Kim Davis Part 2,
2015
Morehead State University
Kim Davis Part 2, Robert Sammons
Audio & Video History Collection
No abstract provided.
Suzanne Tallichet,
2015
Morehead State University
Suzanne Tallichet, Robert Sammons
Audio & Video History Collection
No abstract provided.
Robyn Cline,
2015
Morehead State University
Toni Hobbs,
2015
Morehead State University
Michael Biel,
2015
Morehead State University
David Bryant,
2015
Morehead State University
Czech Bluegrass In Play,
2015
East Tennessee State University
Czech Bluegrass In Play, Lee Bidgood
ETSU Faculty Works
Drawing from scholarship on play, ritual, and performance, I propose that Czech bluegrass thrives – as does my fieldwork – in a state of in-betweenness, in a territory that is between work, play, here and there, self and other. Being comfortable with this kind of in-between state is important for fieldwork, and for music-making – play, I find, is both a central activity and metaphor in both. The bluegrass play I discuss in this essay can become a response to the encroachment of Americanization in economic and cultural globalization, but also a way of being “Americanist” – and entirely Czech.
Review Of The Original Carolina Chocolate Drops: Giddons, Rhiannon. 2015. Tomorrow Is My Turn; Flemons, Dom. 2015. Prospect Hill; And Robinson, Justin. 2012. Bones For Tinder,
2015
East Tennessee State University
Review Of The Original Carolina Chocolate Drops: Giddons, Rhiannon. 2015. Tomorrow Is My Turn; Flemons, Dom. 2015. Prospect Hill; And Robinson, Justin. 2012. Bones For Tinder, Lee Bidgood
ETSU Faculty Works
Excerpt: Dom Flemons, Rhiannon Giddens, and Justin Robinson met at the Black Banjo Gathering at Appalachian State University in 2005. Inspired by this meeting in Appalachia, the trio worked to connect the legacy of Cumberland Plateau fiddler Howard Armstrong (of the 1920s band the Tennessee Chocolate Drops) with musical material they learned from their mentor, North Carolina Piedmont fiddler Joe Thompson. As the Carolina Chocolate Drops (CCD), these musicians explored a variety of black string band traditions.
Book Review Of Robert Morgan's Nonfiction Books,
2015
East Tennessee State University
Book Review Of Robert Morgan's Nonfiction Books, Ted Olson
ETSU Faculty Works
Robert Morgan's Nonfiction Books
2015 Cave Run Storytelling Festival Poster,
2015
Morehead State University
2015 Cave Run Storytelling Festival Poster, Cave Run Storytelling Festival Committee (Morehead, Ky.), Morehead Tourism Commission (Morehead, Ky.)
Cave Run Storytelling Festival Posters
Promotional development poster for the Cave Run Storytelling Festival held on September 25 to September 26, 2015. Those performing included: Spencer Bohren, Regi Carpenter, Peter S. Cook, David Novak, Donald Davis, Dolores Hydock, Susan O'Halloran, and Mary Hamilton.
Presentation Notes On What Happened To The People Who Were Involved In The Trials,
2015
Morehead State University
Presentation Notes On What Happened To The People Who Were Involved In The Trials, Lydia Justice Edwards
Robert S. Frasure Murder Trials
The presentation notes of Lydia Justice Edwards on the characters involved in the murder trials of Robert S. Fresure. Originally presented on August 26, 2016.
Tracing Appalachian Musical History Through Fiction: Representations Of Appalachian Music In Selected Works By Mildred Haun And Lee Smith,
2015
East Tennessee State University
Tracing Appalachian Musical History Through Fiction: Representations Of Appalachian Music In Selected Works By Mildred Haun And Lee Smith, John C. Goad
Electronic Theses and Dissertations
This research seeks to compare and contrast fictional Appalachian writings by Lee Smith and Mildred Haun to contemporary historical sources in an attempt to trace the development of Appalachian music between the mid-nineteenth century and the late twentieth century. The thesis examines two novels by Lee Smith (The Devil’s Dream and Oral History) and the collection The Hawk’s Done Gone by Mildred Haun, which includes a short novel and several short stories. Contemporary primary sources and scholarly secondary sources were used to compare the fictional works’ depictions of Appalachian music to their historical counterparts. Also included within the …
Media Representation Of Islam And Muslims In Southern Appalachia,
2015
East Tennessee State University
Media Representation Of Islam And Muslims In Southern Appalachia, Saundra K. Reynolds
Electronic Theses and Dissertations
Southern Appalachian attitudes about the religion of Islam and Muslim adherents are influenced largely by mass media's representations. With more than 80% of Appalachia’s population following Protestant Christianity, exposure to Islam in daily life is limited. Media outlets offer the greatest exposure to information about the religion and its adherents. This thesis examined the region's media representation of Islam and Muslims to determine what images are most often portrayed. Research following a twoyear span of reporting in Southern Appalachia studied substance, word frequency, imagery, and editing used in articles that focused on Islam and Muslims. Through the use of content …
“The Great Speckled Bird”- Early Country Music And The Popularization Of Non-Secular Song,
2015
East Tennessee State University
“The Great Speckled Bird”- Early Country Music And The Popularization Of Non-Secular Song, Kris R. Truelsen
Electronic Theses and Dissertations
Perhaps no melody in the country music canon has been as widely recognized and borrowed from as that of the song “The Great Speckled Bird.” This significant song has become resonant and representative of both country music culture and religious culture of the Protestant South.
Through this historiographical study, I have traced the influences that helped shape “The Great Speckled Bird” and in so doing have illustrated distinct movements that led to popularizing the non-secular song through commercial country music. The composer’s use of sentimentality, neo- traditionalism, and religious ideas made it appealing to a rural southern culture struggling with …
Collaboration, Fieldwork, And Film,
2015
East Tennessee State University
Collaboration, Fieldwork, And Film, Lee Bidgood
ETSU Faculty Works
Excerpt: I never imagined that I would help produce a documentary film based on my ethnographic fieldwork. Meeting documentary filmmaker Shara Lange during new faculty orientation at the university where we were both newly hired eventually led to our film Banjo Romantika (2013)—a full-length feature based on my research on bluegrass music in the Czech Republic, in which I play a key role as writer, producer, and on-screen character. Taking part in this film project has led me to consider how film enriches relationships with field colleagues, providing new opportunities for teaching and learning. I find that collaborations like ours …
The Process Of Musical Acquisition For Traditional String Musicians In The Homeschool Environment,
2015
East Tennessee State University
The Process Of Musical Acquisition For Traditional String Musicians In The Homeschool Environment, Keith R. Williams
Electronic Theses and Dissertations
This qualitative study examined how three accomplished traditional string musicians learned music in their homeschool environments. Data were derived from formal interviews of the three musicians. The research framework for this qualitative study is based upon the socio-educational model of second language learning motivation developed by R. C. Gardner (1959, 1985, 2004, 2010) and applied to the study of instrumental music learning motivation by P. D. MacIntyre (2012). Structured interview questions, triangulated by additional informal dialogues, field observations, externally documented sources, and collaboration with an expert review panel were the data collection activities utilized in the research. Five overarching themes …
Jess's Search For An Understanding Of Truth In Fred Chappell's Kirkman Tetralogy,
2015
East Tennessee State University
Jess's Search For An Understanding Of Truth In Fred Chappell's Kirkman Tetralogy, Alex L. Blumenstock
Electronic Theses and Dissertations
In Fred Chappell’s Kirkman tetralogy, narrator Jess Kirkman synthesizes a multiplicity of perspectives for understanding the nature of truth. Blurring the distinction between art and life, Jess's narrative structure mirrors the imaginative reconstruction of experience; the novels are largely non-chronological emotive interactions with and reflections of his most salient memories and imaginings. Synthesizing an impressive cacophony of voices, Jess's stories both describe and apply the wisdom and tales Jess acquires from and with his family members. Each story informs the prior and the next, and the rhizomatic interaction between language, narrative, and reader explores Jess's numerous identities and understandings as …
Under The Shadow Of The Awful Gallows-Tree: The Murder Trials Of Thomas Dula And Ann Melton As A Case Study In Gender And Power In Reconstruction Era Western North Carolina,
2015
East Tennessee State University
Under The Shadow Of The Awful Gallows-Tree: The Murder Trials Of Thomas Dula And Ann Melton As A Case Study In Gender And Power In Reconstruction Era Western North Carolina, Heather L. Miller
Electronic Theses and Dissertations
This is a micro-history that explores everyday life on a small scale by tracing the common, if elusive lives of Thomas Dula, Ann Melton, and Laura Foster, and the communities they lived in, to explore the culture in which they lived—and died. Reactions to the murder unleashed an outpouring of discourse embedded in broader, national debates concerning gender roles. The dominant cultural theme that emerged from the murder trials as reflected in middle-class newspapers maintained that true women did not kill and real men acted as gentlemen and defenders of women’s honor. The project mines a wealth of primary source …
O Brother, Where Art Thou? Understanding Culturally-Produced Limitations On Gay Male Community Formation In South Central Appalachia,
2015
East Tennessee State University
O Brother, Where Art Thou? Understanding Culturally-Produced Limitations On Gay Male Community Formation In South Central Appalachia, Michael Brandon Brewer
Electronic Theses and Dissertations
This research examines limitations presented to gay men living in south central Appalachia that are produced by Appalachian culture itself, in regard to community formation. This qualitative study intersects existing scholarship on rural sexualities, gay communities and Appalachian culture in order to gain insight into the complexities that effect men in the region. The data is synthesized through a contextual dialectics framework in order to position both the Appalachian culture in its entirety, and gay men residing in the region, as agentic actors that are simultaneously informed by and produce tensions between the two. This study explores ways in which …
Dewey Meets Bluegrass: Progressive Educational Theory In The Establishment Of Traditional Music Programs In Higher Education,
2015
East Tennessee State University
Dewey Meets Bluegrass: Progressive Educational Theory In The Establishment Of Traditional Music Programs In Higher Education, John C. Goad
Electronic Theses and Dissertations
The study focuses on connections between the Progressive era educational theories of John Dewey and present-day bluegrass and traditional music programs in higher education in order to explore a pedagogical basis for such programs. The research specifically examines Dewey’s beliefs in experiential learning, individualization, and vocational education and their current applications in traditional music education. The study included two major components: historical research into Dewey’s writings and primary and secondary sources regarding traditional music education in the United States, and interviews of faculty members in college and university bluegrass and traditional music programs. The thesis of this study is that …
