House Of Tarot Cards: Exposing The Truth Of The Demonic,
2026
Liberty University
House Of Tarot Cards: Exposing The Truth Of The Demonic, Elise Gayle Wolf
Masters Theses
House of Tarot Cards is an investigation of demonic influences in horror movies and the occult. The thesis title is based on how fragile a house of cards is. The slightest breeze or movement may topple one’s house of cards. Traditionally, a house of cards is made out of a deck of playing cards leaning two against each other to make two sides of a triangle. The use of Tarot cards in the title to describe the house is a wordplay using the origins of Tarot cards as playing cards. Eventually, this deck of cards is twisted into something sinister …
Lost Space,
2026
Liberty University
Lost Space, Ethan Johnson
Masters Theses
Set during the heightened space race, Lost Space explores the story of Kasey Martin, a young man who lost both his parents thanks to his father’s obsession with exploring the unknown which led to the earth and moon being swallowed up in a black hole. Having to deal with the fallout, Kasey and the rest of the survivors are forced to try and find their place among space, or what’s left of it.
Power Of Story: Christian Writing That Brings Redemption,
2026
Liberty University
Power Of Story: Christian Writing That Brings Redemption, Mahayla Rishel
Masters Theses
Christian writers have the unique opportunity to not only evoke emotion but to share the transformational love of Jesus Christ through their stories. A Redemptive Character Arc is a writing structure for fiction that transitions a character from the lie they believe to the fruit of the truth. Its writing structure goes from Beginning, Doorway, Inciting Incidents, Reckoning, Moment of Change, to Results. The Beginning is the character’s backstory and the lie they believe. The Doorway is the character’s need for change and the point of no return. Inciting Incidents reveal the truth to the character through suffering. The Reckoning …
Silent Awakening: Female Agency And Societal Moral Contradiction In Victorian Art And Literature,
2026
University of North Florida
Silent Awakening: Female Agency And Societal Moral Contradiction In Victorian Art And Literature, Jayden S. Crespo
PANDION: The Osprey Journal of Research and Ideas
The Victorian era was marked by rapid technological, religious, and societal modernization that impacted the art and literature of the time. Queen Victoria, whose name became an eponym for her sixty-three-year reigning period from 1837 to 1901, was a figure who demonstrated domestic propriety and moral responsibility during this time of rapid change. However, while social morality and familial traditional roles were highly esteemed, marital infidelity began to increase as prostitution rose in rapid numbers. With traditional ideals placing women on fragile angelic pedestals that would shatter with any sexual relations outside marriage, consensual or not, Victorian society was faced …
Selection From Manuscript Of Selected Poems, 1962,
2026
University of North Dakota
Selection From Manuscript Of Selected Poems, 1962, Lydia O. Jackson
Lydia O. Jackson Papers
A selection of pages from the manuscript draft of Lydia O. Jackson’s book, Selected Poems. The title page lists the organizations from which Jackson received awards for her writing. Other pages include acknowledgements of the original places of publication for the included poems; a page dedicating the work to her family; a complete table of contents; and five of the poems included in the book: “Spring,” “Floodviews,” “Cupid and Psyche,” “The Poet,” and “Roberta.” The poems engage with topics and themes related to nature, the North Dakota landscape, the Red River Flood of 1950, mythology, poetic inspiration, and family. The …
Artizein Arts And Teaching Journal Volume 11 (1),
2026
University of Lethbridge
Artizein Arts And Teaching Journal Volume 11 (1), Darlene St. Georges
Artizein: Arts and Teaching Journal
Full Issue
The Material Life Of Visual-Textual Pairs,
2026
University of Victoria
The Material Life Of Visual-Textual Pairs, Marzieh Mosavarzadeh, Ken Morimoto, Rita L. Irwin
Artizein: Arts and Teaching Journal
This visual essay follows the material lives of visual-textual pairs within a collaborative a/r/tographic inquiry, attending to how their changing forms invite relations we could not anticipate. Beginning as a digital exchange of photographs and texts between two collaborators, the inquiry expanded to include a third collaborator and later took the form of hinged, foldable cards shared at a conference round-table. Through gestures of lifting, revealing, passing, and (re)arranging, the pairs became participants in a collective inquiry, opening possibilities beyond their creators’ intentions. We wonder what becomes of inquiry when the gestures through which we share the work begin to …
Narrative Threads: Mining Testimonios And Story-Building As Transformative Practice,
2026
Kutztown University of Pennsylvania
Narrative Threads: Mining Testimonios And Story-Building As Transformative Practice, Nicole M. Romanski, Leslie C. Sotomayor Ii, Julia L. Hovanec
Artizein: Arts and Teaching Journal
This visual essay interweaves narrative and feminist testimonio practices through the lived experiences and critical reflections of three art educators. It explores storytelling as a transformative method within art education and visual culture. Through vignettes of personal narratives and testimonios, the authors examine how individual experiences shape their teaching philosophies and pedagogical practices. This article situates their positionalities through diverse creative processes, including story mining, bookmaking, filmmaking, advanced clinical experience reflections, and visual pláticas. By merging practice and reflection, the collaborators highlight narrative pedagogy as a tool for personal and professional growth. Drawing on the work of scholars such as …
Drawing Out Remarkable Communities,
2026
University of Victoria
Drawing Out Remarkable Communities, Bailey Ennig
Artizein: Arts and Teaching Journal
This visual essay examines how an unused classroom whiteboard evolved into a student-driven site of relational art and community building. Initially left blank, the whiteboard became a shared drawing space as students began to doodle informally, returning regularly to contribute and interact. Over time, these collective drawing practices fostered friendships, cross-grade connections, and a sense of belonging grounded in shared pop culture interests and creative play. Drawing on theories of relational aesthetics (Bourriaud, 2002), creative ecosystems (Harris, 2021), and connected learning (Ito et al., 2019), the whiteboard functioned as a dynamic social space shaped by student agency rather than teacher …
Metaphoring Visual Metaphors For Visual Art Research,
2026
University of New Mexico
Metaphoring Visual Metaphors For Visual Art Research, Jeff Horwat
Artizein: Arts and Teaching Journal
In Art Practice as Research, Graeme Sullivan (2005) advances a seminal argument for art making as a rigorous mode of inquiry capable of generating knowledge comparable to that produced within positivist traditions. He conceptualizes visual art research through a complex framework. To render this model usable, Sullivan introduces a braided metaphor that operationalizes the framework while implicitly demonstrating the generative capacity of visual metaphors to reshape theoretical constructs themselves. Building on this premise, this visual essay approaches Sullivan’s framework not as a fixed schema but as an open invitation for methodological experimentation.
Through a process of metaphoring—the conceptual melding …
The Humidity Of Living: Walking, Permeability, And Care As Embodied Research Practice,
2026
University of Victoria
The Humidity Of Living: Walking, Permeability, And Care As Embodied Research Practice, Lyndsay Mckay
Artizein: Arts and Teaching Journal
This visual-textual essay traces walking as an embodied research methodology situated at the intersection of autoethnography, material feminist theory, and practices of care. Drawing on nursing-informed sensorial attunement and site-responsive observation, the work follows a pedestrian route through urban and coastal landscapes to examine how bodies, infrastructures, atmospheres, and more-than-human matter co-produce perception. Through photographic documentation and poetic narrative, the project foregrounds permeability as a methodological stance—one that resists detached observation in favor of affective, relational, and trans-corporeal engagement. Concepts from Ingold’s correspondence, Alaimo’s trans-corporeality, Mol’s logic of care, and Benner’s embodied expertise are woven into lived encounters with decay, …
“To A Cupped Hand’S Size”: Reading Poetics Of Scale In Edith Tiempo’S Poetry,
2026
University of the Philippines Diliman
“To A Cupped Hand’S Size”: Reading Poetics Of Scale In Edith Tiempo’S Poetry, Thomas Leonard D. Shaw
Akda: The Asian Journal of Literature, Culture, Performance
Edith Cutaran Lopez-Tiempo’s body of work, alongside her stature as Philippine National Artist for Literature, has generated substantial scholarship on the fertile imaginaries and intersections of formalist poetics, the institutionalization of the writing workshop, and Philippine poetry in English. Building on these contributions, I turn instead to Tiempo’s negotiation of self-fashioning, memory work, and imaginative practice as a way of articulating questions of scale in her oeuvre. By reading a selection of poems from several of her poetry collections, I argue that reading Tiempo’s sustained engagement with strategies of disclosure and scale, as well as her preoccupation with the intimacy …
The Irresolution Of Genre In Edith Tiempo’S The Builder,
2026
Ateneo de Manila University
The Irresolution Of Genre In Edith Tiempo’S The Builder, Kaisa R. Aquino
Akda: The Asian Journal of Literature, Culture, Performance
The tradition and history of detective fiction in the Philippines remain a slim and largely untheorized terrain, and Edith Tiempo’s contribution to the genre with her fifth and last novel, The Builder (2003), has yet to receive critical attention. This paper takes the novel as its primary text and argues that the quasi-detective and the criminal, both indigenous subjects, produce a critical tension that is illegible to the generic framework of Western detective fiction. While the novel succeeds in deploying genre conventions, such as the analysis of signs through textual and material evidence, the contract of resolution through the assertion …
Ang Arkipelagotiko Sa Galaw Ng Asoge Ni Cirilo F. Bautista(The Archipelagothic In Cirilo F. Bautista’S Galaw Ng Asoge [The Movement Of Mercury]),
2026
De La Salle University
Ang Arkipelagotiko Sa Galaw Ng Asoge Ni Cirilo F. Bautista(The Archipelagothic In Cirilo F. Bautista’S Galaw Ng Asoge [The Movement Of Mercury]), Genevieve Asenjo
Akda: The Asian Journal of Literature, Culture, Performance
Binabasa ng sanaysay ang Galaw ng Asoge (2014), ang nag-iisang nobela sa Tagalog ni Cirilo F. Bautista, sa pamamagitan ng arkipelagotiko bilang relasyonal na metodo ng pagbasa. Ipinapanukalang nagiging arkipelagotiko ang nobela sa pagtatagpo ng magkakahiwalay ngunit nag-uugnayang salaysay, materyal na kasaysayan ng mga bahay, at hindi pantay na kakayahan ng mga tauhang gumalaw at magsalita. Ginagamit ang mga salitang pansuri na pagmumulto, pag-uulit, at pagitan sa tatlong magkakaugnay na aspekto: ang metakathang anyo ng nobela, ang mga bahay ng Ortiz at Zorilla bilang lugar ng kolonyal na yaman at patriyarkal na karahasan, at ang asoge bilang talinhaga ng pagkilos. …
Arbiya,
2026
King Faisal University, Saudi Arabia
Arbiya, Hamida T. Riahi
Journal of International Women's Studies
This short story narrates the lived experience of a young, rural, Tunisian student confronting the intersecting oppressions of class, gender, and regional marginalization in her pursuit of higher education. Positioned as an arbiya—a term loaded with regionalist and classist disdain—the protagonist is marked as inferior within the urban academic milieu. Her daily struggles with poverty, hunger, and moral scrutiny reveal the precarious conditions under which many women students from rural backgrounds must survive. The dormitory space, far from being a refuge, exposes her to exploitation, judgment, and social surveillance. The story reaches its emotional apex when her lover’s urban bourgeois …
Birthing In A Foreign Land,
2026
Fujairah University, U.A.E
Birthing In A Foreign Land, Sadhiya Saleem
Journal of International Women's Studies
This narrative poem explores the embodied experience of childbirth in a foreign land. Set within the unfamiliar environment of a hospital far from the speaker’s linguistic roots, the poem traces the physical and emotional landscape of labor as one profoundly shaped by displacement and disconnection. Through sensory imagery and fragmented memory, it portrays how giving birth in an unfamiliar context amid the absence of familiar support systems and linguistic comfort creates a profound sense of bodily estrangement. The poem enters broader feminist conversations to reclaim the maternal body, marked by migration and displacement, as a definitive site of memory and …
Use Of The Well-Star Model And Well-Star Graphic In Healthcare,
2026
Hacettepe University (Retired), Ankara, Turkey
Use Of The Well-Star Model And Well-Star Graphic In Healthcare, Fidan Korkut-Owen, Zubeyde Akpakir, Dean W. Owen
Journal of Wellness
No abstract provided.
Scénographier La Mémoire : Le Costume Théâtral Comme Archive Vivante. Retour Sur L’Exposition « Tisser Le Temps »,
2026
Institut Supérieur d’Art Dramatique et d’Animation Culturelle (ISADAC)
Scénographier La Mémoire : Le Costume Théâtral Comme Archive Vivante. Retour Sur L’Exposition « Tisser Le Temps », Mohammed Amin Boudrika
Regards
This article examines the role of theatre costume in constructing and transmitting the memory of the performing arts, drawing on the exhibition Tisser le Temps: Histoire et Création du Costume Théâtral Marocain (Weaving Time: History and Creation of Moroccan Theatre Costume), presented in 2024 as part of the National Theatre Festival of Tetouan. Given the ephemeral nature of theatrical performance, costume emerges as a material trace capable of preserving the memory of the production, of the actor's body and of the creative process. In this sense, it can be regarded as a genuine "living archive". The article also analyses the …
Archiver Le Théâtre Algérien : Itinéraire D’Un Chercheur,
2026
Université Badji Mokhtar d’Annaba
Archiver Le Théâtre Algérien : Itinéraire D’Un Chercheur, Ahmed Cheniki
Regards
Undertaking research on theatre in Algeria, the Arab world or sub-Saharan Africa is by no means an easy task; it is closer to an obstacle course. It is far from the simple "intellectual adventure" it is so often imagined to be. It is a gruelling experience, patiently built up over time: the outcome of a long and delicate process, a lengthy journey made up of rewarding moments, to be sure, and genuine discoveries, but also of trial and error, self-questioning, refusals, closed doors and, at times, decisive encounters.
Résumé
Entreprendre une recherche sur le théâtre en Algérie, dans le monde …
Interview – رحلة في أرشيفات المسرح العربي مقابلة مع أ.د سيد علي إسماعيل,
2026
جامعة لورين
Interview – رحلة في أرشيفات المسرح العربي مقابلة مع أ.د سيد علي إسماعيل, Ons Trabelsi
Regards
This interview looks back on the career of theatre researcher and historian Sayed Ali Ismail and on his distinctive journey through the forgotten and marginalised documents of Arab theatre. The historian highlights the importance of archives in building a reinterpretation of the history of the performing arts in the Arab world, particularly in Egypt.
ملخّص
تتناول هذه المقابلة المسيرة المهنية للباحث والمؤرخ المسرحي سيد علي إسماعيل، بالإضافة إلى رحلته الفريدة مع الوثائق المنسية والمهمشة في مجال المسرح العربي. ويؤكد الباحث على أهمية الأرشيفات في إعادة قراءة تاريخ الفنون المسرحية في العالم العربي، ولاسيما في مصر
كلمات مفتاحية
الأرشيف، التوثيق، التاريخ، …
