Photography Commons^™

Good Ole Boys, Grace Gillio

Intertidal

No abstract provided.

Can You Reach For Me?, Savannah Aguiar

Intertidal

No abstract provided.

Cherish The Day, Ella Giuliani

Intertidal

No abstract provided.

Lullaby, Ella Giuliani

Intertidal

No abstract provided.

Baba Roza, Tony Gudkov

Intertidal

No abstract provided.

Two Outs, Bases Loaded, Josh Hall

Intertidal

No abstract provided.

Contributor Bios, Editorial Board

Intertidal

No abstract provided.

The Temple In Me, Luca Shahar

Intertidal

No abstract provided.

Where My Memory Settles, Rachel Kobb

Masters Theses

My memory is blurry but ever present in an atmospheric state. Through my investigations of memory and sensorial experience, this thesis is an attempt to understand how the body recalls the spaces I have spent the most time: my various homes through life.

The output of this thesis is a paper installation that layers and translates spatial qualities of my past homes. The home is not a neutral container, but instead a space that should support a sense of retreat and security. Drawing upon Gaston Bachelard’s zones of experience, I explore how a domestic space is moved through distinct zones. …

The Frame You're Holding, Andrea Mato

Masters Theses

The Frame You're Holding explores how my photographer's eye transitioned into a graphic designer's voice. The projects presented explore how to weave the textural and subjective qualities of photography into a design context. My practice explores how the frames of graphic design – the page of a book, the browser window, or the wall of an exhibition – can be expanded or reimagined. As a designer, I became the translator of content into form, seeking to author the design while collaborating with other voices. The Frame You're Holding is a snapshot of my practice as a graphic designer, encapsulating my …

Companionship, Certainty, Integrity, Chandler C. Curtis

Masters Theses

being around people who surprise me, realizing how different we all are, broadening my conception of the world and my corner of it; being kind and considerate, giving others grace; being given responsibilities; being honest with and for myself; braiding my hair collecting free things; critique discussions and any setting to diligently read objects; Culton; dancing; doing sudoku or other ‘hackable’ puzzle; doing things that seem impossible, especially for someone else; drying off with a towel that absorbs well, particularly after a cold shower; eating cantaloupe; encouraging others to trust themselves, using my experiences to support someone else's journey; exchanging …

Temporary Constructions, Elliott Golden

Masters Theses

Temporary Constructions is a photographic series made by a process of multiple exposures, material assembly, and surface intervention on large format film. Working in a photographic lighting studio, I build provisional structures from scrap wood and metal and photograph the structures in multiple possible forms to produce images that are visually intelligible but spatially impossible. In my writing, I situate these images within a longer lineage of artists using photography to recast our relationship to surface and depth, and consider what that lineage reveals about contemporary mediation and the increasingly blurred boundary between image and object.

The Image Falls Apart, Alexa N. Curran

Masters Theses

The Image Falls Apart is a phenomenological account of my collision with Rogier van der Weyden’s The Descent from the Cross (ca. 1435). In an ever-expanding landscape of visual stimuli, how do we make sense of images that are an encounter with the sacred? Of what use to a modern viewer is an altarpiece of the late medieval period that, in its miraculous rendering of each of its human figures, reflects the impending iconophobia of the Protestant Reformation? And what does falling have to do with it? With careful attention to the assembly of bodies in space, this multidisciplinary project, …

Floaters, Kyle Gyumin Dong

Masters Theses

The eye is often regarded as the primary sensory organ of the human body, and the ocular system as our most reliable means of perceiving the world.

With vision, we travel across vast distances through telescopes to expand our knowledge of the observable universe and peer into the hidden world of atoms through microscopes. At the same time, we seek divinity from apparitions in the clouds, broaden the range of colors visible under closed eyelids, and catch a brief glimpse of the future in clairvoyant dreams.

My photographic practice oscillates across this spectrum. Between reason and intuition, between the measurable …

The Body Has Its Own Time, Wen Zhang

Masters Theses

In embodied practice, the artist’s experience and body become the medium through which thought and expression take form, not as illustration, but as primary material. Performance art has long occupied an unstable position within contemporary art: celebrated in retrospect, underfunded in practice, and selectively institutionalized. Its marginality has never been evenly distributed. Certain bodies, female, racialized, aging, non-normative, have remained further outside the archive than others, their work harder to collect, harder to value, and easier to forget. To work in performance, particularly as a woman, is to work within that contradiction.

For me, performance is less a form than …

American Paradise, Virginia Hanusik

Masters Theses

The following is a collection of stories and ideas about the making of our physical and emotional worlds, along with their fracturing, deconstruction, and degradation within the American industrial landscape.  It suggests the value of the unknown and the grace of mistakes, emotional and material friction, and the hiccups that come with learning.

For American Paradise, I’m bringing my interest in landscape extraction, and the people and families within them, to my own autobiography. In this work I turn to where I grew up, the people that brought me there, my connection to manual labor, and the use of specific …

A Star In A Fish's Sky, Garrett S. "Faustino" Miller Oblsb

Studio One

No abstract provided.

Like Native Grasses...We Rise, Garrett S. "Faustino" Miller Oblsb

Studio One

No abstract provided.

John, Herald Of The Coming Light, Garrett S. "Faustino" Miller Oblsb

Studio One

No abstract provided.

Floating In Lake Sag, Garrett S. "Faustino" Miller Oblsb

Studio One

No abstract provided.