Other Arts and Humanities Commons^™

Between Ideology And Experience; Siauw Giok Tjhan's Legacy To His Daughter Siauw May Lie, Maya H.T. Liem, Ing Lwan Taga-Tan

Wacana, Journal of the Humanities of Indonesia

The principal objective of this article is to focus on the life-story of Siauw May Lie and her views about her past. She is the daughter of the well-known, influential politician, Siauw Giok Tjhan. Between 1945 and 1965 Siauw Giok Tjhan was member of the Parliament of the Indonesian Republic and chairman of Baperki (Badan Permusyawaratan Kewarganegaraan Indonesia, 1954-1965). Her life-story fits into the category of respondents with a cumulative migration history. As the Chinese Indonesian Heritage Center (CIHC) of the KITLV believes that the recording of life-stories is a valuable addition to the collection of material heritage, the interview …

Indonesian Chinese In The Netherlands And The Legacies Of Violence In Colonial And Post-Colonial Indonesia, Alexander Van Der Meer, Martijn Eickhoff

Wacana, Journal of the Humanities of Indonesia

After Indonesian independence in 1945, thousands of Indonesian Chinese repatriated to the Netherlands, the former colonizer. As opposed to other repatriates from Indonesia, who organized themselves into pressure groups and fought for a place in the national memory culture, the Indonesian Chinese in the Netherlands only formed strict socio-cultural associations and have generally stayed clear of identity politics. Usually, this divergence is attributed to the smooth integration and socio-economic success of the latter group, as well as to Chinese values, such as conflict avoidance. This article adds to this explanation by positing that this phenomenon has also been induced by …

Long Way Home; The Life History Of Chinese-Indonesian Migrants In The Netherlands, Yumi Kitamura

Wacana, Journal of the Humanities of Indonesia

The purpose of this paper is to trace the modern history of Indonesia through the experience of two Chinese Indonesians who migrated to the Netherlands at different periods of time. These life stories represent both post-colonial experiences and the Cold War politics in Indonesia. The migration of Chinese Indonesians since the beginning of the twentieth century has had long history, however, most of the previous literature has focused on the experiences of the "Peranakan" group who are not representative of various other groups of Chinese Indonesian migrants who have had different experiences in making their journey to the Netherlands. This …

The House Of Kwee Sik Poo; An Indonesian-Chinese Merchant From Pasuruan, Kwee Hong Sien

Wacana, Journal of the Humanities of Indonesia

The Kwee family is an old Indonesian-Chinese family from Pasuruan, in East Java, and one of a few merchant families of either Chinese or Arab ethnic origin which led successful lives in this small town in the nineteenth century. From their Chinese ancestral village, Liu Chuan in Fujian province, China, a Kwee ancestor travelled to Southeast Asia and settled in Pasuruan, probably in the eighteen century. As with many families who held important positions in the ethnic Chinese community, it also owned large homes, mostly in a mixed architectural style, called "eclecticism" and later in what was known as "the …

Book Review; Petualangan Unjung Dan Mbui Kuvong; Sastra Lisan Dan Kamus Punan Tuvu' Dari Kalimantan., Bernard Sellato

Wacana, Journal of the Humanities of Indonesia

No abstract provided.

The Stories We Tell, Abigail A. Hoekstra

MAD-RUSH Undergraduate Research Conference

Two or Three Things I Know for Sure tells the story of Dorothy Allison as she comes to terms with her past and strives to move beyond it, to be empowered and embodied by it. In this short memoir, Allison explores the relationship she has with her mother and how that relationship has influenced her individuality and character, whose complacency has restricted Allison. Allison breaks away from the stories she has been told to tell a new story of abuse and disembodiment in which she finds love, and in turn, embodiment; the unification of her body and spirit. Story-telling and …

The Harmful Traditional Practice Of Breast Ironing In Cameroon, Africa., Rachel Pearsell

Bridges: An Undergraduate Journal of Contemporary Connections

This article will examine the harmful traditional practice of breast ironing, a common occurrence in Cameroon. Breast ironing affects approximately one in every four adolescent girls in Cameroon and is typically performed by the mother of the child who will heat common household items such as pestles or grinding stones and massage the breast tissue, hoping to flatten the breast or reverse the growth. This practice causes irreversible physical and psychological trauma to young girls and is performed in hopes to deter men from making sexual advances onto young girls. This article also examines legislation around the practice, both locally …

L'Histoire De L'Art Au Défi De La Mondialisation: Une Position Critique, Paula Barreiro López

Artl@s Bulletin

Le défi de la mondialisation et de la “décolonisation” de nos pensées est désormais une préoccupation quotidienne pour la majorité des chercheurs en histoire de l’art. Il est trop tôt pour faire le bilan du fameux « Global turn », tournant d’autant plus timide qu’il se concrétise plus lentement dans les collections publiques et dans l’opinion que dans les livres. Mais nous avons voulu interroger, un peu partout dans le monde, des acteurs à l’écoute des nouvelles pratiques mondiales en histoire de l’art. Issus de milieux culturels et de traditions universitaires variées, de générations diverses, ils ont accepté de répondre …

Art History And The Global Challenge: A Critical Perspective, Jonathan Harris

Artl@s Bulletin

The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …

Exploring Perceptions Of Goodness Among The Malaysian And Chinese University Students: A Focus Group Study, Madiha Hashmi, Moniza Waheed, Ezhar Tamam, Steven E. Krauss Dr., Abdul Muati Ahmad

The Qualitative Report

The notion of goodness is implicitly central to the discourse relating to person perception. To date, no empirical research has focused solely upon understanding the notion of goodness and how it’s perceived and discerned in others. Utilizing focus group interviews, this paper explores how people perceive and interpret goodness in collectivist cultures of Malaysia and China. Findings revealed that Malaysian and Chinese participants had somewhat similar notions about goodness. “Concern for others’ welfare” was found to have the most resonance across the two nationalities as a key element in discerning goodness in others. Another category emerging from the findings was …

Art History And The Global Challenge: A Critical Perspective, Atreyee Gupta

Artl@s Bulletin

The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …

Art History And The Global Challenge: A Critical Perspective, Nuria Rodríguez Ortega

Artl@s Bulletin

The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …

Art History And The Global Challenge: A Critical Perspective, Sven Spieker

Artl@s Bulletin

The challenge of globalization and the “decolonization” of our way of thinking have become a major concern for most art historians. While it is still too early to assess the impact on the discipline of the “Global turn”—a turn that is all the more timid that it materializes more slowly in public collections and public opinions than in books—we nonetheless wanted to probe scholars who are paying close attention to the new practices in global art history. Coming from different cultural milieus and academic traditions, and belonging to different generations, they agreed to answer our questions, and to share with …

L’Histoire Mondiale De L’Art, Au Défi D’Un Grand Récit, Béatrice Joyeux-Prunel

Artl@s Bulletin

Pour proposer une « histoire mondiale », et pour faire honneur à toutes les productions issues de tous les continents, en particulier ceux qu’on avait méprisés, l’idéal serait d’articuler un récit lui-même mondial. Il nous faut un récit émancipé non seulement des hiérarchies propres au canon (ancien/moderne, beaux-arts/décoration, kitsch / classique), mais aussi un récit qui aille plus loin que la production de hiérarchies dont même le récit postcolonial a du mal à sortir (dominants/dominés). Comment produire un récit qui, en outre, connecte des collections « locales » et des collections « internationales » en gardant du lien entre les …

Damar On Fridays, Maja Sadikovic

Theses

Abstract

These poems are about the first hand witnessing of the Balkan war and its visceral repercussions, ripping of families across generations and continents due to religious intolerance, and an identity crisis within the diaspora of the former Yugoslav people. They interact with appeals of loss, in terms of bodies, memory, and material, despair within the identity of the self in and outside of religion, and the perception of love and belonging, but not necessarily in that order. They are largely inspired by victim story-telling, translations of conversations with natives of the former Yugoslavia and their children, and ramifications of …

Panji's Present Predicament: The Artistic Prominence And Tension Of The Malat In Painting And Contemporary Balinese Performance, Emily Austin

Independent Study Project (ISP) Collection

The Malat is a Balinese oral tradition and text composed of numerous episodic stories based on Javanese and Balinese courtly life of the pre-Dutch intervention era, when kings and princes dominated the political sphere and the court system governed aspects of social life. Many art forms blossomed out of this epic, notably in painting and in performance, known as gambuh. Through an exploration of the Balinese epic, the Malat, as a Balinese text, history, fine art, and performance, this study analyzes the modern cultural importance of this ancient pre-Indonesian courtly epic. Gambuh is an ancient dance-drama that serves as the …

Kahn Chronicle: Spring 2017, Smith College, Kahn Liberal Arts Institute

Kahn Chronicle

Table of Contents:

Kahn Visiting Speakers to Address an Array of Topics This Spring
The Syntax of Choreographic Performance: A Q&A with 2017 Neilson Professor Bebe Miller
Kahn Gallery Exhibition Links Science and Art
At the Kahn Institute, 2016-17 Mid-Year Project Reports
A Note From the Director: Thank You!

Networks Of Collaboration And Creation In Latin American Digital Literature, Carolina Gainza

CLCWeb: Comparative Literature and Culture

In her article "Networks of Collaboration and Creation in Latin American Digital Literature" Carolina Gainza examines how production and reception of literature have been affected by digital technology, with special emphasis on issues related to Latin American digital literature. Gainza analyzes Jaime Alejandro Rodriguez's Narratopedia, Doménico Chiappe's La Huella de Cosmos, and Leonardo Valencia's and Eugenio Tiselli's El Libro Flotante in order to highlight collective practices of creation involved in digital productions. Through the discussion of these issues, Gainza offers an overview of ongoing changes wrought by digital technology in contemporary Latin American digital culture.

The Dramatization Of Cultural Hybridity And The "In-Between" Turkey In Fazıl's Künye, Önder Çakırtaş

CLCWeb: Comparative Literature and Culture

In his article "The Dramatization of Cultural Hybridity and the "In-Between" Turkey in Fazıl's Künye" Önder Çakırtaş addresses Turkey's historical context and exposes how political, social and cultural changes were expressed in Turkey's public sphere. Using Niyazi Berkes's theory of secularism as proceeding of modernism Çakırtaş discusses different examples of stylistic strategies of cultural hybridity in the playwright's historical-based play, Künye. He investigates how political changes in pre-Turkey times signify Turkey's national striving, and how the Ottoman-conservative past metamorphoses into Turkic-secular. The study juxtaposes the perceptions of 'introduction to Westernization' and 'departure from Islamic past' in a period …

Anarcho-Feminist Melodrama And The Manic Pixie Dream Girl, Claire T. Solomon

CLCWeb: Comparative Literature and Culture

In her article "Anarcho-Feminist Melodrama and the Manic Pixie Dream Girl (1929-2016)" Claire Solomon analyzes the Manic Pixie Dream Girl trope as an apparatus of capture (Deleuze and Guattari, A Thousand). More precisely, her article models how such tropes imply modes of reading anachronistically and metafictionally that decontextualize gestures of resistance and conflate female writers, performers, and characters across time and place. Solomon offers a situated formalist reading of Argentine playwright Salvadora Medina Onrubia's 1929 drama, Las descentradas, revealing an avant-garde counterpoint of melodrama and metafiction as an ambiguous alternative to capture.