1968: Romeo And Juliet,
Cleveland State University
Superiority In Humor Theory,
Bucknell University
Superiority In Humor Theory, Sheila Lintott
Faculty Journal Articles
In this article, I consider the standard interpretation of the superiority theory of humor attributed to Plato, Aristotle, and Hobbes, according to which the theory allegedly places feelings of superiority at the center of humor and comic amusement. The view that feelings of superiority are at the heart of all comic amusement is wildly implausible. Therefore textual evidence for the interpretation of Plato, Aristotle, or Hobbes as offering the superiority theory as an essentialist theory of humor is worth careful consideration. Through textual analysis I argue that not one of these three philosophers defends an essentialist theory of comic amusement. …
1953: Julius Caesar,
Cleveland State University
The Gambler's Son: A Scenic Design,
University of Nebraska-Lincoln
The Gambler's Son: A Scenic Design, Jill S. Hibbard
Johnny Carson School of Theatre and Film: Theses, Student Research, and Creative Work
The purpose of this thesis is to provide research, supporting paperwork, production photographs, and other materials that document the scenic design for the University of Nebraska, Glenn Korff School of Music opera premiere production of The Gambler’s Son by Tyler Goodrich White. This thesis contains the following: research images indicating an artist’s studio, historical Cozad, Nebraska photos, selected Robert Henri paintings and sketches, shapes, and forms; preliminary sketches and photographs of the ¼” scale model; a full set of drafting plates, projections design, paint samples, a props reference book; paperwork generated during the rehearsal process; and additional touring information. Archival …
Nobilitashungariae: List Of Historical Surnames Of The Hungarian Nobility,
Purdue University
Nobilitashungariae: List Of Historical Surnames Of The Hungarian Nobility, Steven Tötösy De Zepetnek
CLCWeb Library
nobilitashungariae: List of Historical Surnames of the Hungarian Nobility 2010- (ISSN 1923-9580 ©Steven Tötösy de Zepetnek Purdue University Press) is compiled by Steven Tötösy de Zepetnek based on published historical genealogical sources.
A magyar történelmi nemesség családneveinek listája 2010- (ISSN 1923-9580 ©Steven Tötösy de Zepetnek & Purdue University Press) genealógiai munkák alapján van Tötösy de Zepetnek Steven által összeállítva.
Fashion As Freedom - The Bustle And Women Of The Late Victorian Era,
Kennesaw State University
Fashion As Freedom - The Bustle And Women Of The Late Victorian Era, Sydney A. Everett
The Kennesaw Journal of Undergraduate Research
In contrast to the general bias of Americans, the First- and Second-Bustle periods allowed the women of the time to find freedom through changes in the Victorian fashion. The women of the 19th century were able to achieve freedom through the bustle periods between 1867 and 1889 by gaining freedom of movement more so than through any of the other fashions, first by gaining social and economic benefit through smuggling items in their bustles and finally, through being able to remove the bustle for athletic wear. This research uses primary research sources and contemporary scholarly essays to analyze how these …
Flipping The Script: Gabriela Silang’S Legacy Through Stagecraft,
Dominican University of California
Flipping The Script: Gabriela Silang’S Legacy Through Stagecraft, Leeann Francisco
Humanities & Cultural Studies | Senior Theses
Flipping the Script: Gabriela Silang’s Legacy through Stagecraft is a chronicle of the scriptwriting and staging process for Bannuar, a historical adaptation about the life of Gabriela Silang (1731-1763) produced by Dominican University of California’s (DUC) Filipino student club (Kapamilya) for their annual Pilipino Cultural Night (PCN). The 9th annual show was scheduled for April 5, 2020. Due to the limitations of stagecraft, implications of COVID-19, and shelter-in-place orders, the scriptwriters made executive decisions on what to omit or adapt to create a well-rounded script.
In this chronicle, scriptwriters’ choices in character development and musical elements in the show are …
The Sounds Of Madame Geoffrin’S Salon,
University of Memphis
The Sounds Of Madame Geoffrin’S Salon, Melanie Conroy
ABO: Interactive Journal for Women in the Arts, 1640–1830
Salons were core institutions of the eighteenth-century European social calendar, especially in Paris. Literary performances and philosophical conversation were the core activities of many of these gatherings. What did conversation and literary readings actually sound like at these events? To what extent were voices audible to everyone in the room, or too muffled or far away to be heard? What was the impact of the ambiance or of ephemeral sound on the reading or reception of the hearing? Using textual descriptions, paintings, and architectural information, I reconstruct two legendary readings of eighteenth-century texts, Voltaire’s L’Orphélin de la Chine and Marmontel's …
The Fight Master, Spring/Summer 2003, Vol. 26 Issue 1,
Marshall University
The Fight Master, Spring/Summer 2003, Vol. 26 Issue 1, The Society Of American Fight Directors
Fight Master Magazine
No abstract provided.
Male Ballet Dancers And Their Performances Of Heteromasculinity,
University of Nebraska-Lincoln
Male Ballet Dancers And Their Performances Of Heteromasculinity, Trenton M. Haltom, Meredith G. F. Worthen
Department of Sociology: Faculty Publications
Although previous research has investigated men in feminized sports, we took a different approach in this study and examined men in ballet. Because ballet is one of the most highly gender-codified sports, male ballet dancers must negotiate their identities as men while performing a dance form that is highly stigmatized as effeminate. We investigated how five self-identified heterosexual male college dance majors perceive and perform heteromasculinity within male ballet culture using qualitative data gathered from structured interviews. Results provide three unique contributions to the literature. First, we found that these men develop and contextualize their heteromasculinity in the context of …
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