalism, Jennifer King

Mahurin Honors College Capstone Experience/Thesis Projects

“Cada día por Dios,” which translates to English as “Every Day for God” tells the story of the local congregation of the Hispanic evangelical church Iglesia del Dios Vivo, Columna y Apoyo de la Verdad, La Luz del Mundo. More commonly, the church is referred to as La Luz del Mundo or the Light of the World church. The local congregation of La Luz del Mundo is part of a larger trend of evangelical expansion in the Hispanic population and serves as a microcosm of the international church community.

The doctrine of the Light of the World church hearkens back …

Complete Issue

Landscapes: the Journal of the International Centre for Landscape and Language

The complete issue 1 of volume 8, Landscapes Journal.

Foxes Have Dens, And The Birds In The Sky Have Nests, But The Son Of Man Has Not Place To Lay His Head.—Mathew 8:20 A Photographic Project, Alex Morel, Joseph De Rege, Sieta C. Leon, Noah J. Letcavage, Wesley T. Martinez, Stefanie M. Perrotte, Nicholas F. Proscia, Fernando Zelaya

Journal of Vincentian Social Action

No abstract provided.

Stranded At Sea: Photographic Representations Of The Rohingya In The 2015 Bay Of Bengal Crisis, Jenny Yeung, Caroline Lenette

The Qualitative Report

Visual representations can contribute to shaping how the general public perceives and engages with issues of forced migration. In 2015, thousands of Rohingya became stranded in the Bay of Bengal when smugglers abandoned them on unseaworthy boats and regional governments refused their disembarkation. Their ordeal made headlines across the globe and photographs documenting the crisis were widely disseminated. This paper applies visual-social semiotics to four of these photographs from an Agence France-Presse public exhibition. Our analysis suggests that the features in the photographs transcend the conventional “threat versus victim” dualism that typically characterizes such representations, to capture both the suffering …

Between Gods And Animals : Deconstructing Heteronormative Masculines Pursuit To Sustain Power, Shawn Bush

Masters Theses

Between Gods and Animals is a multi-angle exploration of the Caucasian heteronormative male’s endless pursuit to sustain power and inability to live by their own set of codes. Using the Grecco Roman period as an origin point, this work examines the forces that have historically perpetuated the myth of masculinity. Relating past ideals of maleness to contemporary standards this thesis illuminates patriarchal structures that are systematizing masculinity while providing a space to normalize a gamut of masculines. The visual works included act as an introspective approach in accepting the complacency of my existence as a man who has operated within …

Pretend Power, Rosemary Engstrom

Masters Theses

This is an anti-thesis about being a tender and tuff queer femme bitch with mental illness trying to exist in this shitty world by creating worlds of their own. With bright colors, video performance, dress up, collage, and a lot of feelings, I turn power structures on their upside. They become a game of pretend where queers run the show. It’s ok to be sick. It’s ok to be vulnerable. It’s ok to be queer. You’re not alone.

Shoes @ The Krasl: Photographs, Michael R. Hill

Department of Sociology: Faculty Publications

The Krasl Art Center, in Saint Joseph, Michigan, is not only an energetic organization but also an ever evolving physical space replete with exciting sculptural experiments. My longtime Krasl favorite, Michael Dunbar’s dramatic Allegheny Drift, was the setting for the initial photograph (inset) in what became my visual explorations with the Blue Shoes (documented in The Year- Long Adventures of the Blue Shoes and Their Friends (Lincoln: Zea Books, 2016); available gratis as a PDF download from the University of Nebraska-Lincoln Digital Commons: https://digitalcommons.unl.edu/zeabook/49/). Inspired by the recent transformations of the Krasl’s grounds, the eight plates in this portfolio …

Visualizing Grief: An Exploration Of The Stages Of Grief Through Image And Design, Audra L. Rygh

Masters Theses

Grief is an emotion that people have felt since the beginning of time, but in modern culture, there is a lack of visual representation of the five stages of grief. Because grief is a highly personal and unique experience, it can be difficult to visualize what those stages may look like for the mass population. However, if one could develop an understanding of what each stage includes, as well as a study of the thoughts and feelings of those who have experienced grief, this research could aid in the creation of an accurate representation of the stages of grief. The …

A Place Of Gemütlichkeit: The Holden Village Of Augustana German Professor Erwin Weber, Julia Meyer

Celebration of Learning

Lying in Augustana’s Special Collections are three insignificant looking items. Two three-inch black binders with white labels which read “Holden I Copy” and Holden II Copy” in red ink. These two binders along with a plastic spiral-bound paper compilation are photographs and memories of former Augustana German professor Erwin Weber’s summer at Holden Village in 1977. Titled “My Days at Holden,” this compilation is an unpublished photo-book detailing the wilderness and the people of the community of Holden Village. This isolated village situated in the Cascade Mountains of Washington State draws many individuals, including Erwin Weber who in the summer …