Review Of Magazines And The Making Of America: Modernization, Community, And Print Culture, 1741-1860. By Heather Haveman,
2017
University of Louisville
Review Of Magazines And The Making Of America: Modernization, Community, And Print Culture, 1741-1860. By Heather Haveman, Mark A. Mattes
Faculty and Staff Scholarship
Haveman’s work explores the changing ways that American magazine publishing and distribution helped create and shape local communities and, increasingly during the nineteenth century, the trans-local communities that are a hallmark of modern life. Her narration and synthesis of data and scholarship on the evolving genres, contents, infrastructures, and institutional workings of American magazines in chapters two through four alone make her work an important source on magazine production and distribution. Subsequent chapters provide a series of case studies on how magazines engendered communities around religion, social reform, and economic development. Following her conclusion, Haveman provides rich, detailed appendices on …
From Female Engineering Co-Op To Cyborg Engineer: Purposeful Participation Within The Binaries Of A Community Of Practice,
2017
Michigan Technological University
From Female Engineering Co-Op To Cyborg Engineer: Purposeful Participation Within The Binaries Of A Community Of Practice, Kirsti M. Arko
Dissertations, Master's Theses and Master's Reports
In order to fill the current employment gaps in STEM, specifically engineering, initiatives have shifted towards increasing the number of women and minorities, who are both significantly underrepresented. (National Science Board, 2016) If cooperative education is to participate in this, we must first ensure the unique qualities of the women’s co-op experience are adequately understood for practitioners to assist in setting the women up for success and best meeting their needs. Cooperative education research on female co-ops is limited, thus missing out on an opportunity to assist in these national initiatives. This dissertation provides a study on female engineering co-op …
Tangier And Kerouac's Oriental Experience In Liminality,
2016
University of Cergy-Pontoise
Tangier And Kerouac's Oriental Experience In Liminality, Peggy Pacini
CLCWeb: Comparative Literature and Culture
In her article "Tangier and Kerouac's Oriental Experience in Liminality" Peggy Pacini discusses Kerouac's production derived from his Tangerian experience. Since the Tangier narratives have no existence of their own in the Duluoz Legend and are included in larger volumes about traveling and passing through, Pacini examines how this production cohered within the entire Legend and the terminology and world vision Kerouac had already fashioned. Focusing on two texts, "Big Trip to Europe" and "Passing through Tangiers, France and London," Pacini considers Kerouac's and his alter ego Duluoz's visions of Tangier and their journey to Tangier as many thresholds or …
Bowles's Up Above The World As Beatnik Murder Mystery,
2016
Fukuoka University
Bowles's Up Above The World As Beatnik Murder Mystery, Greg Bevan
CLCWeb: Comparative Literature and Culture
In his article "Bowles's Up Above the World as Beatnik Murder Mystery" Greg Bevan discusses Paul Bowles's fourth and final novel, which at the time of its publication was met with mixed reactions from reviewers and its creator alike, and has seen relatively scanty critical attention in the years since. Gena Dagel Caponi perceives in the novel a reflection of Bowles's struggle for control, during the time of its writing, in the face of his wife Jane's terminal illness. Building on this insight, the current essay notes the same tension in the writings of the Beats—a movement with which Bowles …
Beat Contenders (Micheline, Sanders, Kupferberg),
2016
Independent Scholar
Beat Contenders (Micheline, Sanders, Kupferberg), A. Robert Lee
CLCWeb: Comparative Literature and Culture
In his article "Beat Contenders (Micheline, Sanders, Kupferberg)" A. Robert Lee asks if we are in danger of too fixed a Beat canonization. That is, do the Usual Suspects—Ginsberg, Kerouac, and Burroughs, with Corso, Ferlinghetti, Cassady, and Snyder in the frame—assume too presiding a role? There is, for sure, rightly, increased recognition of Beat women writers and attention has been given to the Afro-Beat circuit and, indeed, to a wider multicultural roster to include Latino/a and Asian American authorship. Beat's international reach has won its place, from the United Kingdom and Continental Europe to Japan and Australia. Even so, other …
The Cultural Translation Of Ginsberg's Howl In Turkey,
2016
Wayne State University
The Cultural Translation Of Ginsberg's Howl In Turkey, Erik Mortenson
CLCWeb: Comparative Literature and Culture
In his article "The Cultural Translation of Ginsberg's Howl in Turkey" Erik Mortenson examines three Turkish translations of Allen Ginsberg's poem Howl in order to explore the ways in which Ginsberg's poem becomes redeployed in new cultural contexts. Orhan Duru and Ferit Edgü's 1976 translation presents a more politicized Ginsberg that draws on his anti-establishment credentials as a social activist. This comes as little surprise, since in pre-1980 coup Turkey rebellion was thought in purely political terms of right verses left. Hakan Arslan's 1991 update provides a less political and more familiar Ginsberg, in keeping with a society that left …
Introduction To Global Beat Studies,
2016
Keele University
Introduction To Global Beat Studies, Oliver Harris, Polina Mackay
CLCWeb: Comparative Literature and Culture
No abstract provided.
Authorship In Burroughs's Red Night Trilogy And Bowles's Translation Of Moroccan Storytellers,
2016
National Chung Cheng University
Authorship In Burroughs's Red Night Trilogy And Bowles's Translation Of Moroccan Storytellers, Benjamin J. Heal
CLCWeb: Comparative Literature and Culture
In his article "Authorship in Burroughs's Red Night Trilogy and Bowles's Translation of Moroccan Storytellers" Benjamin J. Heal discusses Paul Bowles's and William S. Burroughs's varying interrogation of the constructed nature of authorship. In his study Heal focuses on the publication history of Burroughs's Cities of the Red Night (1981), which was written with considerable collaborative influence and Bowles's translation of illiterate Moroccan storytellers, where his influence over the production and editing of the texts is blurred as are the roles of author and translator. Through an examination of Bowles's and Burroughs's authorship strategies in parallel with an explication of …
Kerouac And Burroughs In Tangier,
2016
School of Visual Arts
Kerouac And Burroughs In Tangier, Regina Weinreich
CLCWeb: Comparative Literature and Culture
In her article "Kerouac and Burroughs in Tangier" Regina Weinreich discusses the two authors' and their friends' lives in Tangier. Given Burroughs's need for collaboration as a significant part of his method of weriting, Kerouac's more solitary approach to writing, and taking into account unpublished journals and new scholarship on this subject, Weinreich explores their time together in Tangier in order to shed some light on the two writers in an "interzone" of their processes of creation.
The Road Trip As Artistic Formation In Defeo's Work,
2016
University of Agder
The Road Trip As Artistic Formation In Defeo's Work, Frida Forsgren
CLCWeb: Comparative Literature and Culture
In her article "The Road Trip as Artistic Formation in DeFeo's Work" Frida Forsgren discusses previously unpublished photographic material documenting Jay DeFeo's road trip in Europe and North Africa in the 1950s. Forsgren argues that the Beat road trip is by no means an exclusively masculine enterprise and quest: DeFeo's journey helped open the door to her emancipation as a female artist and propelled her artistic development. Moreover, the global experience represented by the trip helped shape her local Beat milieu upon her return to San Francisco. While European, Medieval, Italian Renaissance, and Hebrew influences in DeFeo's oeuvre have been …
Politics Of Feminist Revision In Di Prima's Loba,
2016
University of Nicosia
Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay
CLCWeb: Comparative Literature and Culture
In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …
Fashion And Female Beat Identity In The Writing Of Jones, Johnson, And Di Prima,
2016
Independent Scholar
Fashion And Female Beat Identity In The Writing Of Jones, Johnson, And Di Prima, Raven J. See
CLCWeb: Comparative Literature and Culture
In her article "Fashion and Female Beat Identity in the Writing of di Prima, Johnson, and Jones" Raven J. See discusses how the women writers of the Beat Generation have become iconically defined by their fashion choices. Clothing and accessories offer Beat women a means to construct and express their identity and Diane di Prima, Joyce Johnson, and Hettie Jones write about fashion in their narratives of self-creation. Like their male contemporaries, Beat women make style choices that allow them to reject mainstream culture and identify within Beat subculture. However, these women write about their decisions to accept or reject …
Race, Gender, And The Beats In Tan Magazine's "I Was A Victim Of The Beat Generation",
2016
Independent Scholar
Race, Gender, And The Beats In Tan Magazine's "I Was A Victim Of The Beat Generation", Chelsea M. Stripe
CLCWeb: Comparative Literature and Culture
In her article "Race, Gender, and the Beats in Tan Magazine's 'I Was a Victim of the Beat Generation'" Chelsea Stripe discusses the "true to life" story of Sara Howard, a single African American mother who becomes pregnant by a white Beat and struggles to raise their child alone. On the one hand, "I Was a Victim of the Beat Generation" emphasizes the exploitative character of Beats' affinity for African American culture and of their attitudes toward women. Further, Howard's story critiques the social fluidity that Beat privilege allows. On the other hand, the story articulates conservative US-American middle class …
Burroughs's Postcolonial Visions In The Yage Letters,
2016
Independent Scholar
Burroughs's Postcolonial Visions In The Yage Letters, Melanie Keomany
CLCWeb: Comparative Literature and Culture
In her article "Burroughs's Postcolonial Visions in The Yage Letters" Melanie Keomany discusses the contents of William S. Burroughs and Allen Ginsberg's The Yage Letters which could be dismissed as openly bigoted and racist. Keomany posits that the text reveals valuable connections between the colonial expansion of the eighteenth century and 1950s USA and Latin America. By re-shaping Burroughs's lived experiences in the Amazon into a text where the narrator William Lee mimics sardonically and parodically the colonial scientific explorer, The Yage Letters provides valuable insight into the complex postcolonial context of the mid-twentieth century.
Theories Of Opiate Addiction In The Early Works Of Burroughs And Trocchi,
2016
Brunel University
Theories Of Opiate Addiction In The Early Works Of Burroughs And Trocchi, Richard English
CLCWeb: Comparative Literature and Culture
In his article "Theories of Opiate Addiction in the Early Works of Burroughs and Trocchi" Richard English discusses William S. Burroughs's and Alexander Trocchi's representations of opiate addiction with special reference to their early writings. English examines the concept of homo heroin that can be attributed to Burroughs and lists and expounds its qualities. Among these are: immorality, criminality, mono-objectuality, self- and other-indifference, and, most importantly, the radical physical transformation into a new species, which Burroughs extends in Naked Lunch. English shows how homo heroin relates to Trocchi's conception of a heroin addict, which serves to illustrate that homo …
How Burroughs Plays With The Brain, Or Ritornellos As A Means To Produce Déjà-Vu,
2016
University of A Coruña
How Burroughs Plays With The Brain, Or Ritornellos As A Means To Produce Déjà-Vu, Antonio José Bonome
CLCWeb: Comparative Literature and Culture
In his article "How Burroughs Plays with the Brain, or Ritornellos as a Means to Produce Déjà-Vu" Antonio José Bonome discusses how the recurrence and significance of one of William S. Burroughs's most potent refrains, "dim jerky faraway," was inspired by its source text, Paul Bowles's second novel Let It Come Down (1952), where Tangiers-Interzone fuels the unwholesome descent of a US-American expatriate not unlike Bowles or Burroughs himself. "Dim jerky faraway" was used by Burroughs during more than two decades in different contexts, and its textual variations have sparked a mélange of colors, sounds, smells, and feelings oscillating in …
Selected Bibliography For The Study Of The Beat Generation,
2016
Keele University
Selected Bibliography For The Study Of The Beat Generation, Oliver Harris, Polina Mackay
CLCWeb: Comparative Literature and Culture
No abstract provided.
Collections Management Systems At Natural History Museums: A Centralized Approach,
2016
University of San Francisco
Collections Management Systems At Natural History Museums: A Centralized Approach, Allison M. Pohl
Master's Projects and Capstones
Natural history museum collections are an invaluable learning tool for audiences of many ages. However, learning experiences can be hampered if collections are poorly managed. Inconsistent object numbering systems, scant information associated with a specimen, and differences in records management styles of individuals in the same organization all stem from the lack of collections management standards set forth by some institutions. Natural history museums historically manage their collections in a decentralized manner, with each collections department responsible for its own objects, managing records as the staff sees fit. This report advocates for the unification of collections in natural history museums …
As The World Watches,
2016
Cuny Graduate School of Journalism
As The World Watches, George Goss, Nicholas Perez
Capstones
In 2015, President Barack Obama pledged to admit more than 10,000 Syrians fleeing the civil war, but with an asterisk: the near absence of religious minorities, including Christians, Yazidis and Shia Muslims. It is an omission that some have charged is discriminatory but, at the very least, has left some of the world’s most vulnerable hanging in the balance.
http://georgegoss.com/theminorityreport/
Vidigal Nights: Big Dreams In A Small Favela,
2016
Cuny Graduate School of Journalism
Vidigal Nights: Big Dreams In A Small Favela, Christina Thornell
Capstones
This 14-minute documentary follows Tatiane and Rafa, two aspiring actors in Rio de Janeiro's favela of Vidigal in Brazil. They are both performing in “Noites de Vidigal” (Nights of Vidigal) a community play about their favela and the challenges it has faced in the last decades. As we follow Tatiane and Rafa while they rehearse and perform, viewers are offered a window into their lives and the world around them.
Tatiane and Rafa aren't just aspiring actors but community members who experience firsthand the joys and hardships of living in a favela.
Vidigal, the favela Tatiane and Rafa live in, …
