Medieval Studies Commons^™

Ancient Queer Bodies: The Gender Swapping Prophet, Basil Perkins

Online Midwinter Seminar (OMS)

Through an intersectional approach which positions sexuality and gender in direct

relation to cultural imperialism (O’Sullivan, 2021; Lugones, 2020), I aim to discuss the origins of Tiresias. (S)he is ubiquitous in ancient mythology: showing up in classicized texts such as Sophocles’ Oedipus Rex and Homer’s Odyssey. Interestingly too, Tiresias has been received since antiquity in texts such as Poulenc’s Les Mamelles de Tirésias, Woolf’s Orlando, and MacLaughlin’s Wake, Siren. Each receptive work transforms Tiresias through fantastical contexts and different temporalities. I aim to queer Western notions of temporality, in reading the contemporary along with the ancient. The bulk of my …

"A Legacy Forced, Not Given": "Otherness" And Rape In The Morte Darthur And Tracy Deonn's Legendborn, Lindsay Church

Online Midwinter Seminar (OMS)

Arthurian narratives have traditionally worked to establish the collective memory of a shared past that has resulted in them regularly aligning with hegemonic ideologies. The continual retelling and adaptation of the Arthurian narrative can thus be recognized as consistently relying on and upholding a narrow understanding of who is accepted within the borders of Camelot and who is made Othered, and often monstrous, by those borders. However, there has been an increase in scholarship that has begun to read and write Arthurian literature from the ‘Other side’ in a way that asks readers to consider who the Arthurian mythos have …

Reading, Rending, And Queering The Web Of Story With The Lens Of “Con-Creation” And Process Theology, Cameron Bourquein, Nick Polk

Online Midwinter Seminar (OMS)

Recent scholarship has addressed the connected problems of Tolkien as “Author/Author(ity)” and the exclusivist readings of Tolkien’s work that follow this construction (Chunodkar, Emanuel, Reid). This “constructed Tolkien” seems to parallel common readings of his Legendarium’s own Creator God, Eru—understood as the monolithic “Author” of Ea. Yet “subcreation” within Tolkien’s narrative and extra-narrative works is routinely exhibited not as monolithic but rather as literally (and figuratively) multivocal, and hence inherently queer.

In this paper Cameron will propose that the Legendarium can be read through the lens of “con-creation” (the total choice-making activity of all rational beings) both internally as events …

No Place: The Queer Utopia Of Liminality, Harry Gallagher

Online Midwinter Seminar (OMS)

My proposal is a paper on the inherent queerness of the liminal in Jeff Vandermeer’s works, through examples such as the transitional narrative present in the transformation of the Biologist in Annihilation. Especially pertinent is the inherent fighting of Yonic/Phallic imagery happening between her interpretation of a concrete structure as a tower as opposed to a tunnel, which is important to understanding how the Biologist’s trans-masculinity manifests symbolically in the narrative as antithesis to the other cis women on the expedition. Vandermeer’s liminal space in Dead Astronauts also connects to the characters of Moss, a non-binary life form who exists …

Towards An Ethos Of Discussing In-Corporeal Gender In Fantasy Literature: Part I – A ‘Feminine’ Eldil And A ‘Masculine’ Vala, Luke Shelton

Online Midwinter Seminar (OMS)

Over the course of the COVID-19 pandemic, many people engaged with others on social media in ways that they had not before. During this time, I was excited to see many new interpretive communities begin and to listen to the kinds of conversations these groups would have about Tolkien. One such conversation that stuck out to me was the way in which I saw some fans interpret Tolkien’s description of the physical characteristics of the Valar. I also happened to be reading through C.S. Lewis’ space trilogy when I saw many of these conversations. I felt that there were several …

I'D Rather Be A River Than A Man: The Trans Jewish Golem/ Trans Inequity, Intersectional Ritual, And Jewish Tikkun Olam (Healing Of The World), Dean Leetal, Valerie Estelle Frankel

Online Midwinter Seminar (OMS)

I'd Rather Be a River than a Man: The Trans Jewish Golem Dean Leetal

This critical commentary revisits the Jewish story of the Golem and reads it as a transgender text. Some say that the Golem inspired Mary Shelley's Frankenstein, a story famously interpreted by Susan Stryker as an allegory for her own trans experience: living on the edge of society, her humanity debated, defined by a morally questionable medical establishment. But there are important differences between Frankenstein and the Golem. The Golem is brought to life through language, particularly the Hebrew word ‘emet,’ and is an animated clay tasked …

A Queer Reading Of Octavia Butler’S Kindred, Marietta Kosma

Online Midwinter Seminar (OMS)

Throughout Octavia Butler’s Kindred the author raises numerous tensions around the notions of accessibility, disability, equality, and inclusion, exposing the crisis of black futures. My analysis focuses on the way that queerness informs the protagonist Dana’s experiences in the context of slavery, her positioning in the contemporary discourse of neo-liberalism, and her positioning in the prospective future. Very few scholars perceive Dana’s subjectivity as an actual state of being that carries value both materially as well as metaphorically. The materiality of queerness has not constituted part of the larger discourse of the American slave system. By examining how Butler renders …

Sauron, Seduction, And The Queering Mechanism Of The Ring, Mercury Natis

Online Midwinter Seminar (OMS)

It has often been argued that Sauron is barely present in the Lord of the Rings, existing as a villainous presence on the margins of the narrative. This paper will argue that Sauron is actually present throughout the entire narrative, as manifested in the Ring, and through the Ring’s presence as a queering device. The Ring acts out Sauron’s seduction mechanism, a defining character trait as portrayed in the Silmarillion. It is this seduction mechanism that allows the Ring to act as a queering agent throughout the narrative. Ring-lust is inherently queer as it projects a male-presented character’s seductive powers, …

Asexualities, Aromantics, And Autists In Epic Fantasy By Tolkien And Goddard, Robin Anne Reid, Rory Queripel

Online Midwinter Seminar (OMS)

The Mariner (and his wife): Rethinking Aldarion’s (A)sexuality Rory Queripel

“Aldarion and Erendis” (Unfinished Tales) is a rare example in Tolkien’s work of a marriage gone severely awry. Many readings of the tale apportion blame to Aldarion, who is seen as “unwilling” to make the marriage work (Fitzsimmons, 2015), cruel and unfeeling towards Erendis, who herself is characterised as resentful and unaccepting (Rosenthal, 2004). However, these readings rely on an assumption of a cisheteronormative and, more importantly, allosexual relationship between the couple.

This paper proposes an alternate view of Aldarion and his role in the story, suggesting the possibility that …

Closeted Gays Take Hide, A Lamia Has Been Untied: Bbc Merlin And Queer Experiences Beyond Queer Joy, Anna Caterino

Online Midwinter Seminar (OMS)

A decade after its finale, online fandoms have started labeling Merlin (2008-2012) as “date your bully 101” (theroundbartable), a story written by people “giving each other blowjobs while they talk about how much they deserve servants” (vhagarswattle). In light of the most recent models of queer representation, such takes are to be expected. Even so, Merlin is not a mere case of “hoyay” (Kohnen 201-2012) nor does it engage in queerbaiting or use the “Bury Your Gays” trope. The text is tied to the socio-political landscape of the late 2000s which serves as foundation for the show’s tragedy and, although …

Our Flag (And Spaceship) Means Queer: Monstering The Majority Culture, Sara Brown, Kristine Larsen

Online Midwinter Seminar (OMS)

Although the television series Our Flag Means Death presents on the surface as a romantic comedy, it is enhanced by mythic elements that infuse the narrative with a clear sense of the fantastic. Here, the pirates exist in a Secondary World that openly draws upon the Primary (both in terms of historiography and legend); hence 18th-century piracy and British colonialism can interact seamlessly with human-to-animal-transformations (paying homage to the Greek myth of Ceyx and Alcyone) without seeming either disconcerting or anomalous – all co-exist comfortably in Faerie. OFMD both inverts and deconstructs mythopoeia; the Primary World myths of the Gentleman …

Gazing Queerly: The Art And Text Around Saruman’S Non-Normativity, Christopher Vaccaro

Online Midwinter Seminar (OMS)

The queer is often defined by its relation to normativity. Michael Warner’s The Trouble with Normal situates queerness in opposition to normalcy, even gay normalcy. Karma Lochrie’s Heterosyncrasies: Female Sexuality When Normal Wasn’t deconstructs a monolithic hetero-normativity. Within the fantasy genre, protagonists frequently reside in a queer relation to normative communities. J. R. R. Tolkien quite often depicts his major characters within his mythopoeic framework as in some way outside of the normal; they’re often odd, fringe outsiders in relation to the larger community to which they are a part. The texts of his legendarium present this queerness fairly clearly—so …

Tolkien’S Queer Landscape: Three Papers On Middle-Earth’S Heterotopias, Will Sherwood, Marita Arvaniti, Mariana Rios Maldonado

Online Midwinter Seminar (OMS)

The following papers will explore Tolkien’s queer landscapes of Middle-earth: from Arda’s highest peaks and hidden underbellies, to her liminal, fae places, using the lens of Michel Foucault’s heterotopias.

Marita Arvaniti will introduce the panel and discuss Tolkien’s Faerian Drama and its relationship to the much-maligned Tom Bombadil episode, focusing on the queer figure of Tom Bombadil himself and his heterotopic domain.

Mariana Rios Maldonado will analyse the Barrow-downs, Dead Marshes, and Paths of the Dead as symbolic sites of death created during harrowing moments in the history of Middle-earth. These are no-places: spaces of Otherness containing the evil and …

Welcome And Announcements, The Mythopoeic Society

Online Midwinter Seminar (OMS)

Join us for a screening of the Welcome and Announcements video in the 'Track 1' room, and have a cup of coffee before we get started!

The Holy Thorn Of Glastonbury And The Two Trees Of Valinor, Giovanni Carmine Costabile

Journal of Tolkien Research

An old wooden church in Glastonbury rose on the site of the Abbey church taking its place after a fire burnt it. This old church is traditionally considered to have been the eldest church in England, founded by Joseph of Arimathea after landing upon the British shore. Such a legend, probably spread after the Norman Conquests by the Abbey monks who needed to fund the monastery, also relates that Joseph planted his staff upon the highest hill in Glastonbury, and the staff grew branches and roots, transforming into a wonderful thorn tree which, unlike common thorns, bloomed twice a year, …

The Tale Of ‘Aldarion And Erendis’: Not Just A Medieval Love Story, Sara Brown

Journal of Tolkien Research

J.R.R. Tolkien’s ‘Aldarion and Erendis: The Mariner’s Wife’, published in the Unfinished Tales of Númenor and Middle-earth, is a cautionary tale of a failed marriage that also serves as an indicator of the moral decline of Númenor in the Second Age of Middle-earth. In this relationship is the beginning of the Downfall, heralding the shadow of evil that will entangle events into the Third Age. This paper explores the significance of this story to the history of Middle-earth, as well as its possible roots in medieval texts such as the Prose Edda and the Icelandic Laxdaela Saga.

Visualizing Ancient Empire In Tudor England: Imperial Monarchy, Reformation, And The Antique Soldier In The Title Page To Richard Grafton’S Large Chronicle (1569), Peter Nicholas Otis

Dissertations, Theses, and Capstone Projects

This thesis analyzes the iconography and visual sources of the title page to the first volume of A chronicle at large and meere history of the affayres of Englande (1569) by the Tudor author Richard Grafton. Representing the visual synthesis of several distinct but interrelated currents that developed in the preceding century, the title page to the Large Chronicle offers a rare glimpse into a transitional moment in the middle Tudor perception and visual representation of the British past. These currents include imperializing royal iconography, with origins in antecedent representations in the late fifteenth century; the entry of the ‘classicizing’ …

Lost & Found (Game Series) [Book Chapter], Owen Gottlieb

Articles

Description of game series for use in the classroom with best practices.

What Does It Mean To Talk About Tolkien And Diversity? A Look Within And Without The Legendarium, Yvette Kisor

Journal of Tolkien Research

“What Does It Mean to Talk about Tolkien and Diversity? A Look within and without the Legendarium” considers racial diversity by focusing on the structure of Tolkien’s universe, both how it is modelled on ancient and medieval concepts like the Great Chain of Being and the Declining Ages of Man, but also remakes those models. In addition, it considers responses to racial structures perceived in Tolkien’s work.

John Gower: The Minor Latin Works, Robert J. Meindl, Mark T. Riley

Accessus

A translation, with introductions, of the minor Latin works of John Gower.