European Languages and Societies Commons^™

Pedro Mexía And The Politics Of Translation In The Early Modern World, Erin Fairweather, Robert Fritz

Posters-at-the-Capitol

Spanish humanist Pedro Mexía (1497-1551) wrote two highly influential texts in the sixteenth century, the Silva de varia lección (1540) and the Historia imperial y cesárea (1545), which were, notably, written in Spanish, a vernacular language, as opposed to Latin, the academic language of the age. As these books presented previously inaccessible scientific and historical knowledge to the common person, they were soon translated into several languages, achieving widespread fame and influence. However, the texts have been mostly forgotten and have seen little study in recent times. Nevertheless, the Silva and the Historia can help us better understand the politics …

Stourhead In Arcadia Ego: The English Countryside And The Expanding British Empire In Eighteenth-Century, Rachel C. Sherr

Theses and Dissertations

Stourhead Gardens, an emblematic eighteenth-century landscape, reflects Britain's socio-cultural and imperial changes. Owned by the Hoare family, it melds classical influences and Enlightenment ideals. Existing research deciphers its iconography, but this thesis broadens the perspective, placing Stourhead in its era's socio-cultural context. It's a narrative rich in cultural and historical significance, shedding light on identity, art, and culture, past and present.

John Gower: The Minor Latin Works, Robert J. Meindl, Mark T. Riley

Accessus

A translation, with introductions, of the minor Latin works of John Gower.

Preface To A New English Translation Of The Minor Latin Works Of John Gower, Georgiana Donavin, Eve Salisbury

Accessus

The editors' preface to Robert J. Meindl and Mark T. Riley's new English translation of the Minor Latin Works of John Gower.

The Authors

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Short professional biographies of the Contributors: Dimitra Andrianou, Giacomo Bardelli, Magali An Berthon, Tina Boloti, Cecilie Brøns, Ana Cabrera-Lafuente, Francesca Coletti, Roxana Coman, Catarina Costeira, Cristina Cumbo, Camilla Cziffery Nielsen, Klara Dankova, Anna Maria Desiderio, Kerstin Droß-Krüpe, Arianna Esposito, Astrid Fendt, Nade Genevska Brachikj, Francisco B. Gomes, Judith Goris, Audrey Gouy, Karina Grömer, Morten Grymer-Hansen, Mary Harlow, Susanna Harris, Sophia Larissa Hayda, Angela Huang, Floor Huisman, Alina Iancu, Zofia Kaczmarek, Marisa Kerbizi, Meghan Korten, Tetiana Krupa, Karolina Anna Kulpa, Lena Larsson Lovén, Ronja Lau, Yuliia Lazorenko, Susanne Lervad, Petra Linscheid, Christina Margariti, Maria João Melo, Elena Miramontes Seijas, Leyre Morgado-Roncal, …

The Euroweb Textile And Clothing Terminology Network And The Digital Atlas Of European Textile Heritage: Some Reflections And Results, Louise Quillien, Alina Iancu, Meghan Korten, Susanne Lervad, Joana Sequeira, Catarina Costeira

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

One of the research areas of the EuroWeb project during the four years of the COST Action (November 2020 – October 2024) is the comparative study of textile and clothing terminologies in European languages across time. Inside the EuroWeb network, the research group on Textile and clothing terminologies has three topics of particular interest: 1. the specificities of these terminologies, and the strategies for naming textiles and garments; 2. the impact of European geography on textile and clothing terminologies, especially visible through textile terms formed after a toponym or through the circulation of loanwords; 3. the influence of textile and …

Exploring Dress, Gender, And Bodily Capital Through Pre- And Protohistoric Funerary Contexts: Case Studies From Southwestern Europe, Francisco B. Gomes, Catarina Costeira, Anna Maria Desiderio, Arianna Esposito, Giacomo Bardelli

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

While uneven in their scope and reach, studies of dress and dress complements (fibulae, belt buckles, buttons, etc.) have a significant tradition within the broader study of the pre- and protohistory of Mediterranean Europe. Many of these studies, however, have had a strong focus on the typology of the dress complements and ornaments themselves, either as chronological indicators, ethnic markers, or both. In more recent years, however, a shift in research agendas has ushered in the introduction of new perspectives and new ways of thinking about dress and bodily adornment.

This contribution explores one such perspective in particular — namely, …

Displaying And Experiencing Dress Identities In Museums: Case Studies From The Etruscan Period To Modern Times, Karina Grömer, Astrid Fendt, Morten Grymer-Hansen, Anna Zimmermann, Kayleigh Saunderson, Camilla Cziffery Nielsen, Francisco B. Gomes

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Dress, clothes, and accessories receive and give meaning through their nearness to the human body. As P. Stallybrass writes: “Bodies come and go: the clothes that have received those bodies survive.” It is through the close interaction between dress and person that they both receive their meaning. Clothes shape the human body, and we in return shape our clothes. Dress communicates class, gender, nationality, and marital status, and we leave behind parts of us in its smell, wrinkles, wear, and tear: “Clothes receive the human imprint.” Archaeological and historical dress — no matter how ancient — remain intrinsically linked to …

Unha Vez Tiven Un Cravo (Once I Had A Nail), Roslie De Castro, Scott Cooper

Obsculta

Rosalia de Castro was a nineteenth-century Spanish Catholic writer now best-known for her novels, but her poetry is widely admired in the Spanish-speaking world as well. This devotional poem is written in the language of her native region of Galicia, and the translator hopes that this new version will awaken interest in Castro's work in the English-speaking world.

Red Dyes From West To East In Medieval Europe: From Portuguese Manuscript Illuminations To Romanian Textiles, Irina Petroviciu, Paula Nabais, Maria J. Melo

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Red is the color par excellence, its symbolism being linked with protection and magic through its primary attributes, fire and blood. It was the predominant color from the earliest times, certainly during the Greek and Roman periods and into Medieval Europe, until blue became a competitor around the 13th century. Mineral pigments, like iron oxides, were the first red sources, used to draw lines, dots, or spots on cave walls or stones. Later, other mineral red pigments were also exploited: Cinnabar, natural mercury sulfide, since the Neolithic, and realgar, arsenic trisulfide, in Ancient Egypt. Scientific investigation revealed that, although …

Searching For The Exotic: Textiles, Orientalism, And Identities, Ana Cabrera, Roxana Coman, Karolina A. Kulpa, Tim Parry-Williams

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles, with their economic, sartorial, and identity-constructing functions, have long been at the center of cultural discourses, whether narrative or visual. Objects of desire, but also objects of curiosity, textiles have been the topic of costume books, offered in diplomatic exchanges, collected by private collectors and museums alike, and have traveled, sometimes as sample books. Their Othering function did not only differentiate between members of different civilizations, but also the members of the same society, where clothing was used to signal rank and function. The case studies presented intend to elaborate further on the role and symbolism associated with textiles, …

Clothing In Transition: Social, Symbolic, And Legal Aspects Of Garments From Prehistory To The Early Byzantine Period, Tina Boloti, Francesca Scotti, Cristina Cumbo, Petra Linscheid

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Since ancient times, garments served a wide range of purposes: Either functional, providing protection by covering the body, or symbolic, as an element of non-verbal communication and marker of identity. In particular, this stimulates the development of specific characteristics in shape, decoration, or material composition, which generate distinctions among garments, as acknowledged by Roman jurists too.

These distinctions are determined by various factors. One important factor is the social meaning of clothing: There are garments for public life, garments expressing rank, garments suited for special professions, or garments intended for sacred/priestly rites reflecting particular religious symbols. And, of course, clothes …

She Speaks For Millions: The Emergence Of Female Diplomatic Voices In The Russo-Ukrainian War, Amber Brittain-Hale, Amber Brittain-Hale

Education Division Scholarship

This research critically investigates the public diplomacy strategies deployed by a cohort of influential female European leaders on Twitter during the Russo-Ukrainian War of 2022-2023. The study comprises eight leaders - Kallas (Estonia), Marin (Finland), von der Leyen (President of the European Commission), Metsola (President of the European Parliament), Sandu (Moldova), Simonyte (Lithuania), Zourabichvili (Georgia), and Meloni (Italy) - representing millions of constituents. By mirroring the analytical attention given to Ukraine's President, Volodymyr Zelenskyy, this study scrutinizes the distinct approaches and dif erences in emotional, cognitive, and structural language use between these influential female figures and President Zelenskyy in their …

Understanding Gold Textiles: Case Studies Of Gold Threads From The Bronze Age And Antiquity In Europe, Karina Grömer, Francesca Coletti, Francisco B. Gomes, Kayleigh Saunderson

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

The production of textiles, in terms of weaving techniques, has a long history in Europe, and dates back to the Stone Age, the time during which the first farming communities arrived in the Mediterranean and Central Europe, in the 7th/6th millennium BC. The first evidence of textile tools, like spindle whorls and loom weights, demonstrate that people made an important step forward in mechanizing this craft, not only twisting fibers and interlacing strands purely by hand, but also inventing tools to increase efficiency. Through the development of textile techniques, we see the unleashing of enormous creative power that stimulated even …

“What’S In A Name?” Toponyms And Loanwords In European Textile Cultures, Dimitra Andrianou, Klara Dankova, Nade Genevska Brachikj, Angela Huang, Meghan Korten, Elena Miramontes, Jasemin Nazim, Marie-Alice Rebours, Joana Sequeira

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Textiles as man-made products have been exchanged over distances for millennia. They can and have been produced almost anywhere; they are also, as a product, highly differentiated and quickly adjustable to changing demands. This brings with it naming practices to communicate about the goods in question. Textiles are labeled so that people can form expectations about them and rely on the reputation tied to the product’s identity. The terminology of textiles and textile items arises and develops in unison with technical innovations, discoveries, fashions, and trade patterns. Although the occurrence of toponyms e.g., in preindustrial trade (10th to 18th century …

The Terminology Of Soft Furnishings In Ancient Babylonia, Greece, And Rome: A Comparative Approach, Dimitra Andrianou, Elena Miramontes, Louise Quillien

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

Various kinds of textiles were used to furnish domestic spaces in Antiquity, such as curtains, covers, hangings, pillows, cushions, mattresses, rugs, tapestries, tablecloths, and towels. These objects have practical and everyday functions, they embellish and add to daily comfort in the house and speak to the owner’s prosperity. Being made of perishable materials, furnishings have, on the whole, not survived in ancient Mesopotamia, Greece, and Rome. Apart from a few excavated pieces of textiles found in tombs, our information comes primarily from written testimonia and iconography.

It is thus essential to consider soft furnishings in their own right, in order …

Textiles, Dress And Politics: A Diachronic Perspective Through The Case Studies Of Ancient Rome And Medieval Iceland, Meghan Korten, Zofia Kaczmarek

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

People dress for more than just aesthetic reasons. Over the centuries, dress became a sign of human civilization, allowing us to identify the origin, gender, and status of the wearer. Textiles and clothing influence our body, posture, movements, and the way we are perceived by society. Textiles are also a tool used by people to further their agenda, that is why they found their place in the political life of many ancient and modern societies.

According to Michel Foucault, power can be understood as a set of activities influencing the life of the other: It provokes, forbids, or permits, but …

Maka: Distribuzione E Circolazione Di Un Film Indipendente, Simone Brioni Dr.

Department of English Faculty Publications

The distribution and circulation of independent films are fundamental but often neglected aspects in film studies. This article presents a distribution experience followed by the author of the text himself: the case of the independent documentary Maka. Produced thanks to an academic grant and the collaboration with two Italian production companies, Maka was screened at numerous international festivals and received several awards. Distribution involved both traditional cinema circuits and independent digital platforms. The film has been screened in academic and associative contexts, in Italy and the United States, encouraging debates on social and cultural issues. The participation of the protagonist, …

Utopia And Dystopia In Shakespeare’S Plays, Wenhui Duan

Dissertations and Theses

Writers and literary scholars’ interest in utopian fiction has increased in the recent decades, although the term originates from Sir Thomas More’s 1516 Utopia. Many Shakespeare scholars show interest in studying Utopia in Shakespeare’s comedy The Tempest, but not many scholars study Utopia in other Shakespeare’s plays. The contrary to Utopia is Dystopia, which appears as a term in 1952, however, More has set out elements of Dystopia in his 1516 Utopia. Few scholars study Dystopia in Shakespeare’s plays. In three chapters, this thesis compares Utopia in two of Shakespeare’s comedies and Dystopia in two of Shakespeare’s tragedies from the …

Presenting Past People: Storytelling Through Prehistoric Garment Reconstructions, Floor Huisman, Anna Zimmermann, Ronja Lau, Karina Grömer

Textile Crossroads: Exploring European Clothing, Identity, and Culture across Millennia

This paper argues that we need to focus on past people (rather than just objects) in our narratives and museum displays to engage museum visitors more effectively. It will demonstrate that we can use a combination of well-researched physical and digital prehistoric garment reconstructions to implement more people-centered approaches also used in living history, which bring the past to life and allow visitors to literally come face-to-face with long-dead people. In this way, visitors can relate to past people on an emotional level, which helps them to learn much more about past life than many traditional displays. After outlining how …