Fine Arts Commons^™

Marshall University Department Of Music Presents A Tuba And Euphonium Day, Michael Stroeher, George Palton

All Performances

No abstract provided.

Marshall University Department Of Music Presents The Marshall University Chamber Choir, David Castleberry, Mark Smith, Robert Wray, T. K. Lombardo

All Performances

No abstract provided.

Marshall University Department Of Music Presents Marshall University Percussion Ensemble, Steven Hall, Andrew Tilley

All Performances

No abstract provided.

Marshall University Department Of Music Presents Art And Music, Ian Hagarty, Sean Parsons, Henning Vauth

All Performances

No abstract provided.

Marshall University Department Of Music Presents The Jomie Jazz Guest Artists Ryan Kennedy - Guitar, Phil Bowden - Bass, Sean Parsons, Ryan Kennedy, Phil Bowden

All Performances

No abstract provided.

Art And Space: Impacting The Workplace, Erin V. Mccool

Senior Honors Theses

Art in its various forms and applications has always been a part of the human experience. Art can be intrusive, thought provoking, or simply beautiful. Although art comes in many different styles and forms, art continues to capture our imagination. The purposes of this thesis are to discover how art affects human activity in the workplace as well as the qualities that make artwork in the workplace successful. Based on the findings of this study, artwork will be created for the Center for the Advancement of Faculty Excellence at Liberty University in order to create a lively, creative environment. By …

Marshall University Department Of Music Presents A Senior Recital Dean Pauley, Cello, Alanna Cushing, Piano, Dean Pauley, Alanna Cushing

All Performances

No abstract provided.

Marshall University Department Of Music Presents A Student Recital Peter Gallus, Tuba, Peter Gallus

All Performances

No abstract provided.

Marshall University Department Of Music Presents A Nasm Student Recital, Seth Skiles

All Performances

No abstract provided.

Someone/No One, Jamie L. Fritz

School of Art, Art History, and Design: Theses and Student Creative Work

I am obsessed with the pieces of existence; the memories, experiences and emotions that make up human identity. Our lives are defined by entropy that causes these pieces to fragment and become distorted over time. Looking back at the pieces they become almost unrecognizable, and it becomes unclear if they are something or if they are nothing. My work centers on a compulsive desire to put these pieces into something that makes sense. The photograph serves as a representation of the memory and experience, broken down into parts that remove them as a piece of an identifiable whole. The photographs …

All That We See(M), Alison H. Vanvolkenburgh

School of Art, Art History, and Design: Theses and Student Creative Work

Born open-eyed, ready to take stock of our surroundings from the first breath, no other sense so largely informs our understanding of the world as sight. The ability to visually process our environment may seem extremely straightforward to those long accustomed to its instinctive use. However, there is more to seeing than the pure mechanics of visual perception. Since we live, not in a static environment, but one of constant change and motion, our knowledge of the world around us comes in fragments, shifting flashes of color, shape, and movement that coalesce through the active process of vision. In these …

Genius Loci. Zu Nietzsche, Lou Und Dem Sacro Monte, Bzw. Den Sacri Monti, Babette Babich

Research Resources

No abstract provided.

Delicious-Ology: The Science Of Delicious Food, Sasha Yan

Undergraduate Theses—Unrestricted

You can read this book two ways. If you want to “just cook,” flip to the recipe index, pick a recipe, and skip straight to that page. The surrounding text will explain some aspects of the science behind the recipe. While the recipes in this book are chosen to complement and provide examples of the science, they’re also recipes that are fantastic in and of themselves.

Architecture Missions Group Helps Rebuild Adventist University Of Haiti, Keri Suarez

Lake Union Herald

No abstract provided.

Fiction Fix 11, Russell Turney, William Northrup, David Press, Petra Press, Scott David, David Livingstone Fore, Masha Sardari, Marianne Langner Zeitlin, Bily Simms, Emily Zasada, Joe Ponepinto, Nathan Holic, Michael Cocchiarale, Mimi Lipson, Suzanne Ushie, Jonathan Baylis, Thomas Boatwright

Fiction Fix

No abstract provided.

Taking In: A Juried Selection Of Photography 2012, Aib Students

Taking In

Taking In is a student run project featuring a selection of work created by students attending the Art Institute of Boston. The project focuses on the business of promoting art and culminates each year with a juried exhibition, publication, and website all designed to promote selected works of AIB artists. The selected pieces were chosen anonymously by a jury of distinguished members of the Boston art community. The book in your hand is the end result of a collective effort by those in the class.

From Art On The Wall To Something For All: How An Academic Library Turned Its Art Collection Into A Campus Attraction, Miriam B. Deutch, Jill Cirasella

Publications and Research

An important feature of the Brooklyn College Library is its art collection, the college’s only permanent art collection. In this article, we explain how the library came to have an art collection; how we supplemented the collection with museum-style wall labels, an online catalog, and an audio tour; and how we promoted the collection and sparked student creativity with an annual art contest. We pay particular attention to the decisions and details that might help other libraries working on similar projects.

Variations On A Russian Folk Song, Brian R. Denu

Student Publications

This piece for solo piano demonstrates a wide range of techniques utilized in twentieth century composition. The theme is taken from the Finale of Igor Stravinsky's ballet "The Firebird", which itself is based on a Russian folk song. Each subsequent variation focuses on one or more compositional technique.

I. Theme

II. March (chords by thirds, extended triads)

III. Molto grave e expressivo (chromaticism)

IV. L'istesso tempo (ten-tone row)

V. Fast and light (twelve-tone row, secundal harmony)

VI. Much less (minimalism, extended techniques)

VII. Hazy (quartal harmony, modal melody)

VIII. Finale (spectralism)

The order of the variations partly reflects a chronological …

Hemitite, Elizabeth Ygartua

The Messenger

No abstract provided.

Agate 5, Elizabeth Ygartua

The Messenger

No abstract provided.