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Tango In Solitude, Maria Hinterkoerner 2014 film and theater arts

Tango In Solitude, Maria Hinterkoerner

LSU New Orleans Theses and Dissertations

Screenplay


Queering The Freeways: Deconstructing Landscape And The Potential In Spaces Of Destabilization, Anna R. Aqua 2014 Scripps College

Queering The Freeways: Deconstructing Landscape And The Potential In Spaces Of Destabilization, Anna R. Aqua

Scripps Senior Theses

Abstract

This paper begins by introducing the concepts of urban anthropology and poststructuralism that lay a basis for my project and referencing some of the themes that will be explored in further chapters. Chapter I analyzes conceptualizations of Los Angeles in terms of center and edge, and discusses the ways in which Greater Los Angeles can be an interesting site in terms of queer possibilities of built spaces. In Chapter II the focus shifts to Los Angeles freeways, distinguishing them as in-between spaces of the built landscape and examining how they have been conceptualized by prominent scholars and artists. Chapter …


The Biomorphic Grotesque In Modernist And Contemporary Painting, Audrey Howell 2014 Scripps College

The Biomorphic Grotesque In Modernist And Contemporary Painting, Audrey Howell

Scripps Senior Theses

This paper looks at the concepts of the biomorphic and grotesque in art from the start of the 20th century to the present with a focus on painting and drawing. Included in the discussion of the grotesque throughout history are the works of Dadaist Otto Dix, painter Georg Baselitz, and feminist artists Judy Chicago, Hannah Wilke, and Ana Mendieta. Each used grotesque imagery to comment or react to a larger sociopolitical issue. Biomorphic artworks from the 20th century are mentioned as well, with specific examples of work by Lee Krasner, Willem DeKooning, and Hans Bellmer. These artists together …


Re-Enchanting The Spectacle, Shayna Cohn 2014 Washington University in St. Louis

Re-Enchanting The Spectacle, Shayna Cohn

Graduate School of Art Theses

“Re-Enchanting the Spectacle” explores guiding notions and central themes within the art practice of Shayna Cohn. Cohn’s installation spaces and sculptures within them, evoke a type of fabricated aura and melodramatic attitude of entertainment sites. By isolating the affect outside of the original environment, Cohn references the perceptual duality of entertainment sites within this “post-sacred” era. Entertainment venues become sites of potential transcendence, yet are also inextricably tied to their automated mechanization. Drawing on the Peter Brooks’ analysis of the historical and poetic relationship between melodrama and the sacred, Cohn argues that contemporary notions of melodrama can be found within …


Turtle Beach, Weizhong Huang, Weizhong Huang 2014 LSU New Orleans

Turtle Beach, Weizhong Huang, Weizhong Huang

LSU New Orleans Theses and Dissertations

This paper thoroughly examines the production of the thesis film, Turtle Beach. Each area of the film’s production is carefully dissected, including the writing, production design, cinematography, directing, editing, sound, technology, workflow and visual effect. Specific attention has been paid to writing and cinematography, and how they affect editing.


Keep It Up: The Things Within And Without, Vanessa R. Centeno 2014 LSU New Orleans

Keep It Up: The Things Within And Without, Vanessa R. Centeno

LSU New Orleans Theses and Dissertations

My art explores my attraction and repulsion to a commodity driven society. Paint Thing and Saint Thing are characters that I created to push my boundaries as a painter and question my process within painting. Working through my agitation, feeling of loss and confusion, I find that two parts need to be present: a belief in the process and the fear of it coming undone.

I use painting, sculpture and video to question the materiality of canvas and paint. I incorporate plastic objects, glittery materials, and things that have ephemeral qualities. I am attracted to synthetic forms and objects when …


Something Gained: Translation As Process, Amanda V. Rothschild 2014 Washington University in St Louis

Something Gained: Translation As Process, Amanda V. Rothschild

Undergraduate Theses—Unrestricted

This statement examines translation as a way to explore the act of painting. Drawing from theories of literary translation as discussed by Walter Benjamin, this essay looks at the ways in which the process of translating an image from a photograph into a painting echoes many ideas that come from the approach of translating between languages. The theme of translation is discussed first through an examination of the role of the photograph in determining the content of the paintings, using Gerhard Richter as a reference. The role of material and the physicality of paint in the translation of a space …


Making It Harder Than It Has To Be Or This Is The Sculpture Or *Sigh, Todd Barry 2014 Washington University in St. Louis

Making It Harder Than It Has To Be Or This Is The Sculpture Or *Sigh, Todd Barry

Undergraduate Theses—Unrestricted

You will be punched in the face and then poked in the side

(it seems, someone, has something, to say)

You start off with a slow looking-back – making a steady assumption

You take that assumption, o p e n it up ~ into elaboration, and sing the thing

RIGHT ON out of itself

You sculpt

You step back

You say, ‘wait a minute – relax’

You wake up, wiggle toes, wait for [something], move, make~ into

[something], and stand by it

You laugh, get grounded, fight your way outside, come

back, and take care of things

You feel, in …


Paiting, Lucas Page 2014 Washington University in St Louis

Paiting, Lucas Page

Undergraduate Theses—Unrestricted

My work is motivated by the painting “as such” – as an inquiry into and intervention upon what constitutes a painting, how they are constructed, how they function, etc. Through an investigation of painting as a genre, both in its historical canon and contemporary forms, I deconstruct the formal and cultural elements surrounding the field. Four major axes serve as the basis for my inquiry and intervention of painting: Painting, Abstraction, Representation, Control. Taking as a point of departure the comment, “Your work is a representation of abstraction,” I aim to figure out how “the painting” (in all of its …


Fuck Yeah, Thesis!, Marianne R. Laury 2014 Washington University in St. Louis

Fuck Yeah, Thesis!, Marianne R. Laury

Graduate School of Art Theses

Fandom is a feature of American popular culture that takes elements from specific genres, and reworks them into an individual to formulate an identity. Clothing, music style, meeting places, and even drink choices can be the defining factors for determining which particular group one might associate with. Focusing on groups within fandom culture, I work to disprove the phrase “you can’t judge a book by its cover” by discussing embedded stereotypes common to dedicated fans. As I am not elevating or undermining these groups, I describe their attributes in a non-discriminatory way, and relate them to my own work.

I …


In Pursuit Of Distant Horizons, Whitney Polich 2014 Washington University in St. Louis

In Pursuit Of Distant Horizons, Whitney Polich

Graduate School of Art Theses

Our lasting human desire to rationalize the phenomena of nature manifests as ceaseless attempts to fix fluid landscapes within the rigid boundaries of an image. Each landscape with its own physical language, rooted in the temporal and subjective particularities of sense—taste, touch, smell, sound, and sight—requires a lived immersion to be read and as such, eludes static interpretation or expression. The physical horizon provides both a physical and metaphorical reminder of the limits we constantly find ourselves confronted with—those limits of perception, language, and knowledge—as we seek to expresses the immediate experience and profound vastness of a world far exceeding …


A Composed Space, Adam S. Hogan 2014 Washington University in St. Louis

A Composed Space, Adam S. Hogan

Graduate School of Art Theses

My practice is invested in expanding our conscious scope—revealing phenomena and observations, and presenting the information to the viewer through auxiliary channels. Using the language of minimalism, cinema, and abstraction I create technologically sophisticated systems to produce spaces of contemplation (a meditative space challenging the ephemeral relationships between our sensorial perceptions, space, and time).

Material, space, and technology become instruments for composition manifesting as silent experimental cinema (created and controlled sonically). My work seeks to illuminate our conscious scope through the succession of frames.


The Thing You Are Looking For, Jessie Shinn 2014 Washington University in St. Louis

The Thing You Are Looking For, Jessie Shinn

Graduate School of Art Theses

This thesis document explores the influences and content of visual artist Jessie Shinn’s work, in particular the photography she has done as part of her Master of Fine Arts degree program at Washington University in St. Louis. Ideas discussed include phenomenology, phenomenophilia, affect, defamiliarization, the everyday, space, emptiness and boredom. Important artists and movements mentioned are Caspar David Friedrich, J.M.W. Turner and Romanticism; Alfred Stieglitz and Modernism; and contemporary artists Hiroshi Sugimoto, Uta Barth and Wolfgang Tillmans. Writers and philosophers Samuel Coleridge, Rainer Maria Rilke, Rei Terada, Kathleen Stewart, David Markson, David Foster Wallace, Jacques Derrida and Gilles Deleuze are …


Desire And Fantasy: The Conditions Of Reality Between The Self And The Other, Raleigh M. Gardiner 2014 Washington University in St Louis

Desire And Fantasy: The Conditions Of Reality Between The Self And The Other, Raleigh M. Gardiner

Graduate School of Art Theses

The human condition is constituted by the fluctuating operations of desire and fantasy, which emerge in response to one's fundamental differentiation between 'Self' and 'Other.' As infants, we exist in an expansive realm of sensational “sameness” with the world around us; but as we develop, we quickly learn to differentiate between our internal and external worlds, and are forced to divide and organize our once primordial experience of unity on the basis of isolated exclusion of difference. As we slip into the structures of our social and cultural reality, we absorb language, and are taught to construct our own identities …


Seth Czaplewski Thesis, Seth p. Czaplewski 2014 Washington University in St Louis

Seth Czaplewski Thesis, Seth P. Czaplewski

Graduate School of Art Theses

My work investigates the history of production and how human interactions have been affected by shifts in production over the course of the past two hundred years in the United States: the pre-industrial, Industrial Revolution, and the post-industrial age. The changes that occurred in society as a result of how production shifted from era to era informs my artistic practice and productions, which address areas neglected in the wake of progress. At the onset of each era, the technological advances initially appeared to be beneficial to society and people shifted from being locally oriented to being globally oriented.

My historical …


Painting And Stuff, Lol, Sopearb Touch 2014 Washington University in St. Louis

Painting And Stuff, Lol, Sopearb Touch

Graduate School of Art Theses

Our own human experience is a distinct realm which can never be precisely duplicated in another lifetime. It frames our whole view of existence and, as artists, affects our art making process. The theory of the Tabula Rasa functions as the inspiration of my work and this writing examines my personal view of growing up in the internet age and America, and how my view of life, as well as artistic practice, is shaped by a consumerist culture that has gone global. Additionally, as a figurative painter, I create a context with other artists who create work about their own …


Packaged Little Lives, Corbin R. Covher 2014 University of New Orleans

Packaged Little Lives, Corbin R. Covher

LSU New Orleans Theses and Dissertations

This document attempts to capture the main ideas and evolution of my art making process during the three years of graduate studies at the University of New Orleans. My art making practice is an ever-evolving exploration of materials and ideas. Through art processes and experimentations I am able to overcome negative feelings about my role in society. I get lost in my process making things, thinking about things, and trying to come up with new ideas for the world. I am attempting to heighten mundane materials like cardboard, crayons, foams and concrete with intuitive abstract shape making. I am trying …


Peripheral Recognition, Jason C. Childers 2014 The University of New Orleans

Peripheral Recognition, Jason C. Childers

LSU New Orleans Theses and Dissertations

Perception greatly affects the way we experience and understand the world. Using self-reflective research processes and data collection, I explore how art can subjectively re-present data and what this means for research and knowledge. The artworks through which I discuss these notions are Self Checkout 2013, Bibliography of Virtual Consciousness: Uniform Resource Locator Volumes 1-12 (BOVC:URL 1-12), and Observation Box. Self Checkout 2013 is composed of all of my receipts from 2013. They not only record my transactions, but also re-present data from which one can make inferences regarding my life—my consumer identity, my needs, my …


Revisiting Modernism And The Ballets Russes: What Contemporary Choreography Can Learn From Diaghilev, Kelly Oden 2014 Butler University

Revisiting Modernism And The Ballets Russes: What Contemporary Choreography Can Learn From Diaghilev, Kelly Oden

Undergraduate Honors Thesis Collection

In order to discover some of the features of what contemporary choreographers, dancers, artists, and musicians can learn from the Ballets Russes and the defining artistic movement of which they were a part-modernism-we must first take a journey back to Paris in the early twentieth century and work to unravel modernism's meaning in relation to different artistic media. We must ask complicated questions: What is modernism? What defines artistic success? What does it take to make something truly new? By asking such questions we can come to a deeper understanding of the conditions necessary to create a thriving artistic environment …


Four Seasons, Morgan Pearse 2014 Virginia Commonwealth University

Four Seasons, Morgan Pearse

Theses and Dissertations

FOUR SEASONS By Morgan Pearse, MFA. A thesis submitted in partial fulfillment of the requirements for the degree of Master of Fine Art in Sculpture + Extended Media at Virginia Commonwealth University. Virginia Commonwealth University, 2014. Major Director: Matt King, Assistant professor, Sculpture + Extended Media. Fantasy functions in a mental space. Cyberspace is a fantasy world. Cyberspace is a mental space mediated by the individual, but also through/into itself. What does an internal thought mean when it is directed towards strangers via online avatar? The Internet exists. Your body exists. There is something in between. There is no singular …


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