Introduction: Mediating Catholicisms: Studies In Aesthetics, Authority, And Identity,
2019
University of North Carolina at Charlotte
Introduction: Mediating Catholicisms: Studies In Aesthetics, Authority, And Identity, Eric Hoenes Del Pinal, Marc Roscoe Loustau, Kristin Norget
Journal of Global Catholicism
No abstract provided.
Bibliography On Suffering,
2019
Sichuan University, Sung Kyun Kwan University
Bibliography On Suffering, Simon C. Estok
CLCWeb: Comparative Literature and Culture
No abstract provided.
Domestic Trauma And Imperial Pessimism: The Crisis At Home In Charles Dickens’S Dombey And Son,
2019
University of Iowa
Domestic Trauma And Imperial Pessimism: The Crisis At Home In Charles Dickens’S Dombey And Son, Katherine E. Ostdiek
CLCWeb: Comparative Literature and Culture
In “Domestic Trauma and Imperial Pessimism: The Crisis At Home in Charles Dickens’s Dombey and Son,” Katherine Ostdiek discusses Dickens’s representation of violence, grief, and recovery within the Victorian home as a pre-Freudian example of trauma. This comparison not only demonstrates the importance of trauma studies in the nineteenth-century, but more importantly, it thematically focuses empathy for the traumatized on the home. In this novel, Dickens dismisses topics related to the financial and social crises of mid-century Britain in favor of domestic themes that emphasize an idealized structure of the Victorian family. Through her use of trauma theory and …
Suffering And Climate Change Narratives,
2019
Sung Kyun Kwan University
Suffering And Climate Change Narratives, Simon C. Estok
CLCWeb: Comparative Literature and Culture
In his article "Suffering and Climate Change Narratives" Simon C. Estok begins with a brief survey of definitional issues involved with the term “suffering” and argues that there has been a relative lack of theoretical attention to suffering in climate change narratives, whether literary or within mainstream media. Estok shows that suffering, far from being singular, is a multivalent concept that is gendered, classed, raced, and, perhaps above all, pliable. It has social functions. One of the primary reasons for the failure of climate change narratives to effect real changes, Estok argues, is that they often carry the functions of …
The Punctum In History: Representing The M(Other)’S Death In Peter Handke’S A Sorrow Beyond Dreams,
2019
Mersin University, Turkey
The Punctum In History: Representing The M(Other)’S Death In Peter Handke’S A Sorrow Beyond Dreams, Hivren Demir Atay
CLCWeb: Comparative Literature and Culture
This article aims to discuss how Handke’s autobiographical narrative, A Sorrow Beyond Dreams (1972), stages the writer’s literary project through a neutral account of his mother’s suicide. Telling the story of his mother, who witnessed the Second World War and the nazi regime, Handke narrates the traumatic history of an Austrian town along with his own suffering. Concentrating on his attempt at a distanced language and his questioning of history as an objective fact, the article suggests that Handke’s perception of death and mourning parallels his understanding of the acts of writing and reading. Drawing particularly on Barthes’s concept …
The Different Representation Of Suffering In The Two Versions Of The Vegetarian,
2019
Sungkyunkwan University
The Different Representation Of Suffering In The Two Versions Of The Vegetarian, Young-Hyun Lee
CLCWeb: Comparative Literature and Culture
In her article “The Different Representation of Suffering in the two versions of The Vegetarian” the author examines how different the representation of suffering in the original and translated versions of The Vegetarian and explores the reasons for this difference. The author in particular refers to representative episodes which the translator’s strategy distorts even the central concepts of suffering in the original work. Her translated version results in critical misrepresentation of suffering and violence in the original version.
Enduring The Long Take: Tsai Ming-Liang’S Stray Dogs And The Dialectical Image,
2019
National Yang-Ming University
Enduring The Long Take: Tsai Ming-Liang’S Stray Dogs And The Dialectical Image, Louis Lo
CLCWeb: Comparative Literature and Culture
This essay attempts to show that Tsai’s Stray Dogs (2013) offers a social critique of Taipei as a neoliberal, global, consumer city, and by so doing establishes a cinema of contemplation through such cinematic devices as the sustained long-take and slow, virtually still cinematic images. By developing Walter Benjamin’s formulation of the dialectical image, this essay explores the extent to which Tsai’s cinematic aesthetics reveals an aspect of the city which cannot be shown otherwise. It argues that his slow cinema creates a potentially revolutionary awakening in an audience accustomed to an immersive mode of cinematic experience which turns the …
Shelley’S Frankenstein As A Book Of Love And Despair,
2019
National Chengchi Univeresity
Shelley’S Frankenstein As A Book Of Love And Despair, Shun-Liang Chao
CLCWeb: Comparative Literature and Culture
Influenced by Enlightenment philosophes like Rousseau and Smith, Romantic writers, such as Coleridge and Percy Shelley, celebrate the sublime power of sympathetic love to merge the self and the other (be it human or inhuman) into a wondrous whole, thereby precluding the dangers of solitude and solipsism. Not all Romantic writers, however, share the same sanguine view of love. In Frankenstein, for instance, Mary Shelley offers an alternative to the optimistic perspective on the capacity of (mutual) sympathy. She shapes the novel into tales of bitter solitude, one caused by the lack of sympathetic understanding between Victor and nature, …
Salam Neighbor: Syrian Refugees Through The Camera Lens,
2019
Middle Tennessee State University
Salam Neighbor: Syrian Refugees Through The Camera Lens, Lava Asaad
CLCWeb: Comparative Literature and Culture
This paper examines the documentary Salam Neighbor (2015), which celebrates the will of Syrian refugee women who are displaced in Jordan. The collective experience of the refugees portrayed in the documentary solicits a reaction from the Western viewer. To counteract the images of refugees in the media, documentaries can be a good alternative for mass media, which has been perpetuating a binary of the West and the Rest. The argument tackles the issue of this new representation of refugees in documentaries within a postcolonial paradigm of how we represent or speak to/with the Other in our technological age, as well …
Introduction To Suffering, Endurance, Understanding: New Discourses Within Philosophy And Literature,
2019
Hong Kong Baptist University
Introduction To Suffering, Endurance, Understanding: New Discourses Within Philosophy And Literature, Douglas S. Berman
CLCWeb: Comparative Literature and Culture
Literature is generally seen as depicting the lives of human subjects through their unique narratives. And that, while its endpoint may be universal, it is typically grounded in the specificity of a human being (or, occasionally, an animal). Philosophy is tasked with providing the foundational cognitive tools to grasp the meaning of experience for the whole. In Hegelian terms, it unfolds the history of the concept. Yet, as George Steiner, Jacques Derrida, and other recent authors have shown, both philosophy – along with its agonistic cousin, religion -- evoke literary themes, rhetorics, and struggles. Over the past fifty years, Continental …
Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up,
2019
University of Oxford/ École normale supérieure
Infidelity As Reality: Re-Staging The Global South With Abbas Kiarostami’S Close-Up, Sinan Richards
Artl@s Bulletin
In this article, we contend that, in the fields of art and visual culture, the Global South is both an elaborate lie and a radical opportunity for transformation. We investigate Kiarostami’s Close-up alongside Lacan’s psychoanalysis to show how Close-up’s filmic narrative evokes the same ‘polyvalence’ and ‘slipperiness’ as the notion of the Global South. We argue that Kiarostami’s Close-up retroactively changed Sabzian’s fate, and in so doing, Kiarostami’s re-staging actively overwrites History itself. We read the same narrative move in the concept of the Global South to suggest that the Global South adopts the Kiarostamian strategy of infidelity as reality …
The Ends Of Plot: Rupture And Entanglement In L’Amica Geniale,
2019
CUNY Graduate Center
The Ends Of Plot: Rupture And Entanglement In L’Amica Geniale, Victor X. Zarour Zarzar
Dissertations, Theses, and Capstone Projects
This dissertation employs narrative theory to contextualize Elena Ferrante’s successful saga, L’amica geniale, within the larger tapestry of European novelistic discourses. It engages with conceptions of narrative structure put forth by critics like Ortega y Gasset, Brooks, and Winnett to understand how L’amica geniale offers cutting commentary on our exegetic practices and advances a geometry of narrative entanglement. I contend that Ferrante recuperates and italicizes nineteenth-century modes of storytelling, displaying a form of epistemological tension rooted in a movement away from a belief in plot’s semantic potentialities and into the postulation of a poetics of smarginatura or rupture. I …
Never Look Away (Werk Ohne Autor),
2019
Georgetown University
Never Look Away (Werk Ohne Autor), Frederick Ruf
Journal of Religion & Film
This is a film review of Never Look Away (Werk ohne Autor) (2018) directed by Florian Henckel von Donnersmarck.
Contradictions Of Freedom In The Tempest And The Brief Wondrous Life Of Oscar Wao,
2019
CUNY Hunter College
Contradictions Of Freedom In The Tempest And The Brief Wondrous Life Of Oscar Wao, Menaka Serres
Theses and Dissertations
In William Shakespeare’s The Tempest (1610-1611) and Junot Diaz’s The Brief Wondrous Life of Oscar Wao (2007) the character negotiate contradictions of freedom: the entitlements that justify violence as well as oppression on the one hand and rights that grant access to emancipation from violence and imposition on the other.
Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot,
2019
UNIST
Final Words, Final Shots: Kurosawa, Bortko And The Conclusion Of Dostoevsky’S Idiot, Saera Yoon, Robert O. Efird
CLCWeb: Comparative Literature and Culture
In their article "Final Words, Final Shots: Kurosawa, Bortko, and the Conclusion of Dostoevsky’s Idiot" Robert O. Efird and Saera Yoon discuss film adaptations of Dostoevsky’s novel. Both in his homeland and abroad, the major works of Fyodor Dostoevsky have largely made for disappointing film adaptations. This article examines the cultural diversity and aesthetic motivations underlying two very different adaptations of his novel Idiot, with particular attention to the concluding scenes. Both Akira Kurosawa and Vladimir Bortko follow the novelist's lead by hinting at some form of hope and future redemption amidst the tragedy but, for different reasons, …
Urban Landscape In Mcewan's Narrative Representation Of Berlin,
2019
Ruhr-University-Bochum, Germany
Urban Landscape In Mcewan's Narrative Representation Of Berlin, Barbara J. Puschmann-Nalenz
CLCWeb: Comparative Literature and Culture
In her article "Urban Landscape in McEwan's Narrative Representation of Berlin," Barbara J. Puschmann-Nalenz discusses the image of Berlin created in Ian McEwanﹸs novel The Innocent (1990) and the chapter titled "Berlin" in Black Dogs (1992). It starts from the hypothetical statement that while British literary fiction set in Berlin is rare after 1970 the genres of spy and detective novel, where crime and violence take center stage, shape the image of the city in highbrow narratives as well. The perspectivization of the cityscape, including its monuments, through the protagonists fundamentally influences its image. In The Innocent the limited view …
Retro-Future In Post-Soviet Dystopia,
2019
Moscow State Pedagogical University
Retro-Future In Post-Soviet Dystopia, Sergey Toymentsev
CLCWeb: Comparative Literature and Culture
In his article “Retro-Future in Post-Soviet Dystopia” Sergey Toymentsev explores the vision of retrospective future in such Russian novels as Tatiana Tolstaya’s The Slynx, Vladimir Sorokin’s Day of the Oprichnik, Olga Slavnikova’s 2017, and Dmitry Bykov’s Zhd. Unlike Zamyatin’s and Platonov’s anti-Soviet satires, post-Soviet dystopias do not respond to any utopian narrative, but project the historical and ideological reality of Russia’s violent (predominantly Soviet) past into the future. Such a traumatic reenactment of the Soviet past in the dystopian future testifies to the rise of authoritarianism in contemporary Russia as well as its incomplete collective memory …
Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease,
2019
Stellenbosch University
Okonkwo’S Reincarnation: A Comparison Of Achebe’S Things Fall Apart And No Longer At Ease, Mary J. N. Okolie, Ginikachi C. Uzoma
CLCWeb: Comparative Literature and Culture
Abstract: The reincarnation myth is a global concept, founded basically in religion and tradition. It was especially vibrant in the ancient times in places like Egypt, Greece, and in continents like Asia and Africa, which possess varying understandings of the myth. In Igbo tradition, for example, it is believed that reincarnation occurs within a family. And that some of the marks of reincarnation are usually the possession of the birthmark or certain other physical features and the exhibition of character and behavioral traits of a deceased person by a living member of his/her immediate or extended family. Thus, reincarnation entails …
Practices Of Intellectual Labor In The Republic Of Letters: Leibniz And Edward Bernard On Language And European Origins,
2019
Old Dominion University
Practices Of Intellectual Labor In The Republic Of Letters: Leibniz And Edward Bernard On Language And European Origins, Michael C. Carhart
History Faculty Publications
For a project on the origins and migrations of the European nations, Leibniz wanted to see a comparative lexicon purporting to derive the Germanic languages from Asiatic sources. Friends in nearby Gotha were known to have the book; its author had corresponded with Leibniz a few years earlier. But actually getting the book was more difficult than one might expect. In addition to the actual logistics and manners of scholarly communication in the late seventeenth century, this essay shows what scholars were trying to accomplish by establishing the prehistoric origins of the modern nations.
Vladimir Mayakovsky’S Agit-Semitism,
2019
Bucknell University
Vladimir Mayakovsky’S Agit-Semitism, Ludmila Lavine
Faculty Journal Articles
Images of Jewishness as ethnic, cultural, and biblical categories in Vladimir Mayakovsky’s works are both plentiful and understudied. The present article attempts to bridge this gap while exploring the mechanisms that guide the poet’s responses to anti-Semitism. I begin by focusing on the function of the Exodus story in Stikhi ob Amerike(Verses about America), and then move to Mayakovsky’s “agitational” works: his collaboration on the film Evrei na zemle(Jews on the Land, 1927), and his poems ““Evrei (Tovarishcham iz OZETa)” (“Jew [To Comrades from OZET],” 1926) and “‘Zhid’” (“‘Yid’,” 1928). I argue that, while Mayakovsky continues the established …
