Medieval Studies Commons^™

Pasolini's Laugh: Joyful Ignorance In The Decameron, Andrea Privitera

Modern Languages and Literatures Annual Graduate Conference

In this paper, I discuss Giovanni Boccaccio's The Decameron and its 1971 film adaptation by Pier Paolo Pasolini. To be more precise, I focus on the fifth novella of the sixth day, the one about Giotto and Forese, and its audiovisual re-elaboration, which can be seen as a very brief and at the same time very vivid example of Pasolini’s ideas on society, language and communication.

Magistra Doctissima: Essays In Honor Of Bonnie Wheeler, Dorsey Armstrong, Ann W. Astell, Howell Chickering

Festschriften, Occasional Papers, and Lectures

The editors of this volume use its title to honor Bonnie Wheeler for her many scholarly achievements and to celebrate her wide-ranging contributions to medieval studies in the United States. There are sections on Old and Middle English Literature, Arthuriana Then and Now, Joan of Arc Then and Now, Nuns and Spirituality, and Royal Women. As the editors note in the introduction, the volume "confirms Bonnie's commitment to the multidisciplinary study of the Middle Ages" and affirms her conviction "that the medieval and the modern are best viewed not as 'the past' and 'the present' but as interpenetrative categories."

The »Other« Medieval French Alexander: Arthurian Orientalism, Cross-Cultural Contact, And Transcultural Assimilation In Chrétien De Troyes’S Cligés, Levilson C. Reis

Modern Languages & Cultures Faculty Scholarship

En tenant compte du climat xénophobe des croisades cet article recense la réception de Cligés, roman de Chrétien de Troyes dont la plus grande partie de l’action se passe en Grèce, et explore les stratégies dont l’auteur se serait servi pour en déjouer un mauvais accueil. On examine d’abord les idées que les Francs se faisaient des Grecs par le biais de la réception contemporaine de l’Énéide et du Roman d’Alexandre. On examine par la suite comment Cligés cadre avec ces perspectives. Cet article pose en principe que, par le truchement du père de Cligés, prince grec …

The Nose Knows: Encountering The Canine In Bisclavret, Alison Langdon

English Faculty Publications

For much of literary history, scholars have tended to focus on the symbolic valence of animals, to read their behavior and characteristics as representative of explicitly human interests and concerns. In the past medievalists have perhaps been even more prone to this, given that many of our sources providing descriptions of animal behavior, such as bestiaries, similarly emphasize the metaphorical or allegorical over the ethological.¹ Thus when we read something like Bisclavret, Marie de France’s twelfth-century Anglo-Norman lai, scholars frequently discuss its werewolf protagonist as a foil for his much more beastly if wholly human wife. Michelle Freeman, …

There Is No Word For Work In The Dragon Tongue, Kevin Moberly, Brent Moberly

English Faculty Publications

The past decade or so has witnessed a relatively steady stream of scholarly interest in the mundane medieval—in labor, local economies, and their influence upon wider cultural production.¹ Despite this interest (and perhaps as a reaction to it), popular medievalism has continued to emphasize versions of the medieval that are decidedly more heroic—productions that are simultaneously (and paradoxically) more “realistic” and more “fantastic.” Labor plays, at best, a supporting role in these fantasies: while not absent, it rarely, if ever, has the same productive presence as it does in recent scholarly treatments of medieval economies. Inasmuch as popular medievalism …

Cornelius Aurelius: The Upcycling Humanist - A Study Of The Libellus De Patientia, Samantha James

Theses and Dissertations (Comprehensive)

Cornelius Aurelius’ Libellus de Patientia (MS Leiden, UB, Vulcanius 66 f.45r-f.57v. [1524]), in terms of the author’s reception of the Manipulus florum, reveals much about the development of Northern Humanism, in the context of late medieval scholasticism and the Reformation. By thoroughly examining Libellus de Patientia, this paper will discuss Aurelius’ use of numerous quotations derived from the Manipulus florum as evidence of how this text should be situated in terms of intellectual continuity vs. change during this turbulent period with regards to the intellectual context of medieval scholasticism and renaissance humanism.

Developing A Premodern Manuscript Application Profile Using Dublin Core, Sheila A. Bair, Susan M.B. Steuer

University Libraries Faculty & Staff Publications

Librarians and catalogers, particularly at small repositories, often do not have the training or access to experts to fully describe a medieval manuscript for cataloging, much less digital access. But some descriptions must be available to attract researchers to work with the materials, which are often considered institutional treasures. Approaching manuscripts can be daunting for metadata specialists and catalogers. The Dublin Core Premodern Manuscripts Application Profile (PMAP), currently under development, is designed to be an educational and simple tool for medievalists with little knowledge of metadata and librarians with little knowledge of manuscript studies to facilitate discovery of manuscripts in …

Food For The Soul: Feasting And Fasting In The Spanish Middle Ages, Martha Daas

World Languages and Cultures Faculty Publications

This article examines the concept of "Christian" eating that can be found in a variety of texts from the 13th and 14th centuries. “Christian” eating can be defined as consumption that follows the precepts of the Christian calendar and also the recommendations of the Church. As both fasting and feasting are integral elements of the medieval calendar, this article looks at the depiction of food, its consumption, and its role in religious ritual in texts as varied as the Milagros de Nuestra Señora, the Vidas of Santa Maria Egipciaca and Santa Marta, and the more doctrinally liberal Libro de buen …

Zoomorphic Penannular Brooches In 6th And 7th Century Ireland, Esther G. Ward

School of Art, Art History, and Design: Theses and Student Creative Work

In this thesis the author examines the evolution, manufacture, and societal significance of zoomorphic penannular brooches, a type of metal dress fastener used in early medieval Ireland that is often decorated. The brooches examined are dated to the 6^th and 7^th centuries, during which the Irish underwent a process of religious conversion from Celtic paganism to Christianity, and social rank was paramount. It is in this social context that the brooches are examined. Despite the significance of this time of social change, brooches from this period tend to be overlooked by scholarship in favor of the more ornate …

The Medieval Dark Horse: Challenge And Reward In The Middle English Lyric, Andrew S. Marvin

English Faculty Publications

“The Medieval Dark Horse: Challenge and Reward in the Middle English Lyric” explores the genre’s history and literary merits while addressing the question of why this valuable and extensive body of literature has largely gone untapped by scholars.

The introductory sections detail the historical and modern contexts of the lyric, including the state of scholarship, manuscripts, editions, dating issues, purpose, audience, types of lyrics, and themes. This background informs a discussion of the genre’s difficulties and offers solutions with which to counter them. Close readings of eight poems are included to exemplify the lyric’s thematic range, stylistic diversity, and literary …

"His Head Rolled Forth Onto The Floor:" Women, The Abject, And The Male Gaze In Old English Poetry, Jaime Michelle Myers

Masters Theses

Old English poetry features several female characters who challenge androcentric authority by violently killing men. I argue in this thesis that three of these women—Modthryth, Grendel’s mother, and Judith—are linked together by their rejection or reversal of the male gaze. In their forceful refusal to be visually objectified, each character is portrayed as abject—outside of normal and outcast from community. They cause disorder, illustrate the fragility of androcentric control, and force a confrontation with death. In so doing, they create ambiguity and, at times, reverse the subject/object and masculine/feminine gender binaries.

Female Flesh And Medieval Practice In The Later Middle Ages, Megan E. Marzec

Mid-America College Art Association Conference 2012 Digital Publications

My work explores the importance and presence of the female body in medieval religious practice as exemplified in medieval art, religious texts and hagiographies. My research shows that while the reasoning behind female imagery and imagery of the nude is disputed, the prevalence of mandorla-like images, images of the female nude, and images displaying the femininity of Christ suggest the meaningfulness to the medieval viewer. I discuss extensively Julia Kristeva’s writing on the woman as abject and the artistic experience as an element of religiosity. For this research I analyzed works by various artists including Robert Campin, Jan Gossaert and …

A Spectacle Of Great Beauty: The Changing Faces Of Hagia Sophia, Victoria M. Villano

Master's Theses

No abstract provided.

Comparative Perspectives On History And Historians: Essays In Memory Of Bryce Lyon (1920-2007), David Nicholas, James M. Murray, Bernard S. Bachrach

Festschriften, Occasional Papers, and Lectures

Comparative Perspectives on History and Historians: Essays in Memory of Bryce Lyon (1920-2007) features a section of appreciations of Bryce Lyon from the three editors, R. C. Van Caenegem, and Walter Prevenier, followed by three sections on the major areas on which Lyon's research concentrated: the legacy of Henri Pirenne, constitutional and legal history of England and the Continent, and the economic history of the Low Countries. Original essays by Bernard S. Bachrach, David S. Bachrach, Jan Dumolyn, Caroline Dunn, Jelle Haemers, John H. A. Munro, James M. Murray, Anthony Musson, David Nicholas, W. Mark Ormrod, Walter Prevenier, Jeff Rider, …

The Cistercian Studies Conference, 2012, The Center For Cistercian And Monastic Studies

Conference on Cistercian Studies Programs

Program for the 2012 Cistercian Studies Conference at Western Michigan University in conjunction with the 47th International Medieval Studies Congress. This conference happened between May 10-13 2012.

Don't Take Orpheus Without The Lyre: The Intricacies Of Using Pagan Myths For Christian Purposes In The Divine Comedy And Paradise Lost, Rebekah J. Waltmann

Masters Theses

Because of their universal and artistic nature, the classical myths lend themselves well to use in literature, especially poetry. When used properly, as by Dante and Milton, the myths have the ability to enhance the work; when used poorly, they become gaudy ornamentation. It was, and is, this ability to enhance both the artistry and function of literature that pulled so many poets to the myths, despite the difficulties that could arise when the pagan myths did not quite match the Christian setting. My purpose in this thesis is not to explicate every use of myth within The Divine Comedy …

The Unbought Grace Of Life: Chivalry In Western Literature, Richard N. Boggs

Master of Liberal Studies Theses

The code of chivalry has a rich literary history. From the violence and misogyny of pre-chivalric ancient Greece and Rome, the chivalric code was constructed in a deliberate effort to curb and improve the most violent aspects of male behavior. The chivalric male ideal was built upon the tripartite foundation of the ancient archaic virtues, the gallantry of Germanic barbarians, and the Christian beatitudes. Chivalry sought a male ideal which brought raw strength and power under the concept of legitimate authority. By casting the literary male ideal – the knight – into the role of the defender of the weak …

47th International Congress On Medieval Studies, Medieval Institute, Western Michigan University

International Congress on Medieval Studies Archive

The printed program of the 47th International Congress on Medieval Studies (May 10-13, 2012), including the Corrigenda.

Sir Gawain And The Green Knight And The History Of Medieval Rhetoric., Joseph Turner

Faculty and Staff Scholarship

During the Middle Ages, rhetoric and literature were thoroughly intertwined, whereas current notions of disciplinarity, in which literature and rhetoric are constructed as separate traditions, muddy our understanding of medieval practice. This essay reads Sir Gawain and the Green Knight, an anonymous fourteenth-century poem, as engaged in a Ciceronian debate over the ramifications of legislative rhetoric on civic decision-making. Because of the paucity of information on medieval rhetorical practice, it concludes, literature is a resource that illuminates this neglected and misunderstood historical period.

The Icelandic Sagas As A Subject For Undergraduate Study, John P. Sexton

English Faculty Publications

While medieval studies has dramatically expanded its scope and the texts taught as part of its subject over the past few decades, the study of Icelandic saga literature is still a fringe discipline, particularly in North American academe. Rarer still is undergraduate exposure to the sagas, despite their appeal as texts and the rich possibilities they offer to students trained in Anglo-Saxon literature (or at least Beowulf) and familiar with Norse myth and legend through Tolkien or Marvel comics. The insular nature of the culture from which the literature springs is a contributing factor, of course—there is the undeniable …