Museum Studies Commons^™

Ua51/1/2 University Libraries Dean Accreditation / Report File, Wku Archives

WKU Archives Collection Inventories

Unprocessed records created by and for the Dean of Libraries regarding accreditation and annual reports.

Ua51/1/6 University Libraries Dean Awards, Wku Archives

WKU Archives Collection Inventories

Unprocessed records regarding awards received and granted by University Libraries.

Ua51/1/4 University Libraries Dean Publications, Wku Archives

WKU Archives Collection Inventories

Unprocessed publications created by the Dean of Libraries for and about the WKU Libraries. File includes bulletins, brochures, publicity materials and scrapbooks.

Ua99/8 Bowling Green Business University Memorabilia, Wku Archives

WKU Archives Collection Inventories

Memorabilia has been donated by and collected from various sources. Many of the earliest artifacts have come into the WKU Archives with no surviving documentation. This record group has not been completely described, and will be added to as more artifacts and items make their way into the WKU Archives. Most of the items in the collection are for exhibit purposes only. Images may be requested from the WKU archivist. Items may be pulled for researchers by prior appointment.

If you have items that may be of interest to the WKU Archives, please contact us at [email protected]. Large three-dimensional objects …

Ua1c2/18 Felts Log House Photos, Wku Archives

WKU Archives Collection Inventories

Images of Felts Log House, includes images of the move to WKU campus.

Ua51/1/3 University Libraries Dean Administrative File, Wku Archives

WKU Archives Collection Inventories

Unprocessed administrative file for WKU Libraries. Includes mission statements and staff lists.

Ua51/1/5 University Libraries Dean Events, Wku Archives

WKU Archives Collection Inventories

Unprocessed records created by and for the Dean of Libraries regarding library wide events. Includes fund raisers and workshops.

“A New Institution With A Running Start”: Celebrating 50 Years Of Utc, University Of Tennessee At Chattanooga

Special Collections Exhibition Records and Catalogs

No abstract provided.

Contemporary Methods Of Preserving Land Art: A Case Study Of Robert Smithson's Spiral Jetty, Samara Johnson

MA Theses

The preservation and conservation of Land art has become an increasingly complex and urgent issue as important Earthworks created in the late 1960s and early 1970s continue to age. They present a variety of challenges—both physical and philosophical—to those tasked with maintaining them. Using Robert Smithson’s Spiral Jetty (1970) as a case study, I have outlined four key guidelines for maintaining and preserving works of Land art. In order to survive, the artist’s intention intact, these works require collective stewardship, an interdisciplinary approach, the promotion of responsible visitorship, and an extension of the museum model. Today, social media has presented …

What Are The Challenges Of Establishing The Fair Market Value (Fmv) Of Guggenheim Founding Collection? If The Transparency Of An Asset Value Is Possible On Non-Profit Financial Year Report, How Can The Fmv Preserve The Continuity Of Public Art Patronage, In Spite Of, Deaccession Artwork From The Guggenheim’S Collection Being Sold On The Auction Market?, Leng Ho

MA Theses

A collector’s financial interest in purchasing works of art is often motivated by potential return on investment. These collectors have heard countless stories of others gaining huge financial returns after consigning rare works of art from a museum collection. In recent decades, rising debates on the capitalizing of museum collections to gain financial assets allude to long-term negative repercussions. Those opposed postulate that art patron will lose trust in a museum’s ability to care for its publicly-owned collections. Deaccession is a difficult research topic, attempts to resolve any conflicts of interest in the matter of selling cultural work of art …

Double-Edged Experiences And Their Impact On The Twenty-First-Century Audience: The Ever-Evolving Museum, Ana Sanz Menchero

MA Theses

The twenty-first-century museum is an ever-changing art institution adapting itself to engage a broader audience. The democratization of the museum becomes the priority to make art accessible to everyone. In the quest to find the perfect strategy, museums commit themselves to a constant transformation that seeks to create a unique “business model.” Along this process, institutions provide two-folded experiences to the public; first, the exhibition of art as a spectacular experience, and second, the staging of the museum as an entertaining entity. Today, museum attendance is not necessarily related to the quality of the show anymore. Welcome to the era …

Private Art Museum Backed By Hong Kong Invetment - Wan Fung Art Musem As An Example, Yiye Chen

MA Theses

The rapid development of private art museums in the world can be regarded as the epitome of global economic development. The Chinese government has given unprecedented support to the development of culture and art. As the world's second largest economy, China's middle class has been increasing year by year. The hot art market has attracted European and American auction giants, and famous galleries have entered the Chinese market. Since the birth of the first private art museum in China at the end of the 20th century, Chinese scholars have been constantly exploring the direction of development. From copying the European …

Ua51/1/1 University Libraries Dean Committees, Wku Archives

WKU Archives Collection Inventories

Unprocessed Dean of Libraries committee files. Includes meeting minutes for Council of Library Department Heads, Virtual Committee, and the Library Website Committee.

Ua1c2/47 Kentucky Building Photos, Wku Archives

WKU Archives Collection Inventories

Images of Kentucky Building.

Ua1c2/61 Pioneer Log Cabin Photos, Wku Archives

WKU Archives Collection Inventories

Images of the Pioneer Log Cabin.

Back Matter

Art Inquiries

No abstract provided.

The Aleppo Minbar: Symmetry And Islamic Aesthetics, Carol Bier

Textile Research Works

The Aleppo minbar (pulpit for Friday sermons) is a monumental architectural sculpture commissioned in the middle of the 12th century in Aleppo, Syria, by Nur al-Din al-Zangi, who was ruling from Damascus. Envisioning the end of the Crusades, Nur al-Din sought to place the minbar in the Aqsa Mosque after Muslims reclaimed Jerusalem, where it was installed in 1187 by the Ayyubid ruler, Saladin. Richly ornamented with many geometric forms and designs, the wooden minbar expresses an algorithmic Islamic aesthetic based on symmetry, with patterns that imply an infinite expanse contained within borders. Manifesting an aesthetic that persisted for …

Sufism, Beauty, Love: Ecstasy And Rapture Of Islam In Asia. Study Guide, Carol Bier

Textile Research Works

Key Vocabulary: Concepts, Practices, Buildings, Masters/Leaders/Disciples

Major Sufi Figures

Suggested Readings

Proceedings Of The 2019 Undergraduate Research Conference, Ryan C. Winters, Courtney A. Suire, Dillard University, Grambling State University, Louisiana State University, Loyola University New Orleans, Mcneese State University, Nicholls State University, Northwestern State University Of Louisiana, Southeastern Louisiana University, Southern University And A&M College, University Of Louisiana At Lafayette

Advance: Student Research Experience

Proceedings of the 2019 Undergraduate Research Conference, University of Louisiana at Lafayette, November 22-23, 2019

Mimbres Painted Pottery: Art, Artifact, Or Ancestor? Conversations Concerning Repatriation, Treatment, And Considerations For Contested Collections In Museums, Rachel Vang

All Graduate Theses, Dissertations, and Other Capstone Projects

This research explores current perspectives on the placement and treatment of Native American funerary materials in museum collections, as well as how museum professionals navigate the associated legal, ethical, and cultural considerations of these collections. Of primary concern for the present study is the Mimbres painted pottery vessels from the American Southwest and their associated burial context. Data were generated through semi-structured interviews with various professionals working within and with museums that either have Mimbres collections or those that have relevant experience with Native American materials in museum collections. Patterns of meaning within discussions concerning Mimbres pottery were captured and …