Museum Studies Commons^™

Presenting Past People: Storytelling Through Prehistoric Garment Reconstructions, Floor Huisman, Anna Zimmermann, Ronja Lau, Karina Grömer

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

This paper argues that we need to focus on past people (rather than just objects) in our narratives and museum displays to engage museum visitors more effectively. It will demonstrate that we can use a combination of well-researched physical and digital prehistoric garment reconstructions to implement more people-centered approaches also used in living history, which bring the past to life and allow visitors to literally come face-to-face with long-dead people. In this way, visitors can relate to past people on an emotional level, which helps them to learn much more about past life than many traditional displays. After outlining how …

Frontmatter For Textile Crossroads: Exploring European Clothing, Identity, And Culture Across Millennia, Kerstin Droß-Krüpe, Louise Quillien, Kalliope Sarri

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Title and copyright pages, Acknowledgments, Contents, Prefaces.

We believe this volume has the potential to contribute to the advancement of European scientific excellence and competitiveness, fostering a deeper understanding of the cultural, technological, and societal significance of textiles and clothing in shaping European identity and heritage through the millenia. We hope that the anthology will find a wide and interested readership, and that it will inspire many new research projects in the field of textile history.

Technical And Technological Analyses Of Excavated Textiles, Christina Margariti, Judith Goris, Petra Linscheid, Agata Ulanowska

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles are particularly complex and labor-intensive structures, thus their constructive elements, such as fibers and yarns, as well as the final textile products (e.g., threads, cords, fabrics, and applied decoration) reveal a range of important technical, technological, and sociocultural information. In this paper, we discuss the analysis of excavated textiles at two levels:

1) Technical analysis that offers basic information about the qualities of examined textile samples.

2) Technological analysis that provides insights into technology, social relations of production, and the level of craft specialization or production modes.

Both analyses offer new evidence for environmental resources, sustainability, trade, and exchange, …

Investigating Organic Colorants Across Time: Interdisciplinary Insights Into The Use Of Madder, Indigo/Woad, And Weld In Historical Written Sources, Archaeological Textiles, And Ancient Polychromy, Paula Nabais, Cecilie Brøns, Magdalena M. Wozniak

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Organic dyes have been used from the earliest times to provide color primarily to textiles, but also as a colorant in painting. Such organic dyes could create a wealth of colors, depending on the availability and know-how of resources. These dyes are usually organic in nature, and primarily obtained from different plant sources. Unfortunately, the characterization of natural organic colorants in textiles and artworks is still a challenge. The difficulty of analyzing these materials is sometimes allied to the frequent impossibility of micro-sampling, and the frailty of the objects. Many techniques, such as HPLC (High-Performance Liquid Chromatography) and SERS (Surface-Enhanced …

Towards Textile Narratives: A Cross-Over Perspective On Textile Imagery In Statuary, Iconography, And Literature, Leyre Morgado-Roncal, Juliane Müller, Marisa Kerbizi

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles and clothing constitute a fundamental element of our cultural past, present, and future. Therefore, they were also represented in many mediums, such as iconographic depictions and literature. Images are a source of visual and mental illustration and are often dependent on the viewer’s perspective. As a result, the representations of textiles convey social constructions and their cultural perception. Their study is the focal point of this article: The ways in which textiles and clothing are described by the imagery shown in Greek and Roman statuary and iconography, as well as in contemporary Albanian literature and mythology.

Representations illustrate the …

Young Romans: Status, Dress, And Gender, Mary Harlow, Lena Larsson Lovén

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

The demographics of the Roman world suggest that it was a world full of children. Demographers argue that in order simply to maintain population levels in a period where life expectancy was very short by modern standards, and infant mortality high, a woman should, on average, have six children, on the assumption that not all would live to adulthood. Despite much research in the last fifty years, children still remain partly invisible in the Roman world. This is primarily because they leave little evidence produced by themselves and are seen through the prism of adult eyes. Inevitably, given the nature …

Narrative And Material Tools Of Resistance: Mobilizing Textile Crafts, Heritage, And Fashion In The Context Of The Invasion Of Ukraine (2022–2023), Magali-An Berthon, Sophia Hayda, Tetiana Krupa, Yuliia Lazorenko, Marie-Louise Nosch

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

In 2022–2024, textile and fashion scholars came together to write an anthology sharing a new vision of European history as seen through textiles, in the COST Action EuroWeb. During this period, the continent was still dealing with the consequences of the COVID-19 pandemic and was then faced with Russia’s full-scale invasion of Ukraine in February 2022. Contemporary European history will be markedly defined by the ongoing war in Ukraine. One remarkable aspect of this conflict is the way textiles and dress appear daily in a variety of media outlets, mobilized as visual and semiotic means to communicate issues of war …

A Sensory Perspective On High-Ranked Women’S Dress In The 8th To 4th Century Bc In The Mediterranean And Central Europe, Karina Grömer, Susanna Harris, Audrey Gouy, Cecilie Brøns

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

In the late 20th century, the study of western science was dominated by a philosophical approach to evidence as text and meaning. In archaeology, material culture was treated like text, to be read through systems of signs, symbols, and indices put together in syntax. For studies of dress, this was influential in understanding dress as a cognitive system compiled to create identities and meaning. In this approach, textiles, fastenings, hairstyles, and gestures are presented as signs and symbols used to form a statement about identity, to be read by others. There was a focus on the visuality of dress and …

Five Quilts As Claims About Collage, Teaching, Learning & Being Together, Tim Abel

Textile Society of America: Symposium Proceedings

How can quilting and collage act as creative methods and modes of permission for understanding ways of relating in learning spaces, while also working to help make visible the interrelated nature of being together. Through the networking of personal reflection, lyric essay, theory and concrete reflections related to teaching, this presentation will take five examples of quilts (expansively defined as quilts, quilt-tops, collages, reclaimed and accumulated materials, collective/invitational works) as a way to make space for claims related to collage and pedagogy. This woven investigation helps to scaffod the learning process as a series of interconnected strands because when I …

Gny Rary Tsihy Tsy Enganay (‘We’Re Not Leaving The Mat Weaving’): Transitions Of Craft Practice In Southeast Madagascar, Sarah Emily Brown

Textile Society of America: Symposium Proceedings

In Sainte Luce, southeast Madagascar, livelihoods are in a state of transition due to climate change, deforestation, shifting local economies and globalisation. Activities passed on by the ancestors are not sufficient to meet everyday needs. In 2012, embroidery was introduced by an NGO as an alternative to the ancestral process of reed-weaving due to declining reed populations. Embroiderers have now formed a 100-strong independent cooperative.

My PhD fieldwork (2017-2019) explored the multifaceted dimensions of change for these craftswomen. In addition to the practicalities of mastering a new craft, they have renegotiated collaborative working patterns, obligations to kin and ancestors, flows …

One Thread At A Time: The Role Of Textile Crafts On Well-Being In Marginalized Communities, Michelle Burton, Bianka Hausknecht, Ja-Young Hwang, Kim Hahn, Jihyun Kim-Vick

Textile Society of America: Symposium Proceedings

Racial injustice and social unrest have spurred support for marginalized communities, historically excluded from mainstream society's activities. Marginalized individuals may often feel powerless and experience societal discrimination and negative stereotypes resulting in diminished well-being (WB). Consequently, finding resources to promote well being in marginalized communities is paramount. One possibility is exploring the art of textile crafts (e.g., repurposing, knitting, crocheting, and quilting) to serve as a platform for rupturing exclusionary hierarchies and oppressive frameworks, fostering empowerment and community cohesion.

In this qualitative study we conducted focus groups and individual interviews to better understand the impact on marginalized communities. Participants in …

Burning Fear, Amy Dorie

Textile Society of America: Symposium Proceedings

Climate change is leading to more intense and devastating wildfires that lead to tragic loss of life and property (Cal Fire, 2018; Sinco et al., 2023) and disturbing environmental impacts (OECD, 2023). The purpose of this textile design was to create an activist design that communicates the fear and anxiety felt by those impacted by wildfires. First-hand accounts of those experiencing wildfires were researched as inspiration for the textile design. Based on the accounts, a selection of wildfire-related images were cropped in irregular shapes, placed around the canvas, and blended evoking a sense of chaos and devastation. An image of …

Caring Cloth Praxis: Ethics Of Loss, Practices Of Remembering, Suzanna James

Textile Society of America: Symposium Proceedings

This research, in continual development as a part of early PhD study, is currently entitled ‘Ethics of Loss, Practices of Remembering’ and locates itself within the field of cultural sustainability. It is foregrounded by my MA thesis entitled ‘Caring Cloth’ and works in response to the words of Louise Bourgeois: ‘the needle is used to repair damage, its claim to forgiveness.’ My own socially and environmentally regenerative textiles practice considers the way in which personal practices of remembering can be developed in response to cultural sustainability.

This textiles practice develops explorative visual textile art and social textile practice research which …

23 Extinct Redwork Quilt Project: Repairing Relationships With Our More-Than-Human Kin, Stitch By Stich, Heather Kerley

Textile Society of America: Symposium Proceedings

In 2021, the United States Fish and Wildlife Service proposed 23 species for delisting from the Endangered Species Act due to extinction. I would like to present my redwork quilt, Mourning Lost Kin (23 Extinct), which honors each of these species. I plan to share my process from researching and sketching each species to the embroidering of each block and the over-all construction of the quilt. But most importantly, I would love to share the stories of these species, the layers of meaning in this quilt, and the many questions it raised for me over the course of two years. …

Stitches Of Sustainability: Empowering Women And Preserving Culture Through Pakko Embroidery, Rajesh Kumar, Dharmendra Bana, Deepali Bhatnagar

Textile Society of America: Symposium Proceedings

Pakko embroidery, originating from Gujarat’s Kutch district, stands as a testament to the area's rich textile tradition, marrying exceptional craftsmanship with profound cultural narratives. Currently facing the challenge of conserving its heritage while adapting to the evolving demands of the modern world, this study aims to identify pathways for cultural and economic resurgence.

Pakko embroidery, renowned for its sturdiness and the detailed cheereli saankdi stitch, finds itself at a critical crossroads, battling declining engagement and integration into modern design paradigms. Initiatives to rejuvenate interest and establish sustainable practices for artisans are deemed critical for preserving this ancient art for future …

Lambani Textiles: Oscillating Between The Past And The Present, Beena Santosh Modathi, Anjali Karolia

Textile Society of America: Symposium Proceedings

This paper examines the experiences of home-based women zardozi artisans in Bhopal, India, who use traditional embroidery skills to create fashionable products. It highlights the role of the traditional craft sector in promoting women's empowerment, enhancing economic well-being, and supporting sustainable development in the Global South. Through ethnographic research, including literature review and interviews, the study reveals the resilience of these artisans, many of whom come from low-income backgrounds with limited education. Despite modest earnings, Textiles embody narratives, legacies, and lineages. Indian traditional textiles, particularly those featuring strong Lambani embroidery, represent a dynamic interplay of ancestral techniques, motifs, and cultural …

Public Patriotism, Silent Dissent: Women And The Making Of Senninbari In Wartime Japan, Mariko Nagai

Textile Society of America: Symposium Proceedings

During the early years of the so-called “Fifteen Year War” (1931–1945), Japanese women and girls created senninbari when men received draft notices to serve. Often worn around soldiers’ waists underneath their uniforms, these sash-shaped talisman were embroidered with 1,000 red knots, each knot made by a woman. In a time when the Japanese government censored dissenting voices against its militaristic and nationalistic foreign and domestic policies, this government-encouraged gesture of stitching senninbari became one of the few ways in which women could voice their personal protests within patriarchal gender expressions (良妻賢母 “good wife, wise mother”). Senninbari’s design evolved with regional- …

Textile As Cultural Technology: The Evolution Of Robert Rauschenberg’S Jammers, 1975–6, Katya Oicherman

Textile Society of America: Symposium Proceedings

Robert Rauschenberg suggested that any material has a “humanitarian reportage” or a history built into it, that opens art to the “strange and unpredictable” experience only comparable to everyday reality. Developing this idea, I will focus on the Jammers, a series of works with significant textile presence produced in 1975–76, and discuss how Rauschenberg’s relationship to textiles evolved from treating them as “materials” to recognizing them as cultural technologies. In 1975 he was on a fellowship in Ahmedabad, India, a period of intense experimentation.

Textiles were already a significant presence in his art, playing a subservient role of materials …

Inconclusive Objects: Sample Making As Inquiry-Driven Practice, Etta Sandry

Textile Society of America: Symposium Proceedings

In Inconclusive Objects: Sample Making as Inquiry-driven Practice I will discuss craft sample making as a valuable practice of critical thought and experimentation. Craftspeople, artists, and designers make samples to practice technical skills and to demonstrate results on small scales. It is process work, typically used to learn a new technique or a hidden step on the way to a final product. However, as a cumulative process of research, material probing, and play, sampling is a critical aspect of design and creation. What can a closer study of sampling reveal about creative practice and knowledge production in craft and beyond? …

Textile Ways Of Thinking As A Trauma-Informed Design Tool To Research And Understand Communities, Smrti Ganesan, Nishanth Srikanth

Textile Society of America: Symposium Proceedings

There has been a shift in methodologies in the broader world of design. Today, co-design and participatory methods are a vital part of the modern designer's toolkit, and designers are finding new ways to interact with communities and design solutions that are more responsive to the actual needs of those communities.

Textile design has historically been a medium for expressing and processing traumatic experiences, reflecting individual and collective traumas in society. Textiles have also historically served not only as a form of artistic expression but also as a powerful tool in activism, particularly within feminist movements. Recent developments have seen …