Celtic Studies Commons^™

Effects Of Christian Colonization On Celtic Mythology From Ancient Ireland To Contemporary Paganism, Evelyn Hanna

Aurora

Christian colonization played a critical role in reshaping Celtic mythology, yet the extent to which these transformations continue to influence modern perceptions of Paganism remains underexamined. This study investigates how the transcription of originally oral Celtic traditions by Christian monks altered the preservation of myth through reinterpretation and ideological influence. Drawing on historical and mythological sources, it analyzes key examples, including the transformation of the goddess Brigid into Saint Brigid and the reclassification of the Tuatha Dé Danann and the Aos Sí as folkloric or demonic figures. These cases demonstrate that the recording of myth was not a neutral process …

From Farewell To Fáilte: The Voices Of Iowa’S Irish Daughters, Katie Hermanson

History Theses, Dissertations, and Student Creative Activity

Irish women’s immigration to Iowa brought rich culture and lasting impacts, despite their contributions being silenced by history. Women left Ireland for economic opportunity and education abroad to support their impoverished families. Millions emigrated between 1830 and 1915, spreading across the world. The Irish women who came to the United States encountered discrimination and cultural stereotyping as they worked in domestic service, developed religious orders, taught school, owned businesses and raised families. Women bore the burden of supporting their families in Ireland by sending remittances home and communicating between countries. Their cultural identity as exiles dwelled in guilt for leaving …

Sir Gawain, The Travelling Sun Of Medieval Literature, Leah H. Dascoli

Undergraduate Honors Theses

This paper examines Sir Gawain’s roles in Medieval Arthurian literature from various geolinguistical regions in Europe. Starting in the twelfth century and extending to the late fifteenth century, there is a shift in literary legends that can be glimpsed through understanding what roles the authors of the Arthurian genre use for Sir Gawain.

By incorporating evidence within the text and supplementary evidence of historical context during which the stories were written and translated, this study seeks to create a discussion between the more obscure sources and more circulating sources in which Sir Gawain is a common factor. It argues that …

From Viðkenning To Valarindi: The Enigma Of Goldberry And The River-Woman, Derek Simon

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

THIS IS A TWO-PART ARTICLE. IN ORDER TO READ OR DOWNLOAD THE OTHER PART, FOLLOW THE LINK AT THE END OF THIS ABSTRACT.

Building upon the previous examination of the eddic and skaldic contours of Goldberry’s River kenning names, this reading of Goldberry’s enigma focuses on the mythological referents of her kinship relations and their narrative consistency in the legendarium.  Tending to the intrinsic connection between “[t]he incarnate mind, the tongue, and the tale” (Tolkien, On Fairy Stories, 41), I contend that the poetics of kenning diction sustain if not demand a reading of the River-woman references mythologically through …

“Neither Living Nor Dead”: From Nazgûl To The Sídhe In Tolkien's The Fellowship Of The Ring (1954), Noelia Ramos

Journal of Tolkien Research

This study explores the influence of Celtic supernatural folklore, particularly the banshee tradition, on Tolkien’s depiction of the Nazgûl in The Fellowship of the Ring. Using W.B. Yeats’ Fairy and Folk Tales of the Irish Peasantry (1888) and the Celtic Twilight movement as a comparative framework, it analyses “A Short Cut to Mushrooms” and “A Knife in the Dark”, focusing on liminality, spectral presence, and supernatural dread. These parallels are further contextualised through reference to early Irish texts The Táin Bó Cúailnge and The Boyhood Deeds of Fionn, central works within the Celtic literary compilation known to Tolkien …

When Women Weep: The Gendered Politics Of Lamenting And Death In Early Irish Literature, Catherine Van Wey

Scholarly Horizons: University of Minnesota, Morris Undergraduate Journal

Early Irish literature of the ninth through thirteenth centuries encodes gendered assumptions about women’s emotion through narratives in which grief, sorrow, and shame repeatedly lead to female death. Focusing on the thirteenth-century hagiographic text Tales of the Elders of Ireland, feminist standpoint theory is applied to reveal how male-dominated authorship shapes literary portrayals of women as emotionally excessive, dependent on men, and narratively expendable once those men are lost. Situated within the cultural tradition of female lamentation or caoineadh, these portrayals show how women’s ritual roles as mourners were mythologized and reworked into literary mechanisms that reinforce patriarchal authority. Within …

Tolkien's Oriental Sources? Renunciation Of Immortality And Fairy Nature, Giovanni Carmine Costabile

Journal of Tolkien Research

Thompson motif F302.6.2.2. Fairy gives up her fairy nature and becomes mortal to be able to return to her mortal husband and its combination with H310. Suitor tests and H1010. Impossible tasks are Oriental motifs, to be found only in the Tibetan tale of The Boy with the Deformed Head in O'Connor's 1907 collection and in the 9th century CE Japanese Taketori Monogatari. In this light, it appears necessary, assuming that Tolkien had a source for his idea of Lúthien sacrificing her Elven immortality and Elven fate, that his source must be found in the aforesaid narratives, both available …

"Sing It Again": Linguistic Medievalisms In Geoffrey Hill And Seamus Heaney, Christian Cotten-Dixon

Honors College Theses

This study examines the use of early medieval structure and language in the poetry of Seamus Heaney and Geoffrey Hill, focusing on their near-contemporary collections, North and Mercian Hymns. Both collections use etymological and poetic structures to fashion an imagined medieval past in order to discuss personal and cultural narratives of history. Leveraging these structures in poetry and digging them out of past strata like a material artifact, Heaney and Hill collapse linear systems of time and language and access past word forms even as they evolve. This archaeological approach to poetry gives them the means to place the …

Tolkien’S Exceptional Visit To Holland, Revisited: An Acquaintance With Maartje Draak, Bart Jaski, Kris Swank

Mythlore: A Journal of J.R.R. Tolkien, C.S. Lewis, Charles Williams, and Mythopoeic Literature

This note revisits J.R.R. Tolkien’s trip to the Netherlands, March 28-31, 1958, including his attendance at the Rotterdam Hobbit-maaltijd (“Hobbit Meal” or “Hobbit Dinner”), and afterwards. It focuses specifically on his interactions with Prof. Dr. Maartje Draak, a prominent Dutch Celticist. Although Prof. Draak is not mentioned in René van Rossenberg’s paper, “Tolkien’s Exceptional Visit to Holland: A Reconstruction” (Mythlore 1996), items from Prof. Draak’s archives at Utrecht University and an offprint paper she sent to Tolkien in 1959 allow us to recover Tolkien’s acquaintance with this important Dutch scholar, to enhance our picture of the famous Hobbit Dinner, …

"Things That Were, Things That Are, And Things That Yet May Be": The Matter Of Time In The Faërie Realms Of Tolkien's The Lord Of The Rings, Noelia Ramos

Journal of Tolkien Research

Tolkien’s feelings and relationship to Celtic themes are more nuanced than a simple binary of aversion versus passion. As he professed to Stanley Unwin—"Needless to say they are not Celtic!" (Letters #19)—his stance encompassed both resistance and fascination. His essay On Fairy-Stories, originally delivered as the Andrew Lang Lecture in 1939, can be seen as an early foundation for concepts later developed in The Lord of the Rings (1954–1955). In this context, the concept of fiction and the secondary world—particularly regarding the nature of time—is notably prominent, drawing parallels to the Celtic Otherworld.

This study aims to analyze …

From Pagan Chieftains To Christian Kings: Shaping Medieval Nordic Political Culture, Carissa Chinnery

Voces Novae

No abstract provided.

Nature Vs Nurture: Place In Perceval, Zoe Fosbinder

Theses/Capstones/Creative Projects

Perceval’s identity as a Welshman has its roots deep in his character, even if he is not aware of it. Raised in ignorance by his mother in an attempt to keep him safe from the dangers of his knightly heritage, Perceval represents a fascinating blend of culture and instinct that makes the crux of his character the age-old argument: nature versus nurture. Has his blood, heritage, and genetic history had more of an impact on him? Or has it been how he was raised, what he was taught as he grew? Much like Perceval himself, the answer is complicated, and …

An Exploration Of Irish Celtic & Early Germanic Brooches And Their Cultural Functions, Lisa Michele Medlen Mueller

Theses

During the early medieval period in the British Isles, jewelry objects, in particular brooches, served many functions, while simultaneously expressing differing social hierarchies and distinctions. The following analysis investigates the forms, materials, iconography, and symbolism present in brooches created by Irish Celtic and early Germanic peoples from the 7th to the 9th centuries CE, also termed Insular artworks. Additionally, this research examines the performative aspects of early medieval brooches in the British Isles, exploring their social roles as mediators between wearer and viewer. By analyzing specific examples such as the 'Tara' Brooch, Kingston Brooch, Londesborough Brooch, and Strickland Brooch, this …

The Interaction Between The Dagda’S Harp And Celtic-Inspired Music, Sixie Chen, Jeanne Sumrall

SACAD: Scholarly Activities

The purpose of this study is to find out the relationship between one of the Irish mythological symbols---The Dagda’s Harp and Celtic-Inspired Music. In Irish mythology, the god Dagda is able to use his harp to cause grief, joy, and sleep to people. The Dagda and his kin escape with the harp in battle against the Fomorians, which gave birth to these three strains of music, which would be played throughout Ireland as well as to the seasons, which sprang from his songs.

Personal Design, Political Design, Dark Design, Catherine Harper

Arts and Design

The western-feminist slogan ‘the personal is political’ (Hanisch, 1970) emerged in the late 1960s, connecting women’s varied experiences of, for example, reproductive autonomy, pay inequality, childcare/household labour, and domestic violence, with social and political issues. These include social justice, civil rights, abortion access, gay and women’s liberation, the dismantling of systemic racism and structural oppression.

As an Irish, feminist, auto-ethnographic artist-designer-writer-academic, my lived experience of three decades of political violence and social repression in Northern Ireland (1967-98) and the different but no less complex cultures of the UK (1996-2022) and Egypt (1922-), is informed by deliberatively, intentionally designed activism for …

He Is The Master Of Wood, Water, And Hill: Is Tom Bombadil The True Key Keeper Of The Old Forest?, Noelia Ramos

Journal of Tolkien Research

Tom Bombadil, with his iconic singing―”Hey! Come merry doll! Derry doll and merry-o!―has captivated scholars worldwide, due to the enigmatic nature Tolkien intentionally left unexplained. This deliberate mystery has fuelled extensive debate, leading many to explore possible mythological and cultural frameworks that might decode Bombadil’s origins. Among these hypotheses, a Celtic interpretation has often been dismissed despite its potential relevance. This paper, thereby, seeks to analyse Bombadil’s function within the Old Forest and his interactions with the hobbits during their forest episode, presenting fresh insights into his role as a Celtic-inspired guide and druidic figure.

To support this analysis, primary …

Two Poems: Detour And Galway Famine Ship Memorial, Kelly Norah Drukker

The Goose

Kelly Norah Drukker offers two poems: "Detour" and “Galway Famine Ship Memorial.”

The Stained & Bloody Cloths Of Ireland: A Material Culture View Of Irish Shame, Oppression, Morality And Repression., Catherine Harper Ph.D

Arts and Design

The Stained and Bloody Cloths of Ireland presents a textiles and material culture view of Irish shame, oppression, morality and repression.

Ireland – north and south – has sustained significant change in the last 100 years, since partial independence from Britain, accelerating at the end of the twentieth century with legalisation of contraception, divorce, gay marriage, the end – or at least reduction – of the ‘Troubles’ in the North, and freedom to choose abortion and reproductive autonomy.

In parallel to this, many instances of societal and ecclesiastical abuse, sexual repression, superstition and cruelty, have come to light through a …

‘An Intriguing But Ambiguous Privilege’: Adventures In Franco-Irish Relations Through The Prism Of The Diplomatic Meal, Elaine Mahon

Books/Book Chapters

This essay discusses the welcome banquet held in February 1945 in honour of the newly appointed French diplomatic envoy to Ireland, Jean Rivière, hosted by Éamon de Valera at Iveagh House, the headquarters of the Irish Department of External Affairs. The banquet took place at a moment when ‘an intriguing but ambiguous privilege’ had been granted by Charles de Gaulle’s Provisional Government to Ireland as the only country permitted to retain its diplomatic representative to France in the post-liberation period. Following the fall of the Vichy regime and the liberation of France in August 1944, de Gaulle’s government de- manded …

Navigating The Anglo-Irish Landscape: Imaginative Geographies In Bram Stoker And Elizabeth Bowen's Novels, Natalie Pearson

Theses/Capstones/Creative Projects

There has been great work done by scholars of Anglo-Irish Gothic tradition to assess the place of classic fictional characters within that tradition. Could a character’s identity contain an Irish dimension? Could they be, perhaps, an allegorical embodiment of the Anglo-Irish Protestant Ascendancy or native Irish peasantry? All excellent questions; however, this present study looks to explore a different perspective by considering “place” itself across four Anglo-Irish Gothic novels: that of Bram Stoker’s The Snake’s Pass (1890) and Dracula (1897) and Elizabeth Bowen’s The Last September (1929) and Bowen’s Court (1942). I seek to highlight the physical landscape in each …