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The Bridge

No abstract provided.

Soil And Salvation: Danes In Montana, 1906-10. Part Ii: Salvation, Jakob Jakobsen

The Bridge

When I discovered that my great-grandfather and his wife had participated in the founding of the Dagmar settlement in Montana in 1906, I did not expect my initial interest in this to lead to a research grant from the DAHS, enabling me to dive even deeper into their adventure, for which I am very grateful. My fascination with their story derives from its connection to the collective history of Danish America. In this sense, my ancestors acted as individuals, but their identity navigation took place in a cultural landscape that changed due to larger developments. As a result, they can …

Recollections Of S. D. Rodholm, Peter D. Thomsen

The Bridge

In both pulpit and classroom, S. D. Rodholm was a great teacher and a true servant of the church. His capacity for learning and discernment was enormous, yet he never used big words nor in any way intimidated anyone. To me, he was always the wise, old seer. He made it very clear that his purpose in teaching was not to make cut and dried theologians out of us. His purpose, rather, was to help us, his students, become servants of THE WORD. He said many times, “Simple Christianity has been my life’s goal.” He hoped it would also be …

A Little About My Father, Peter D. Thomsen, Kathy Thomsen

The Bridge

Peter D. Thomsen (1922 - 2015) was one of eighty-two students at Grand View College (GVC) in 1940. The students came from Danish immigrant communities all over the United States, including Chicago, Illinois; Seattle, Washington; Los Angeles, California; Kimballton, Iowa; Tyler, and Askov, Minnesota; Racine, Wisconsin; and in my father’s case, Marinette, Michigan and Menominee, Wisconsin. He was a first generation American; his parents had immigrated to the United States from Langeland, Denmark shortly before he was born. His experiences in Danish Lutheran church communities around the country reflect many of the changes that came about as Danish Americans integrated …

Bunch, Mads. Isak Dinesen Reading Søren Kierkegaard: On Christianity, Seduction, Gender, And Repetition., Troy Wellington Smith

The Bridge

In the inter-and post-war periods, the Danish baroness Karen Blixen published, in English, several story collections and the autobiographical novel Out of Africa in the United States under the nom de plume Isak Dinesen. These same works appeared soon aft er under her legal name in her own Danish translations in Denmark. During the same period, works by Dinesen’s deceased countryman Søren Kierkegaard were being translated into English and published in the United States by Princeton University Press. No longer merely “world-famous in Denmark” (as the saying goes), Kierkegaard became a shibboleth for anxious intellectuals on both sides of the …

Jennifer Eastman Att Ebery. Pole Raising And Speech Making: Modalities Of Swedish American Summer Celebration., Christopher Oscarson

The Bridge

In a conversation with a colleague several years ago, I was surprised to find out that we were both exactly one quarter Swedish—I through my paternal grandfather and he through his maternal grandfather. This was unexpected because based on his appearance, family traditions, and last name, I had never anticipated that we might share this common ancestral heritage. Whereas my family has tended to emphasize its connections to Swedish culture, his has focused on links to Japan. There are good reasons that account for the differences in our families’ respective cultural identification, but the variability of how we each see …

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The Bridge

No abstract provided.

Review Of Performing Captivity, Performing Escape. Cabarets And Plays From The Terezin/Theresienstadt Ghetto. Edited And With An Introduction By Lisa Peschel., Hana Waisserova

Department of Modern Languages and Literatures: Faculty Publications

Performing Captivity, Performing Escape. Cabarets and Plays from the Terezin/Theresienstadt Ghetto presents Lisa Peschel’s edited, revised, and translated into English Divadelní texty z terezínského ghetta/ Theatretexte aus dem Ghetto Theresienstadt, 1941-1945.

Terezín/Theresienstadt was unusual in that it served as a ghetto with an attached prison, as well as a concentration camp. The Nazi propaganda used this camp to convince the world that life was “normal” in this supposed Jewish resettlement area. For this reason, they allowed cultural life to take place. Peschel’s work is an anthology of selected texts originating there. It contains cabarets, puppet play scripts, as well …

Tangier And Kerouac's Oriental Experience In Liminality, Peggy Pacini

CLCWeb: Comparative Literature and Culture

In her article "Tangier and Kerouac's Oriental Experience in Liminality" Peggy Pacini discusses Kerouac's production derived from his Tangerian experience. Since the Tangier narratives have no existence of their own in the Duluoz Legend and are included in larger volumes about traveling and passing through, Pacini examines how this production cohered within the entire Legend and the terminology and world vision Kerouac had already fashioned. Focusing on two texts, "Big Trip to Europe" and "Passing through Tangiers, France and London," Pacini considers Kerouac's and his alter ego Duluoz's visions of Tangier and their journey to Tangier as many thresholds or …

Bowles's Up Above The World As Beatnik Murder Mystery, Greg Bevan

CLCWeb: Comparative Literature and Culture

In his article "Bowles's Up Above the World as Beatnik Murder Mystery" Greg Bevan discusses Paul Bowles's fourth and final novel, which at the time of its publication was met with mixed reactions from reviewers and its creator alike, and has seen relatively scanty critical attention in the years since. Gena Dagel Caponi perceives in the novel a reflection of Bowles's struggle for control, during the time of its writing, in the face of his wife Jane's terminal illness. Building on this insight, the current essay notes the same tension in the writings of the Beats—a movement with which Bowles …

Beat Contenders (Micheline, Sanders, Kupferberg), A. Robert Lee

CLCWeb: Comparative Literature and Culture

In his article "Beat Contenders (Micheline, Sanders, Kupferberg)" A. Robert Lee asks if we are in danger of too fixed a Beat canonization. That is, do the Usual Suspects—Ginsberg, Kerouac, and Burroughs, with Corso, Ferlinghetti, Cassady, and Snyder in the frame—assume too presiding a role? There is, for sure, rightly, increased recognition of Beat women writers and attention has been given to the Afro-Beat circuit and, indeed, to a wider multicultural roster to include Latino/a and Asian American authorship. Beat's international reach has won its place, from the United Kingdom and Continental Europe to Japan and Australia. Even so, other …

The Cultural Translation Of Ginsberg's Howl In Turkey, Erik Mortenson

CLCWeb: Comparative Literature and Culture

In his article "The Cultural Translation of Ginsberg's Howl in Turkey" Erik Mortenson examines three Turkish translations of Allen Ginsberg's poem Howl in order to explore the ways in which Ginsberg's poem becomes redeployed in new cultural contexts. Orhan Duru and Ferit Edgü's 1976 translation presents a more politicized Ginsberg that draws on his anti-establishment credentials as a social activist. This comes as little surprise, since in pre-1980 coup Turkey rebellion was thought in purely political terms of right verses left. Hakan Arslan's 1991 update provides a less political and more familiar Ginsberg, in keeping with a society that left …

Introduction To Global Beat Studies, Oliver Harris, Polina Mackay

CLCWeb: Comparative Literature and Culture

No abstract provided.

Kerouac And Burroughs In Tangier, Regina Weinreich

CLCWeb: Comparative Literature and Culture

In her article "Kerouac and Burroughs in Tangier" Regina Weinreich discusses the two authors' and their friends' lives in Tangier. Given Burroughs's need for collaboration as a significant part of his method of weriting, Kerouac's more solitary approach to writing, and taking into account unpublished journals and new scholarship on this subject, Weinreich explores their time together in Tangier in order to shed some light on the two writers in an "interzone" of their processes of creation.

The Road Trip As Artistic Formation In Defeo's Work, Frida Forsgren

CLCWeb: Comparative Literature and Culture

In her article "The Road Trip as Artistic Formation in DeFeo's Work" Frida Forsgren discusses previously unpublished photographic material documenting Jay DeFeo's road trip in Europe and North Africa in the 1950s. Forsgren argues that the Beat road trip is by no means an exclusively masculine enterprise and quest: DeFeo's journey helped open the door to her emancipation as a female artist and propelled her artistic development. Moreover, the global experience represented by the trip helped shape her local Beat milieu upon her return to San Francisco. While European, Medieval, Italian Renaissance, and Hebrew influences in DeFeo's oeuvre have been …

Politics Of Feminist Revision In Di Prima's Loba, Polina Mackay

CLCWeb: Comparative Literature and Culture

In her article "Politics of Feminist Revision in di Prima's Loba" Polina Mackay explores Diane di Prima's two-volume epic Loba (1998) and, through a comparison of di Prima to the work of Adrienne Rich, argues that Loba practices a politics of feminist revision. Further, Mackay examines the ways in which di Prima starts to move away from the recovery project of female voices in patriarchal culture, associated with late twentieth-century Feminism, towards a women's literature which need not be defined entirely through its resistance to patriarchal narratives of gender in men's literature. Here it focuses on di Prima's revisionist …

Fashion And Female Beat Identity In The Writing Of Jones, Johnson, And Di Prima, Raven J. See

CLCWeb: Comparative Literature and Culture

In her article "Fashion and Female Beat Identity in the Writing of di Prima, Johnson, and Jones" Raven J. See discusses how the women writers of the Beat Generation have become iconically defined by their fashion choices. Clothing and accessories offer Beat women a means to construct and express their identity and Diane di Prima, Joyce Johnson, and Hettie Jones write about fashion in their narratives of self-creation. Like their male contemporaries, Beat women make style choices that allow them to reject mainstream culture and identify within Beat subculture. However, these women write about their decisions to accept or reject …

Theories Of Opiate Addiction In The Early Works Of Burroughs And Trocchi, Richard English

CLCWeb: Comparative Literature and Culture

In his article "Theories of Opiate Addiction in the Early Works of Burroughs and Trocchi" Richard English discusses William S. Burroughs's and Alexander Trocchi's representations of opiate addiction with special reference to their early writings. English examines the concept of homo heroin that can be attributed to Burroughs and lists and expounds its qualities. Among these are: immorality, criminality, mono-objectuality, self- and other-indifference, and, most importantly, the radical physical transformation into a new species, which Burroughs extends in Naked Lunch. English shows how homo heroin relates to Trocchi's conception of a heroin addict, which serves to illustrate that homo …

How Burroughs Plays With The Brain, Or Ritornellos As A Means To Produce Déjà-Vu, Antonio José Bonome

CLCWeb: Comparative Literature and Culture

In his article "How Burroughs Plays with the Brain, or Ritornellos as a Means to Produce Déjà-Vu" Antonio José Bonome discusses how the recurrence and significance of one of William S. Burroughs's most potent refrains, "dim jerky faraway," was inspired by its source text, Paul Bowles's second novel Let It Come Down (1952), where Tangiers-Interzone fuels the unwholesome descent of a US-American expatriate not unlike Bowles or Burroughs himself. "Dim jerky faraway" was used by Burroughs during more than two decades in different contexts, and its textual variations have sparked a mélange of colors, sounds, smells, and feelings oscillating in …

Selected Bibliography For The Study Of The Beat Generation, Oliver Harris, Polina Mackay

CLCWeb: Comparative Literature and Culture

No abstract provided.